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MFMDIGI004

Johnny Sais Quoi - One Way To Say (Extended Edit)

https://soundcloud.com/yeun-elez https://soundcloud.com/teenagemenopause
🛒 https://teenagemenopause.bandcamp.com
🔊 https://youtu.be/Dk_vmk2DCE4

Yeun Elez opens a breach: that of a forgotten threshold, a gateway to Hell concealed beneath the peat and legends of the Breton marshes, from which Hoel Moce borrows the name for this project.
Born from Celtic tales passed down in hushed tones, it summons wandering souls, suspended spirits, and those who have already reached the end of their journey. Having escaped from Techno Thriller, Hoel founded Yeun Elez in 2022, as an autonomous and haunting sonic territory.
Surrounded by talented collaborators (Maria Mallol Moya : NaturaMorta, Lou Savary : Reymour), he weaves a ritualistic and visceral music, traversed by dreamlike landscapes, misty battlefields, and a fantastical medieval Brittany.
Between pagan symbolism and spectral visions, the project explores the murky depths of the human condition. Thus, birth, love, decline, death: the themes emerge as archaic truths. Betrayal and revenge exist alongside devotion and the quest for an ideal that transcends us.
Mixed by Luc Bersier (Reymour) and then mastered by Tioma Tchoulanov (UVB76, Nze Nze), this album by Yeun Elez doesn't reconstruct the past: it invents it to better haunt it.
Music like a rite of passage, both rooted and timeless, like an inner journey, dark and necessary, to a place where myths refuse to die.

Tracklist:

Le Roi Sans Nom
La Lettre Inachevee
The Private
Roses On Your Grave (ft. Natura Morta)
Pour Un Sourire
Forest
La Salamandre
Les Ombres Chinoises
Les Corneilles
Raven OF Dawn

PREMIERE: Yeun Elez – Roses On Your Grave (ft. Natura Morta) [Teenage Menopause Records]

New discoveries, news about Brokenchord live show dates, tour announcments and unheard music by Brokenchord friends

Brokenchord (12.03.2026)

Daniel Jahn’s sonic wanderings unfold in zones where texture, echo and memory lose their edges. Through his recording project Schatterau, he sketches slow-moving soundscapes woven from looping fragments, spectral harmonies and distant voices.

A resident at NTS Radio and TNP, and working in A&R for Hamburg’s Bureau B, he draws from an ever-expanding archive of obscured recordings. His sets move slowly between stillness and dislocation, bathing the space in nocturnal melancholia, mist-veiled reveries and subtle tension.

Follow Daniel Jahn_

SoundCloud_ https://soundcloud.com/itsyourunhappybirthday
Instagram_ https://www.instagram.com/itsyourunhappybirthday/

| EPISODE 226 | Daniel Jahn

CHANGE

It has been twenty-five years since the seismic events of 2001—when twin towers collapsed under terrorist attack and Coventry's sonic insurgent Russell Haswell launched his inaugural salvo on the original Mego label with Live Salvage 1997–2000. The intervening era has delivered unrelenting turbulence: protracted wars, institutional corruption, a global pandemic, the resurgence of fascist currents, rampant media distortion, and omnipresent surveillance. For Haswell, a lifelong admirer of 1970s and 1980s dystopian cinema, the verdict is unequivocal: "Science Fiction is now!"

In the face of this darkening reality, LET IT GO arrives as both acknowledgment and antidote. This new full-length on Editions Mego extends an olive branch through defiant sonic diversity—an unpredictable mosaic that embraces everything from propulsive rhythms to radical abstraction and enveloping ambience. True to Haswell's core practice, the material draws from the same tactile, free-improvised electroacoustic framework that powers his live sets: immediate, powerful and unscripted.

The album weaves reverent echoes of 1990s Detroit techno's hypnotic pulse and the abrasive, metallic edge of the Birmingham sound into fractured generative territories. Haswell returns to his computer-generated origins while integrating his recent modular-synthesis experiments. During a residency at the Bergen Centre for Electronic Arts (BEK) in Norway, he harnessed the latest GRM Tools suite to conjure the volatile, "rapidly fluctuating pitched sounds" that characterized Iannis Xenakis' late electronic works—resulting in pieces such as Fall 3 and Fall 2, where instability becomes a form of vitality. The tracks Exit Downwards and The Anxieties Of Our Time whilst reflecting the currents of the release also offer surprisingly melodic patterns over jagged rhythms. The wryly titled Thu 25 Dec 2025, (recorded in Glasgow after a solitary post-Christmas-lunch walk home) is a vast drone which evolves according to the random walk model—known more evocatively as the drunken walk—each sonic step veering unpredictably, mirroring the disoriented lens of contemporary existence.

LET IT GO  is liberation. Amid the cacophony of crumbling certainties, Haswell deploys a full arsenal of resistance: kinetic drive, disorienting rupture, quiet refuge, raw aggression, and tentative hope. In an age where dystopia has shifted from fiction to lived fact, this music asserts that possibility endures.

