Mysterious situation of waiting but relaxing!  Very sweet and thoughtful moment!

Your music remember the sweet breath of Nature in a spring day!

A very strong musical message, and beautiful touching music...

Beautiful atmosphere and emotional sound!

Remix of the original Deus Ex Machina by Phenyx (https://soundcloud.com/phenyx_music/deus-ex-machina-remastered)

Stream on Spotify

Deus Ex Machina by Phenyx (Virtualex Mix) [Free Download]

Full track n°9 from the Scots Wha Hae album (2022) : as I've been hired in many weddings to play bagpipe throughout all these years, it gave me the inspiration to pen this tune.
Piste 9 de l'album Scots Wha Hae (2022), The Wedding (Le Mariage) m’a été directement inspiré par les nombreux mariages que j’ai animés avec mon spectacle de cornemuse en tenue traditionnelle écossaise.

Scots Wha Hae

The Wedding

Xy  UKRAJNA after the Darkness The Light Will Arise - UKRAJNA dopo Il Buio Sorgerà La Luce  -

Throughout human history more than 500,000,000 military men and women, fathers and mothers, sons and daughters have died from the direct results of battle and wartime actions.  This does not include the war-induced consequences of epidemics, famines, atrocities, and genocide.
     What is it we’re waiting for?… 
       Until there are none left to fight?

Composed and Performed by Kluane Takhini and featuring:
James Hill (trumpet)
Ivanov Basso (orchestration)

PLEASE WATCH THE VIDEO FOR MAXIMUM IMPACT!
YOUTUBE: https://youtu.be/_Hxew7OZx2Y

And Then There Were None

While I constantly reflect on life, I wrote music. This past year has come with some closure, but also brought some opening. Sit back and chill while you listen to my story! EP is also out on Spotify!

Need Mastering? Hit up Tyler Clark of Devil Den Records

Samadhi

Hey,

Thanks for listening to my second single of my new EP "Straight Lines with Extremely Sharp Edges"

Come check out my other stuff !!!
linktr.ee/taytaysounds

-TayTay

Ascension

Rise

Way back, back when animals used to talk,... from 2006 til 2011 I visited New York almost yearly. Every trip was different, but there had been one constant: a visit to Ellis Island

The visit touched me every single time and way back in 2006 I decided to write a song about it. This is the result of that vow...

A song about searching for a better, safer life... The story of  emigration, leaving all you have behind hoping for something better. The story of so many a hundred years ago, the story of so many today...

Red Star Line

Small classical piano prelude composed in Cubase 12.

Seven Little Preludes

Prelude No 7

End credits

The Portal

Portal

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

And Then There Were None

Kluane Takhini

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