beautiful work with a great story being told

Reposts the Fourteenth

Monster From The Deep - From the album Turbo-Laser - by Turbo-Laser

To find out more, visit us here:

https://www.facebook.com/turbolasermusic/

Monsters From The Deep

This is a further and again a very enjoyable collaboration with singer songwriter Mike Hill.
We hope that you will like this and that it will entertain you well!!!

Credits:
@mikehillravenscall: vocals and lyrics
@nobsmeyer: electric guitar, bass, drum production, mix and mastering.

Once Upon A Time

Once Upon A Time - feat. Mike Hill

Featuring: 
Vladimir Velichkov - kaval & kaval percussion 
James Hill - trumpet 
see Video: https://youtu.be/iIfAsIhmriA?si=XLp2QzItMyShY51i

THEME: 
As humans, we take ourselves far too seriously. Our world has always been divided by those who feel that their own voice is the only true voice. Monsters brutally rule others through ideologies, politics and money. 

Humans delude themselves of their own self-importance. Yet, “on the scale of worlds or galaxies - humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal.” (Carl Sagan) 

Perhaps by understanding our universal insignificance, we can find the courage to more kindly behave towards one another, and to preserve and cherish our “pale blue dot” in the universe, the only home we’ve ever known. 

About VLADIMIR VELICHKOV (Bulgaria) 
Vladimir is a virtuoso musician performing on the kaval musical instrument, as well as a composer and professor at the Bulgarian Music Academy in Plovdiv, Bulgaria, where he teaches “Kaval, Chamber Ensembles, Orchestra and Theoretical Disciplines”. He has a doctorate degree in “The Art of Kaval - Tradition and Modernity”. 

The kaval is a woodwind instrument, characteristic of Bulgarian folklore music. Extracting sound and tone from the kaval is extremely difficult. Vladimir achieves an extremely varied sound by using new techniques such as playing two or three notes simultaneously while singing into the instrument; using the “voiced air column” effect where the whistling of air passes through the instrument at a certain pitch and a melody is played - the so-called “whistling wind” effect; overflow of several registers in one or two octaves; and playing percussion effects. https://youtube.com/@VladimirVelichkov0205?si=i6ZhJEmvSR4Z5HIF 

About JAMES HILL (USA) 
Born into a musical family in Burbank, California, James began playing the trumpet at the age of nine and never stopped! “James creates a beautiful and compelling array of musical landscapes - fusing genres, styles, instruments, and rhythms into intensely evocative compositions. His music is punctuated by stellar and often haunting trumpet interludes or overlays. There are certain beautiful and pointed experiences in life on earth that should not be missed, and must be savoured…. The music of James Hill is one of these experiences.” (R. Sebastian Bennett) https://youtube.com/@tcabstudio?si=o_z3iUDQi4K3FMty

Infinitesimally Insignificant

Late in the Play

Hi everybody,
here is another original tune I wrote in the last couple of days. It basically sums up a dystopian future for someone like me, being in his early 20s. But its the harsh reality for many people - or at least I assume it is...
Maybe you like it :)
If so leave a like, repost, follow, or a comment for some feedback and support.
Thanks :)

Asleep

original song all instruments and vocals, chris magsam

When Love Becomes The Blues

The Snipe Hunt

Artist-Ben Morbid
Track- One Of Us
Recorded at Shutter Track Studios
Mixing and Mastering Engineer- Keith Kosmopolis
Instrumental- Bank Hard Beats
Morbid Music Productions
Rotting Flesh Records

One Of Us

Birds Over The Sea

Buzzkill

Endless Road

Fawn

The Devil You Know

Marimba Musings and Other Variations is a high-concept, genre-blending sonic feast. Each track is a theatrical ode to a culture, dish, or myth, centered around the marimba — a rhythmic narrator guiding listeners through whimsical, dramatic, and high-energy soundscapes. From the stately romance of Biscuit Marimba to the operatic grandeur of Wagner Marimba, the volcanic bounce of Tsunami Marimba, and the slapstick funk of Croissant Marimba, every piece fuses orchestral craft with absurdist charm and global flavor. Packed with Dolby-level production, Quincy Jones–style arrangements, and bursts of chantable magic, this collection is a genre unto itself.

Track 11 Marimba Meditation North

FATE - Nordic Relaxing Deep Sleep Music

Orchestral soft music 

Follow me:
Soundcloud: https://soundcloud.com/tuomasdata
Spotify: https://open.spotify.com/artist/12NjG2NhuKYBq6qfN5jE0S

Dreaming

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Our music is a unique blend of electronic music, jazz, and world music. It is characterized by intricate rhythms, lush melodies, and hypnotic sounds, which are skillfully woven together by Leopoldo et Lacerda. The music has a modern, futuristic feel, pure Portuguese urban soul, creating a sound that is both original and captivating.

Infinitesimally Insignificant

Kluane Takhini

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