Used = Acid Rain Technology, ADDAC System, ALM/Busy Circuits, Apple, Audiofile Engineering, Beautiful Pieces of Outdated Technology, Composers Desktop Project, Cwejman, Epoch Modular, FANCYYYYY Synthesis, FORGE-TME, Future Sound Systems, ina/GRM, iZotope, MOTU, Neutrik, SnazzyFX, Super Synthesis, Tip-Top Audio, Waves, Zynaptiq ...

Produced, Edited & Mastered by Russell Haswell in Glasgow, 2025-2026.

LET IT GO

Exit Downwards

Russell Haswell 'Exit downwards' (EMEGO326)

@diagonaledesyeux
Diagonale des Yeux is the new band formed by two of France’s admired and adventurous artists. Laurène Exposito, we know as EYE, our longest regular contributor to the label — and friend Théo Delaunay, member and producer of Parasite Jazz, panoptique, De Klok & Violent Quand On Aime.

Madeleine

Diagonale des Yeux - Paradies

'La Source' [CD|LP|DIGITAL]
Denovali Records · den401
available on all formats at denovali.com/davidnorland

David Norland is an Emmy-nominated English composer, known for his scores for drama and documentary, alongside his experimental choral and electronic music. Bringing stories to life through sound, he received critical acclaim for his debut solo album ‘Glam Tear Stain’ (2019) and is set to release the follow-up album ‘La Source’ in 2026 via Denovali Records.

Relocated back to his London home after many years in Los Angeles, and free from years of drug and alcohol problems, recent commissions for two choral works allowed Norland to return to the innocent origin of his musical world, and his experience as a parent prompted a lot of outward reflection. What kind of world are we leaving to our children? 

Inspired by his score to the forthcoming silent black and white film ‘Carousel’ (2026), Norland found other music emerging that refused to be ignored. The film’s director opened the door to an entirely free scoring process – no temp music, no expectation, no guidelines, just pure intuitive expression. ‘La Source’ draws on this experience, alongside his childhood as a touring chorister, the honkytonk upright piano in the north-east London bedroom of his early 20s, his early recording experiments with a TASCAM 4-track cassette recorder, and his intense preoccupation with bells, flutes, stone architecture, and mysticism. 

From the haunting, choral beauty of ‘E-Car Soul’ to the breezy album title track, Norland blends minimalist classical structures with electronics. A unified tapestry of blended voices, harmonies and textures, ‘La Source’ is a deeply emotional and melancholic journey for Norland. “In the end, I’m looking to find meaning through the music, like when I was a kid singing in choirs. But I get the most sense of meaning through transcendent experiences, rather than anything intellectual or dogmatic. I have to feel it, not think it. I’m trying to make work that’s luminous, wondrous, shimmering and strange, so I can keep having those experiences,” says Norland.

On his inspiration for the album, Norland adds, “I love making patterns in things and finding patterns. That’s why minimalism was so enticing to me, the patterns are so explicit. I love word play and anagrams. The big sadness coming through as I was making the record is this clarity over the future of my kids. Everything else is a complete distraction. This incredible nurturing planet and its ecosystem are being rapidly destroyed, and the forces destroying it are relentless and punitive. And they seem to be fine with consigning our children to live in an ever-more-hostile wasteland. You can’t pretend that’s not coming, if you do I think you’re lying to yourself. And perhaps eventually it will be the fact that people love their kids that will stir wider fear and action. It’s hard to think of anything more connected to the idea of spirit.” The result is the reflective, ecstatic, mystical and sad world of ‘La Source.’

In 2012, he was the music supervisor for Hitchcock (2012) featuring Anthony Hopkins, Helen Mirren & Scarlett Johansson and in 2017, he teamed up once again with Gervasi for the score to November Criminals starring Chloe Moretz and Ansel Elgort. The following year, he composed the score for the Emmy-nominated HBO ﬁlm My Dinner With Herve, starring Peter Dinklage and Jamie Dornan.

David Norland - E-Car Soul

Men With Secrets – “The Tower”
from the forthcoming album Sand Clock

Cititrax presents “The Tower,” a striking new recording from Men With Secrets — the Italian trio of Donato Dozzy, Lino Monaco, and Nicola Buono (Retina.it). Emerging from their earlier experimental project Le Officine Di Efesto, the group channels the stark spirit of classic minimal wave, post-punk, and synth-driven pop through a contemporary lens.

Driven by icy synthesizers, pulsing drum machines, and intimate baritone vocals, “The Tower” captures the shadowed tension, hypnotic rhythms and melancholic melodies that define Sand Clock.

Written and produced by Donato Dozzy, Lino Monaco, and Nicola Buono.
Recorded in Rome and Pompeii.

The Tower

Hollow (prod.Ash_Aiden)

Entombed cover.

Guitars - S.kii
Vocals - S.kii
Bass and Drums - Deftones (sampled from original)

Entombed (Deftones Cover)

www.knekelhuis.nl
For licensing and other inquiries: mark@knekelhuis.nl

Diagonale des Yeux - Paradies

Knekelhuis

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