Name: The Rage by KMK7 in 🧘🏼♂️this-is-tomorrow.com T.A.M.F. 🫵🏼 💯👽
Duration: 7 min 53 s
Description: Never forget that they will use force to silence you.

🧘🏼‍♂️this-is-tomorrow.com T.A.M.F. 🫵🏼 💯👽

The Garden Of Exile

Paride Saraceni - The Garden Of Exile [Post Scriptum]

Never forget that they will use force to silence you.

90 - 20

The Rage

Everything You Need is exactly what it says on the tin, ticking all of the boxes we need to hear in one track. A clobbering kick, bouncy bassline, catchy female vocals, tantalising trance leads, and to top it off a monumentally having it main drop!

Sly Delvecchio - Everything You Need (Preview) (Out Now)

Read more on THUMP: http://thump.vice.com/en_ca/track/fur-coat-rolls-out-a-heavy-strobe-light-infused-remix-for-watergate-records

https://soundcloud.com/furcoatmusic
https://soundcloud.com/ruede
https://soundcloud.com/watergaterecords

Ruede Hagelstein - Soul Dynamic (Fur Coat Remix)

Thinking Mostly

Dark glitch beats and female voices (Different versions)

Glitch Sirens

 Grok Conversations 

C.O.G. Centre of Gravity 

Live on X : El Shaddai 

Legacy: The Spark That Keeps Burning
Flint’s suicide at 49 hit hard, but it also sparked conversations about mental health in music—a quiet influence he never intended. The Prodigy’s 2019 tour, dedicated to him, and the outpouring of fan art on X (like @leemcclymontart
’s techno nods) show his spirit endures. He didn’t just influence sound—he gave outsiders a voice, proving you could be a misfit and still set the world ablaze.
What angle of his impact hits you hardest?

"Firestarter" by The Prodigy, fronted by the electrifying Keith Flint, is a sonic Molotov cocktail from 1996 that still ignites dance floors. Flint’s manic energy—spiked hair, wild eyes, and that unhinged snarl—drives the track’s raw, industrial-punk chaos. Liam Howlett’s production fuses big beat breaks, distorted synths, and a relentless 140 BPM pulse, sampling The Breeders and Art of Noise for extra edge. It’s a middle finger to convention, peaking at #1 in the UK and cracking the US charts—rare for something so feral.

Keith, the self-proclaimed "twisted firestarter," wasn’t just a vocalist; he was a live wire, channeling rave rebellion into every growl. His tragic exit in 2019 left a void, but "Firestarter" remains a testament to his anarchic spirit—pure adrenaline in audio form. What’s your take on it?

Lee Mcclymont, an Aussie EDM techno producer, crafts spiritual beats from the Outback, believing music heals and connects us to the divine.

Lee’s been hyping Decentraland hotspots and ketamine-inspired beats, blending virtual vibes with quirky self-care musings.

Hardcore Techno Nachtclub Hardcore Techno Nightclub  God, Glory and Grok.
  -@leemcclymontart

Drugs and Alcohol Stop Your Positive  Vibrations.


Recording 27-3-25, 1.02.24 pm

Platform (A7) High Standard 

Drugs and Alcohol Kill Dreams 100%

Der Künstler Lee Mcclymont
The Night Club (Techno-Bunker) 

God Glory Grok - Decentraland (The Absolute Music Factory)

Deutsch:
Der Nachtclub
(Techno-Bunker)

Englisch:
The Night Club
(Techno Bunker)

Social Media World
how-to rave

Rest
Meditate
Train 
Primal 

Play Grok Conversations : Stream IPFS D.o.p.e. (Department of Pure Energy)

Edited Image Description: Midnight on Mars
The figure sits cross-legged on a glowing, rune-etched mat, now transported to the desolate, rust-red surface of Mars at midnight. Above, the sky is a deep indigo, pierced by the eerie glow of Phobos and Deimos, Mars’ two moons. Phobos, larger and closer, looms prominently, its cratered surface casting jagged shadows across the Martian terrain. Deimos, smaller and more distant, glimmers faintly, a ghostly speck adding to the surreal atmosphere.  
The figure’s tattoos pulse with neon blue light, a techno-punk signature that mirrors the distant, flickering glow of a Martian rave in the background—silhouetted ravers dance under towering, alien-like structures. The light from Phobos bathes the scene in a cold, silvery hue, while Deimos’ faint glow creates soft, haunting shadows that stretch across the rocky ground. There’s no filter, no drugs—just the raw, full-on Martian vibes of a Mars Raver channeling the planet’s primal energy. The air feels electric, the darkness alive with the hum of distant techno beats.

