Supported: http://heartbeats.dk/beats/4056/stille-stoej-mikkel-vadsager-2

i closed my eyes while listening to this.. and I started dreaming... dreaming is what keeps us alive. this piece is beautiful and able to communicate something to the listener.

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out now.

ORDER: www.erasedtapes.com/store/index/ERATP056

A Winged Victory for the Sullen – 'Atomos' out on October 6, 2014.

ORDER the album now on CD/2xLP/DL and Ltd. 500 edition clear vinyl via our store: www.erasedtapes.com/store/index/ERATP061
Or via iTunes: snip.ftpromo.net/atomositms

TOUR DATES: 
www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES: awvfts.com · erasedtapes.com

Atomos VII

A Winged Victory For The Sullen – Atomos VII

Solitude

Solitude - Leo Ornstein

Keith Kenniff - Grace

Emilie Levienaise-Farrouch is an award-winning French pianist/ composer currently living in London. Spanning film score, bespoke composition and sound design, her work is connected by both its high quality and evocative, meticulous craft - a common sensibility of elegant, instinctual composition. Signed by FatCat’s post-classical imprint 130701 following receipt of a stunning demo in 2014, Levienaise-Farrouch’s first album, ‘Like Water Through the Sand’ is set for a November 2015 release, and – alongside Dmitry Evgrafov’s debut for the imprint - marks an invigorating injection of fresh blood for 130701, introducing a striking new voice to the genre.

Like Water Through The Sand

Emilie Levienaise-Farrouch

Preorder

Emilie Levienaise-Farrouch - 'Scale Of Volatility'

Recorded for Gonzalo Bénard for his art video 'Distichous - Mind vs. Consciousness'

Vimeo Link: https://vimeo.com/134122061
Youtube Link: https://yout.be/IrPex57oeE0

G's Website: www.gbenard.com

Beautiful Storm in the Ocean

Buy / Stream Album: https://lnk.to/wsmsettlers

Follow WSM on Bandcamp: http://westernskiesmotel.bandcamp.com
 
'Settlers' is the new album from Western Skies Motel in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats.  'Settlers' was mastered for vinyl and digital by Taylor Deupree, with master lacquers cut by Roger Siebel at SAE.  The first 50 Vinyl & CD's ordered come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled 'Settlers'. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West. 

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment. 

Words hardly do justice to the rich, immersive experience of 'Settlers'; yet a few may help to set the stage. Schelbeck is a remarkably well rounded instrumentalist, who spent his early days losing his hearing in local punk rock bands. This youthful love for walls of sound and discordant guitar squalls survives in his modern sound palette. However, a more mature approach to these techniques brings moments of palpable tension, adding in uneasy waves of guitar feedback and droning harmonium. 

But ultimately, the truth of what Schelbeck hopes to convey through his music may rest rmly in his subconscious. In hindsight, 'Settlers' is about moving between worlds: not in the dimensional sense, but more as a constant change in form. Each influence and sound Schelbeck incorporates into his music feels native to the delicate ecosystem of these songs and each turn feels as organic and nuanced as that of the natural world. Just as a tree’s leaves wither and fall; a fire sparks and expands only to expend its last bit of fuel, extinguished and left for ash. So true are the parallels we find in our own existence, the complex ritual of growing old and returning to dirt. Decay is inevitable for all life, yet through this it becomes the rich soil for all things proceeding. Western Skies Motel's weighty instrumental mantras may root in this and other meanings yet to be culled. One thing is clear, this music contains signicant power, and, regardless of our conceived themes or geographic locations, it tells a story that is lasting and instantly familiar. 

'Settlers' sees a 180-gram heavy weight gatefold release very similar to the recent Mute Forest debut, 'Deforestation'. The acetate and test pressings were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed audio dealer, Arizona Hi-Fi.

Western Skies Motel is building upon a busy year in 2015, having released two very different full-length albums 'Prism' (Preserved Sound) and 'Buried and Resurrected' (Twice Removed).

Settlers

Whirl

Buy Album

Western Skies Motel - Whirl (from Settlers)

"Cycle 2" taken from Matt Dunkley's debut album “Six Cycles"  released 11th March 2016.

iTunes: http://po.st/6CyclesiTunes
Rough Trade: http://po.st/6CyclesRT

"Six Cycles" is the much-anticipated debut from one of the world's leading orchestrators, arrangers and conductors.

Having worked on films such as 'Inception', 'The Dark Knight' and 'Black Swan', and with artists such as Patti Smith, Nick Cave, U2 and Kronos Quartet, as well as a successful composer for film and television, it was only a matter of time before Matt Dunkley released his own album.

Dunkley reveals, "the inspiration for the six pieces that comprise 'Six Cycles' all derive from disparate sources, whether it a piece of poetry, a painting or the emotion of personal loss. Initially they seemed to be unrelated, but as I listened to them as a whole, a sense of them belonging together slowly emerged, forming a true "cycle". I want the listener to discover their own world within my music, hence the willfully enigmatic titles."

Recorded with the renowned Babelsberg Film Orchestra, the result is a rich and nuanced cinematic soundscape, replete with stirring builds of Wagnerian grandeur.


Cycles 

Matt Dunkley - Cycle 2

Reward on Moozar : http://reward-my-music.com/26619 Kning Disk proudly presents: Greg Haines - Moments Eluding (Solo Piano Series Vol. 3). Release in august 2012.

Produced by Peter Broderick. Recorded December 15, 2010 at Tabalet Estudis (Alboraia, Valencia). Session organized and assisted by Raúl Pastor Medall. Engineered by Juan Carlos Tomás Castillo. Mixed by Greg Haines & Peter Broderick. Mastered by Nils Frahm.

Cover photograph by Peter Broderick. Session photographs by Raúl Pastor Medall. Design by Mattias Nilsson.

CD/DL/Vinyl (Limited Edition of 333 copies).

Greg Haines - The Spin

The Lost

Otto A Totland - Vates

A01 - Dustin O'Halloran - An Ending, A Beginning

Ninetysix Percent

Kning Disk presents first-rate, limited editions and various kinds of presentations where innovative composers of yesteryear shares space with the kindred spirits of the groundbreaking artists, designers and writers of tomorrow.

Greg Haines - The Spin

Kning Disk

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