from album W.I.P. possible in 2010 work name "WAVE HACK".
  One of the official demo track for OhmForce's virtual Synth   - Symptohm:Melohman Performer Edition. 
      Believe me this vst was the coolest virtual synth which i bought, if not mistake only for 20 euros!
      Now this synth FREEWARE! 
      This track was recorded only with playing sounds on this synth and Waldorf Attack 909 style drums. 
      (Recorded in October 2009. Host - REAPER sequencer + free FX - Kjaerhus Audio Classic Series.)

      info:
      http://www.ohmforce.com/UseFreeSoftware.do?action=listFreeNonStandalones&productId=1274001
      http://blog.ohmforce.com/2009/10/28/denis-klutch/

KLUtCh - Wave Hack

from album: KLUtCh - "8 bit freehand beat" ,(2000-2002)

KLUtCh - Lullaby

from album: KLUtCh - "HEEGER" ,(2006-2008)

KLUtCh - Lipdoll

from album: KLUtCh - "KLUtCh Plays Music" ,(2000-2004)

KLUtCh - Cyber-C Happiness

Jazzanova remix contest. Remix by Denis 'KLUtCh' Popyrin

JAZZANOVA - I Can See (KLUtCh remix)

KLUtCh is the russian musician Denis Popyrin. His music is technologic, intellectual and sometimes even radical. A unique combination of ultrafast aggressive breaks and bright melodies - always unexpected, fresh and surprising. His style varies from minimal techno and computer game soundtrack to electro and ambient and avoid boring clichés. In 1997 the critical mismatch of his desires and ideas with the capabilities of the 8 bit -technique available for him resulted in creativity crisis…and Denis buyed his first powerful synthesiser – the Alesis QS6. In the 6 months following he recorded about 40 musical compositions in an so far unknown style. The result was the album ‘8 bit freehand beat’. Two tracks from this album - Strochnik and Wantelur Saw - became one highly regarded as part of the CD-compilation ‘Ru.electronic’. 
 
"This is a Russian thing off this compilation called Ru.Electronic. It sounds really Russian. It's just sounds like they cobbled together whatever they could and made it. You can almost feel the temperature of the room when he was recording it. It's got this riff that comes in that's really simple, it just plink-plonks away. It's one those tracks you hear and think: "Why don't I just use one DAT machine and a synthesiser?" You don't need all this equipment, you just need a good idea." Charlie May (Spooky) about KLUtCh's "Strochnik", Ministry of Sound magazine, 2002 (issue about Sasha & his album 'Airdrawndagger').

Boris Grebenshchikov, a man who might rightly claim to be Russia's most famous rock singer
said:
" I like the Petersburg electronic outfit KLUtCh.
Unfortunately, there are very few Russian groups today whose work is physically or spiritually beneficial. There's too much 'heartrending' stuff out there that does nothing more than complain how everything's bad or that life is simply awful..." , http://www.farfrommoscow.com/artists/klutch.html

RUSSIAN DANCE REVOLUTION: KLUtCh
There is something aggressive about this new wave of European-influenced house—perhaps due to its creators belonging to a generation weaned on hip-hop and metal—and KLUtCh, the nom de rock of Russian electro wizard Denis Popyrin, perfectly illustrates this antagonism with his distorted dance music. What makes these murky songs so scary is that—as on “Sacred Knowns”—they go from darkly ambient to scuzzily volatile and back so quickly that listeners can get whiplash. Other tracks, like “How To Potato 7K,” offer the 8-bit energy and forward momentum that would make them perfect for soundtracking adventure videogames. So whether you’re looking for a score for action sports or action films, you can find a KLUtCh song to bring out the inner Steve Caballero or Steven Segal in anyone.
Rumblefish licensing. January 23rd 2009

REVOLUTIONARY RUSSIANS: KLUtCh
The squelching, distorted electro of Russia’s KLUtCH fits in perfectly amongst the current crop of echo-laden, rock-influenced dance music (see: Does It Offend You Yeah? or Justice). With manic energy, stuttering, A.D.D.-addled edits, and a buzzy 8-bit bleeps and bloops, this electronica is not simply for dancing. KLUtCh’s songs are dark, itchy and aggressive, perfect for scoring an action scene, be it spies chasing one another through dimly lit European streets, videogame characters mowing down the competition or skateboarders executing the perfect double kickflip. Recommended uses: * Futuristic and/or dystopic movie trailers * Replacing Justice, the Death Set or Does It Offend You, Yeah? * Action sports videos
Rumblefish licensing. November 17th 2008



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