wow. this has got soul man. Great song. Vocals are top.

superb vocal and instrumental performance

Oh my goodness!   The vocals are superb!!!!!  Excellent recording!!!!

This is a song of human oppression that has existed in our world since the beginning of time and unfortunately continues to exist to this very day.
Featuring the heartfelt vocals of Tony Mac.
Written and performed by Kluane Takhini

YouTube: https://youtu.be/7K-KpcLrWeo
Spotify:  https://open.spotify.com/track/0FAN6EF1ilODZH3zzUgcKe?si=062eed509edf4fa3
... and all other streaming platforms.

When We Were Free

Part of the album "Die Umrandung des Nichts".

Die Umrandung des Nichts

Tomorrow

ALISA WUNDER https://soundcloud.com/alisa-wunder

Willaume Theme ( Performed By Alisa Wunder )

Summer Twilight - Fleursonseaux
All rights reserved - © Copyright

Summer Twilight

From our upcoming album NTT Funk Odyssey Vol. 4 due in 2025 only on Bandcamp:

https://thestrandedalien.bandcamp.com/

The NTT - Ambrosia

Wings of Ethereal Harmony

Play on Spotify

The Crane in the Snow

That's true. Finally... Come on, tell me everything that weighs on you and what is on your heart. ❤️ ♥️ 💓 💔 💖 💗 💙 💚 💛 💝 💟 🖤

Come have a Cocktail and talk to me

Come have a Cocktail and talk to me - KRT Production

This is my arrangement for the awesome AWD song "Just Not Your Day"

Please DO go check the original track
https://soundcloud.com/awdstudios/just-not-your-day
and give this guys a follow.

This track is now available on all major streaming platforms such as:
SPOTIFY: open.spotify.com/artist/1ySg5talFpiWbJvUqouoIl
iTUNES: music.apple.com/us/artist/n-a-s-p/1428027628

Also Please take some time to follow/subscribe on social media:

YOUTUBE: www.youtube.com/c/NASPNotaSideProject
FACEBOOK: www.facebook.com/naspx
INSTAGRAM: www.instagram.com/alex_not_a_side_project/
BANDCAMP: www.nasp.bandcamp.com/
TWITTER: twitter.com/NASP_

Lyrics:

Break away from the stain that you call society
disgraced attitude 
that reacts violently. 
Fuck it all killem all is how I brawl no restraint 
only war paint no saint 
take that shit to the bank. 

You nothing but a joke wearing an yella cloak. 
Quick to getcha jaw broke, leave the pavement blood soaked.
its a fact I'm a mac with this bat I'll make ya head splat.
Nothing left to say 
it's just not your day.

As I put this bat in my hand mother fucker
ain't made of sand it's real and will break through ya grill.
What a thrill when I come up to ya house kick ya door down 
see ya family frown when I show´em daddy is just a clown.
just a clown
just a clown
just a clown
clown

I will die before I bow down and lay at their feet.
Show no fear I'll make it clear that it's just not in me.
Ignore the lies that they feed into your mind.
Redefine realign redesign. It's about time.

I will die before I bow down and lay at their feet.
Show no fear I'll make it clear that it's just not in me.
Ignore the lies that they feed into your mind.
Born and bred to be free, america can't you see.
They´re taking away everything

your chances are slim

Fuck you fuck them 
these visions gettin grim 
sanitize going dim
your chances are slim
for nothing you have live 
nothing left to give 
nothing left to say 
it's just not your day.

it's just not your 
day
it's just not your

You come to me before you get to the gates. 
I become a monster in the shadows
when you look under your bed. 
Motherfucker you hear what I said. 
Im the one that will cut off your head..

You´re all weakkkk. 

I will die before I bow down and lay at their feet.
Show no fear I'll make it clear that it's just not in me.
Ignore the lies that they feed into your mind.
Redefine realign redesign. It's about time.

AWD's Just Not Your Day feat. NASP

The Detroit underground dark jazz scene brings forth The Dark Messiahs' latest track, "Kid Twist." The melody of the piano weaves its way through the song with its hypnotic ostinato.

Blue Six's trumpet cuts through the atmosphere with a raw, distorted edge, adding an element of gritty allure to the ensemble. Tully Wilson's clarinet dances in and out of the arrangement, casting its spell, while Wilt Flowers' bass provides a steady, heartbeat that anchors the composition.

But it's Sonny Rhodes' piano that truly steals the spotlight, guiding you through the piece. From moments of melancholic reflection to bursts of more frenetic energy backed by Sticks Thompson's masterful drumming, driving the rhythm forward with precision and passion.

With its seamless blend of dark beauty and experimental fervor, "Kid Twist" allows you to close your eyes, and let The Dark Messiahs whisk you away into a world where dark jazz lives.

Kid Twist by The Dark Messiahs. Dark, doom jazz from Detroit.

Issey Cross - Sleepwalking  (ATH Remix)

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

When We Were Free

Kluane Takhini

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