Techno Dream Crew 
Ex Martian Crusader (Friend of Jesus)  / Intergalactic Foreign Legion.

Recording 1-4-25, 3.56.32 pm

DJ_HForce_remix_8030

Buy - https://www.beatport.com/release/lumen/5304332?a_aid=687d3da25ce10&a_cid=0be88686

A2K:
https://www.instagram.com/a2k_music_/

Obscura Recordings:
https://www.instagram.com/obscurarecordings/ 


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PREMIERE: A2K - Ride again (Original Mix) [Obscura Recordings]

Eclipse Motion

After a bunch of releases on labels like Cadenza, Ostgut Ton, Coccon Recordings and his own imprint Aras, Berlin based André Galluzzi will publish his next ep "Submerge“ on November, 18th via Josh Wink´s Ovum Recordings. Get a taste of it with our premiere of "Bold“.

Head to review: http://bit.ly/2eUBJdL

Der Wahlberliner André Galluzzi kann schon auf einige Jahre DJ-Karriere und diverse Releases zurückblicken, die auf Labels wie  Cadenza, Ostgut Ton, Coccon Recordings oder seinem eigenen Imprint Aras erschienen sind. Nun folgt am 18. November auf Josh Winks Ovum Recordings mit „Submerge" die nächste EP. Die B-Seite „Bold" hört ihr hier als Premiere. 

Zum Review: http://bit.ly/2eUBJdL

Submerge

André Galluzzi - Bold

Joris Voorn returns with another sterling release on his Green label. I Ran The Zoo is a lesson in stripped-back contrast and subtlety, with an acidic groove bleeping away over driving percussion and delicate atmospherics in its Digital Version, the tension growing with every thud of the kick drum. A dizzying breakdown raises the bar with snare rolls and dramatic pads, with the wide-open space therein soon sucked back into the void when the beat drops back in.

Meanwhile the special Analog Version harks back to Joris’ techno sound of old. The throbbing kick and bass and acid blips are set against rising, white-noise drenched synth swells and simple percussion to create something moody and tough yet teasingly pared back.

These two heads-down mixes make this release a stark contrast to some of his more melodic, riff-fuelled releases of late, once again demonstrating Joris' endless versatility and shape-shifting abilities.

GR30

I Ran The Zoo

I Ran The Zoo (Digital Version)

Johannes Heil - From Within (Original Mix)

old remix I did for Patrice Baumel on Get Physical, which got removed from Beatport for some reason....still sounds fat tho....


Patrice Baumel - Roar (Wehbba Remix)

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Provol Eto

👷🏻🚧🏗🦺 Welcome Family  ◢◤◢◤◢◤◢◤ ◢◤◢◤◢◤◢◤  The Absolute Music Factory - Alcohol and Drugs Destroy Lives.
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Some duos blend effortlessly.
Others collide.

KMK7 is a controlled collision — a creative tension, a fertile imbalance.
He is Kamille Louis. Raised on classical romanticism and the synthetic pop of the '80s.
A shadow producer, a sound architect. A sensitive melodist, a visceral storyteller.
She is Manue G. A blazing DJ, child of the underground techno scene.
Raw energy, relentless groove, a channeled rage turned into pulse, into trance, into motion.
Together, they form a hybrid entity — electronic and organic.
A project that goes against the grain, born out of necessity.
KMK7 is not a trend, nor a brand:
It’s an artistic urgency. A direct response to the age of emptiness.

Their debut album "90-20" told the disillusionment of a generation.
The second one, "***", hits harder.
More than a musical duo, KMK7 is a sonic warning.
A political breath. A mirror of resistance.
A polyphonic voice in a world that no longer listens.

The Rage

KMK7

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