Great representation of chaos in a musical sense.

beautiful unique composition with great musical ideas! well done my friend! 👍

Hreat Soundtrack Sound! Definite film score potential. I would be surprised if you haven't attempted doing that.

Wow , very epic . Fantastic sound whith my headphone. 🥇💎👏

Very gorgeous epic soundtrack! The development & build-up is so great!

This is a very powerful composition! Love the vocals. 👍

Ambient

Original Picture byHariton Pushwagner
Open for collab
KSB-PROJECT

DON'T NEED

DON'T NEED (Funky Meet Trip-hop)

Never judge by appearances, like a book by its cover. Only freaks do that.

Freak

BE A DEVIL
 
(Bm/D/A/Bm) x 4
bridge: (C/Bm/C/Bm/C/Bm/C#7/F#7)
(Bm/D/A/Bm) x 2

Thinks she’s hot
With the black around her eyes
Tries to look bad
But she’s an angel in disguise

Sharpened up her nails
And filed her teeth
Nobody’s fooled
She’s a softie underneath

She shaved half her head
And she’s covered in tattoos
Inked all over
With reds and greens and blues

And she puts on clothes
Like the Whore of Babylon 
Such a nice girl
Ain’t seducing anyone 

Be a devil
Be a devil
Be a devil
Be a devil 

Gotta get evil
Gotta be more nihilistic 
Gotta break some rules
Gotta buy some darker lipstick

Gott love the darkness
And hate the light 
Gotta  be a devil 
And you’ll be all right.

Copyright  Tim Holden  September 2024

Be A Devil

Welcome to the first in the series "Of Fire and Ice" - Music of Norse Mythology, where we musically explore the grand and mysterious world of ancient Norse Myths! 
This musical tribute seeks to capture the legendary essence of the Norse myths. You’ll hear melancholic Norse melodies, as perhaps the Gods might have heard in their minds, the distinct sounds of traditional Nordic pagan frame drums and soaring targelharpa fiddles, flutes and the harp-like lyre. All this blends with orchestral instrumentation, sounds of nature, harmonies and the soaring sounds of James Hill’s trumpet.

#1 “Creation”: 
The world began in a void called Ginnungagap, between the icy realm of Niflheim and the fiery realm of Muspelheim. When the ice melted, the giant Ymir and the cow Audhumla were formed. Audhumla revealed Buri, the ancestor of the gods. His descendants Odin, Vili, and Ve killed Ymir and used his body to create the world: his flesh became the earth, his blood the seas, and his bones the mountains. They then created the first humans, Ask and Embla, from tree logs, and established the World Tree, Yggdrasil, to connect the realms.

The full music series is now available on all streaming services and I'll regularly update YT videos for you in the series.
Video: https://youtu.be/BiJKgLb2PFo?si=268ajVao5JokACkj

'Creation' - Music of Norse Mythology

The song is about preserving love as the relationship matures.

Sunset Beach

Blues rock based piano jam song written and played by John, with drums & bass.

Piano Jam - John Hardman

Do old plucked instruments, drums and electronic devices work together? I tried this in this music, so that modern electronic sounds could also fit into it. Listen, give your opinion!

Sound of the Lake

Streaming !

Sound of ohe Lake

Take Me To Paradise

Some of the dj sets files that were broadcast on different radio shows in several countries...
There are some more files on my YouTube page :)
And I invite you to listen to my complete discography available only on bandacamp :)

www.youtube.com/@sebastiansuarezmusic/videos
https://sebastiansuarez.bandcamp.com/

Archive , Ambient Art Foundation Radio , Bucarest / Romania 2013

A journey through epic lands, of discovery, of boldness and courage, of revelation. A venture into the uncharted, across an endless realm, into the shadow of the colossus, standing unshaken before the immovable.

Titan

Rayos-de-sol-sobre-la-Tramontana

This is just a little track that consists of only a few elements. But I think that in its simplicity it is very expressive and catchy.

So lonely

Oldred V2

This Fleeting Moment

1-18. Peter Lehman - In The Presence Of Greatness (From Head Coach)

YouTube Video LInk: https://www.youtube.com/watch?v=G6enpWSs820

Free To Think

The Darker Side

Songwriter - Composer - Percussionist - Vocalist - Producer
Contact, collabs & Booking: philswain.music@gmail.com

Songwriter, composer, performer, Phil Swain started his musical adventures in 2013. Diversity in his music, depth in his lyrics characterise his style. A subtle blend of funk, jazz, house and groove afford the listener and the spectator a very special experience...
From his very beginnings in music as backing vocalist and drummer in a choir, his project was to create tracks composed only with percussions. But the idea soon evolved. Adding a melodic voice and chords were the starting point of a long series of eclectic compositions. His voice gained in subtlety and his style was enriched with various influences – 70s English pop, jazz, funk and reggae from the 80s, 90s electro, Drum’n’Bass, House and African music. To enrich his compositions, Phil collaborates with musicians coming from various horizons. He describes his style as electro pop, and has created his own electro biotope, influenced by funk, reggae, jazz and Latino music – a universe very much his own. 
He performs very frequently in Costa Rica, where he takes a big part of his inspiration. The incredible lushness of nature there allows him to recreate an atmosphere of universal horizons. 
In May 2017, he released his debut album, Evolution on the Move, with 11 tracks, distributed on digital platforms. We discover diversity in the musical style and depth in the texts... This album has the lush atmosphere of the vegetation that envelops the recording studio in which he works during his stays – as well the blue shades of hope that dwells in his lyrics, directed towards peace and harmony through self-change. 
The Buddhist philosophical influence in his texts give depth to his world. The meeting of nature and keyboards produces a wonderfully groovy ecological electronic music. 
Fluids of positive energy also emerge from lyrics that call for refusing the fury of the present world and enjoying the present moment. Each track reminds us of the urgency to respect our good old planet and the earthlings that populate it, sung in a very warm voice...

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

'Creation' - Music of Norse Mythology

Kluane Takhini

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Anastasiya Ihnatovich

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