Very dark, frightening theme. But otherwise I would have said, this track is a clear winner! :)

Dynamic background Great work, great song !

Great song, there's very enchanting, sad and powerful feelings. Strong message and so true!

"It is a pleasure to propose listening to this new song, a personal, warm and elegant, interpretation (in lyrics and voice) of Winkandwoo, on one of my instrumental pieces, hope you like it..."
--
Vocals & Lyrics: Winkandwoo @winkandwoo
Music: Fleursonseaux @fleursonseaux
All rights reserved - © Copyright
--
Lyrics:
Old Empty Room

In this old town
When snow comes down
There's not much chance of it laying
The roads go brown
In this dirty town
And stops the kids from playing

The old empty room
Down the hall
Is like December
A Winter so bare
Like the room
'Cause you're not there

The walls are so cold
Like your heart
As I remember
A small chink of light
From the blinds
We used to share

The echoes of
Your laughter now
Brings teardrops to my eye
The memory of
Faded joy
Like dusty air in sunlight

The old empty room
Down the hall
Is like December
A Winter so bare
Like the room
'Cause you're not there

The walls are so cold
Like your heart
As I remember
A small chink of light
From the blinds
We used to share

Old Empty Room (feat. Winkandwoo)

EAGLE

Theo Bina: Music, all instruments,mix
Bodo Bremer: Cover

Release: 25.02.2023

November (Theo Bina)

Still Warm

Cloudy

Watch the video: https://youtu.be/S6kn94WnluY?si=UEaJwwjk3x8vgZQU

What might happen if a nuclear war were to happen between Russia and United States? 
Who would survive?
One thing is clear – “There are no winners – only losers”

There Are No Winners

Catchy, this tune has been in my head all day! Managing to find the time to compose again is so so good!
Combination of sounds from Logic Pro X, Arturia and of course Ghosthack vocals.
Picture courtesy of Freepik

Chasing Her Rainbows

An English/French love song written ,in my rented flat on the phone ,in 2003...
Acoustic guitar, and vocals. 


remix. Computer and flowers.

Written & Performed by Ruviru
Beat Produced by Antun V
Mixed and Mastered by David J




Spirit Remains, Love Prevails

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by rafamcm and all credit goes to him for the music track creation which I have listed below. Check out rafamcm on YouTube. The links below are to the original material by the artist.  

Obtained from: rafamcm
YouTube site: https://www.youtube.com/@rafamcm
Backing Track Title: Backing Track - Ambient Rock (in A minor)
YouTube Track channel: https://www.youtube.com/watch?v=1cJ0OdjMpJk

Date: 1/12/25
Song Title: The Vortex of Computational Travel
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 92 Jackson DK1 with HSS configuration
Color: White Jackson DK1
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Archetype Rabea X
Preset: Airy Guitar Pad
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Encounter_00X

The Exchange Of Love

"Farewell My Love Waltz No. 16” - A melancholic broken heart waltz that captures the essence of longing and nostalgia. Composed with a poignant melody that echoes the depths of my broken heart, this piece invites listeners to immerse themselves in its soothing yet sorrowful beauty. As a composer and countertenor, I’ve poured my emotions into this waltz, creating a hauntingly beautiful soundscape that resonates with the soul.

Details:  A Minor, 6/8-time, 90 BPM and C Major, 6/8-time, 90 BPM

Watch, listen, and feel the emotions.
If you enjoyed my Waltz, please press like, subscribe my channel, and share with your friends!

https://taulantmurativoximus.bandcamp.com
YouTube:  @TaulantMuratiakaVoximus  

 #melancholicwaltz #farewellmylovewaltzno16 #composerlife #countertenor #instrumentalbeauty #heartfeltmusic #brokenheart #grief

Farewell my Love Waltz No.16

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

There Are No Winners

Kluane Takhini

Recent comments

Borislav Cos-Mos

Siamak Sarmadian

Doug Takacs

Under The Bad Sign

Related tracks