i had one of the worst nights of my life because of my own depression, but tonight I feel a lot better and this song just empowered me in ways I can't explain

Beautiful Track ~ Shared on Mr.Within ~ soundcloud.com/mrwithin/sets/mr-withins-dream-20-7-14

this song reminds me a lot about how fragile life is ad how fragile we all are. how even the strongest persons you know can break down and vanish from the earth. It´s a reminder that we shuldn´t take life for granteed.  because it can end at any moment.

One of the best songs of the new era.... Oh how I crave for this music

'Drew', first lead track from the new album "Tales of Us" , out now on Mute. Get "Tales Of Us" here: iTunes: http://smarturl.it/talesofusitunes
Direct: (including the exclusive Deluxe Box set): http://goldfrapp.sandbaghq.com
CD: http://smarturl.it/talesofusCD
LP: http://smarturl.it/talesofusLP


http://www.goldfrapp.com
http://www.facebook.com/Goldfrapp
http://www.twitter.com/goldfrapp

Buy Now

Goldfrapp - Drew

We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller.

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Is this the record you expected from Trentemøller? No.

But would it be a Trentemøller record if you got what you expected? I doubt it.

Lost

Trentemøller - Come Undone (feat. Kazu Makino of Blonde Redhead)

Nouvelle Vague - Bela lugosi's dead

WARPAINT "The Chauffeur" (June 17th, 2014; MODERN)

taken from the upcoming LP 'Making Patterns Rhyme: a tribute to DURAN DURAN' (curated by MANIMAL) for the benefit of Amnesty International.



WARPAINT - "The Chauffeur"

Vessel

Senga

La Féline - Trophée

UNKLE - Keys To The Kingdom (feat. Gavin Clark)

Aurora - Teardrop (Massive Attack Cover)

Reward on Moozar : http://reward-my-music.com/26600 Jag vet inte vad du förväntar dig av en ny skiva med Anna von Hausswolff. Ännu mer av den gotiska, mörka och spröda balladkänslan som präglade hennes debutalbum Singing from the Grave? En serie lättnynnade melodier anpassade till samtidens radioformat? Eller något äventyrligare, farligare, mer oberäkneligt?

Det sistnämnda har funnits där hela tiden, ända sedan Anna von Hausswolff började göra sina soloframträdanden runtom i Göteborg kring 2007-08: det kraftfulla, motsägelsefulla, dubbelbottnade som fick sångerna att om och om igen ta oväntade vägar.

Men på Ceremony har själva friheten hamnat i förgrunden, i musikens absoluta centrum. Det är verkligen en radikal förändring som gör både sångerna och ljudbilderna större, vidare, djupare, flyktigare, skarpare. Musiken stiger liksom till väders, som i det makalösa slutet av ”Goodbye”, där klangerna vandrar stegvis uppåt, allt högre, i sångens egen himmelsfärd.

Konstigt att ingen kommit på tanken förut: att använda kyrkorgel som huvudinstrument i popmusik. För omedelbart när man hör det, exempelvis i de betvingande Beach Boysharmonierna som bildar grunden i sången ”Mountains Crave”, framstår orgeltonerna som lyckobringande klangrum. Ja, det är en fantastisk frihetskänsla som etableras och erövras, som om kyrkorgeln vore den perfekta synten, en fantasimaskin med obegränsade uttrycksmöjligheter.

Att genrekategorisera den här musiken känns bara dumt. Poängen är ju att sångerna tillåter sig att vara allt på en gång, och att kyrkorgeln blir själva bekräftelsen av denna komplexa och samtidigt omedelbara närvarokänsla. ”It’s all there, it’s all there”, sjunger Anna von Hausswolff, och så är det: alla tider är närvarande, den barockvärld som födde Bachs koraler och det dova mörker där de utdragna, råa droneklangerna hittar sin kraft, och här möts världarna på de mest förbluffande vis.

Musiken säger att vi är mångtydiga varelser, och det är precis så det har känts när jag gått omkring i flera månader med de här sångerna i lurarna. Sångerna förflyttar sig obehindrat från det ena till det andra, och har en märklig förmåga att glida ihop med landskapet eller rummet. Det finns en förtröstan och ett lyssnande till ljusets och tidens skiftningar, och det är detta som gör musiken så stor och stark. Den ändrar sig oupphörligt, den är helt fri.

Magnus Haglund
Författare och kulturskribent

Anna von Hausswolff - Mountains Crave

<b>SARAH NEUFELD</b>, "Hero Brother"
from <i>Hero Brother</i>
Release date: 20 August 2013

http://sarahneufeldmusic.com/
http://cstrecords.com/cst095

Sarah Neufeld • "Hero Brother"

"I'm Waiting Here" “appears on The Big Dream,  Out Now.

iTunes- https://itunes.apple.com/us/album/the-big-dream/id653744873?ign-mpt=uo%3D4
CD/LP- http://www.sacredbonesrecords.com/products/sbr109-david-lynch-the-big-dream

Website: http://www.davidlynch.com/
Facebook: https://www.facebook.com/davidlynchofficial/
Twitter: https://twitter.com/DAVID_LYNCH
Spotify: spotify: https://open.spotify.com/artist/2Gu6Q05ExIGwHTF43kqLBI
YouTube: https://www.youtube.com/user/DAVIDLYNCHSUNDAYBEST

TOUR DATES: http://www.sacredbonesrecords.com/pages/artists-on-tour

David Lynch & Lykke Li - I'm Waiting Here

Kning Disk presents first-rate, limited editions and various kinds of presentations where innovative composers of yesteryear shares space with the kindred spirits of the groundbreaking artists, designers and writers of tomorrow.

Anna von Hausswolff - Mountains Crave

Kning Disk

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