Techno in it's purest form! 🎉☢🔞

Shifted - Leather

SubBerlin (The Story of Tresor)

Triple Darkness

Floorplan - Never Grow Old (Re-Plant)

TEN: The Archive Series, Pt. 6 concludes the journey through Ballroom Records’ history, bringing the series to a powerful close.

Focused on the techno-driven side of Melodic House & Techno, this chapter highlights tracks defined by hypnotic tension, driving energy, and emotive depth.

A final tribute to the sound that shaped Ballroom over the past 10 years.

Enjoy listening and have a beautiful day!

TEN: The Archive Series, Pt. 6

Dynan

Hit Bass

CLAPTONE - THE ONLY THING REMIXES
Out now: http://btprt.dj/1QvvRnF

The Only Thing

The Only Thing (Tube & Berger Remix)

Buy now

Fatima Yamaha - Love Invaders

Berghain residents Ben Klock and Marcel Dettmann link back to Ostgut Ton’s label launch in 2006 with their first studio collaboration in ten years and the extended Phantom Studies, on occasion of the one hundredth O-TON 12“ EP release.

With Phantom Studies Dettmann | Klock channel their first joined releases Dawning (2006) and Scenario (2007) from over a decade ago with their first co-production in ten years. On this extended, 40-minute 2x12" EP Marcel Dettmann and Ben Klock parlay their deep personal alliance and musical repertoire through emphasis on new functional Techno as much as hypnotic, melodic and soulful music by thinking outside the box. The seven new, original tracks reflect these attributions by communicating to the needs and expectations of both DJs and home audio listeners, but not neglecting one over the other.

Tracklisting 2x12":
A1. Phantom Studies (8:49)
B1. No One Around (4:34)
B2. The Room (4:48)
C1. Prophet Man (6:47)
C2. Bad Boy (4:02)
D1. The World Tonight (5:55)
D2. The Tenant (4:09)

release date: 27 January 2017

More information:
http://hundert.ostgut.de
&
ostgut.de/label/record/189

Buy 2x12"

Dettmann | Klock | No One Around

DVS1 Confused KW08

Imaginary Lines

Sooty Shearwater, King Of Migration

A Girl Between Two Worlds

What's a Girl to Do

Fatima Yamaha - What's A Girl To Do

SLAM - ARCHIVE EDITS LP ( @Soma DA124)

1. Nitzer Ebb - Join In the Chant (Slam Rework)
2. Slam - Scorpion (Live Edit) 
3. Slam - Memoriam (Original)
4. Silent Breed - Sync In (Slam Re-Edit)
5. Slam - 1001 (Original)
6. DK8 - Murder Was The Bass (Slam Re-Edit)
7. Terence Fixmer - Body Pressure (Slam Re-Edit)
8. Damon Wild - Rotary (Slam Live Edit)
9. Hertz - Recreate (Slam Rework)

Slam rework Nitzer Ebb Nitzer Ebb, Silent Breed, DK8, Terrance Fixmer and more for the final instalment of their Archive Edit series

Soma label heads Slam curate a specially designed package of tracks to finalise their Archive Edit project that sees them delve deep into Techno’s past to bring some of the genre’s best tracks into the modern age. The Archive Edit project started as a way for Slam to showcase and share the many different edits that had made their way into their DJ sets over the last few years. The pairing of Stuart McMillan & Orde Meikle have both raided their extensive collections, picking out tracks that have defined countless sets over their career. Tracks from luminaries such as Nitzer Ebb, Thomas P Heckmann (as Silent Breed), Damon Wild & Terrence Fixmer have been re-edited alongside some of Slam’s own unreleased material, showcasing the duo’s current sound; one that constantly naturally evolves, matures and demonstrates why the duo have been at the forefront of the global scene since its inception.

“We resurrect nine cuts from our archive collective collections for your listening and spinning pleasure. Some are original material, some are live re-edits, some are well-known, others are not! They all have one thing in common, they all attempt to unashamedly destroy dancefloors, and thus featured heavily, (usually toward the end of our DJ sets) in the last year or so well known”. Now we share them with you!"

Slam open the album with an absolute monster track in the form of their rework of the legendary Nitzer Ebb’s ‘Join In The Chant’. The anthemic EBM/post-punk infused original is given a thrashing overhaul from the duo marking one of the standout tracks of this collection.  A special live rework of fan favourite ‘Scorpion’ drops before the previously unreleased ‘Memoriam’ delivers on a more emotive tip. Firing back into the edits is Thomas P Heckmann’s seminal ‘Sync In’, under his Silent Breed Moniker which is a fast-paced, Neo-Trance affair Slam then drop the manic ‘1001’ which takes the BPM stratospheric. DK8’s, Murder Was The Bass is up next and given a 2019 update as the duo's edit snatches up all the most perfect elements of the track leading nicely into a rework of French EBM legend Terence Fixmer’s ‘Body Pressure’ - driving through with its twisted beats and vocals. Another special live edit of the first Archive Edit release, Damon Wild’s Rotary makes an appearance as the album closes out with the rave infected, rework of the Hertz classic ‘Recreate’

All Tracks Mastered by Conor Dalton @ Glowcast Mastering

Terence Fixmer - Body Pressure (Slam Re Edit)

Mdr 10

Asle

Mdr 03

Nn 8.0

Out now on Rekids: lnk.to/REKIDS165

Techno pioneer Robert Hood debuts on Rekids with a blistering release entitled ‘Nothing Stops Detroit’ ahead of an album this winter.

Over the last three decades the Underground Resistance alum has continually been at the forefront of the techno genre whilst releasing on many of electronic music’s finest labels to boot. In recent years his solo outings have appeared on a select few labels such as Dekmantel, Music Man Records, not to mention his very own M-Plant. Having made appearances on Rekids in the past remixing label boss Radio Slave - both as Robert Hood (‘Don’t Stop No Sleep’) and Floorplan (‘Feel The Same’) - the Detroit originator now drops a four track release in his official debut on the label.

With its machine aesthetic, ‘Nothing Stops Detroit’ is unmistakably Hood from start to finish. Precision kick drums propel the title track forward as stuttering effects and deep stabs work alongside a march band rhythm. ‘7 Mile Dog’ is next with its grainy synths and scintillating pads, making way for the meandering bassline, rattling atmospherics and trippy, oscillating top line of ‘Ignite A War’. Finally, ‘The Cure’ is a cacophony of twisted percussion and rumbling low-end that energetically concludes matters.

Robert Hood - Nothing Stops Detroit

Asle

Kobosil

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