„lab.oratory“ – the men's club within the the Berghain Berlin. A venue as rough and relentless as it's unapologetic soundscape: made to make you fuck. This playlist is a -Collection of tracks that channel the club's unique musical signature or are Ostgut 

Inhale lab.oratory Berlin | A Playlist inspired by the Berghain Men's Club

Function - Against The Wall

from: DVS1 ‎– Love Under Pressure EP

Released: Jun 2010

Executive Producer – Derrick May
Producer, Written-By – Zak Khutoretsky

DVS1 - Polyphonic Love

Shifted - Control

Marcel Dettmann - Apron (PAS Tubed Mix 2)

FREE DOWNLOAD from here:
https://besurelabel.de/downloads
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Below Surface Edit of "Mathew Jonson - Marionette" - inspired by the edit of Adam Beyer, which i heared in the Drumcode Mix 173 from Berghain (Drumcode Total). Since i loved the idea of Adam, but couldn´t find his edit anywhere, I decided to do one by myself.
+++
https://www.soundcloud.com/belowsurface
https://www.facebook.com/belowsurfaceofficial
https://www.youtube.com/user/belowsurfacemedia
https://www.residentadvisor.net/dj/belowsurface
+++
Original Track:
http://www.beatport.com/track/marionette-the-beginning-original-mix/1245596#
Adam Beyer Edit (taken from the Drumcode Mix):
https://www.youtube.com/watch?v=8mx2RQxFwNA

Check my Label

Mathew Jonson - Marionette (Below Surface Edit) | Free download

Ateo Prishner - Madness (Original Mix)

fvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvidafvkgaudytechnoporvida!

[ b a n d c a m p ]

icangroovetoo!

dark mind - b2

DVS1 - Lost Myself

Released in 1998 on Planete Rouge records
https://planeterouge.bandcamp.com
https://terencefixmer.bandcamp.com

Terence Fixmer :  Electrostatic (1998)

Having remixed Depeche Mode and DJ Hell as well as releasing a new Fixmer/McCarthy single with Douglas McCarthy (of Nitzer Ebb), 2017 has already proven to be a productive year for Terence Fixmer. With the new Force EP, the Berghain resident follows up on 2016's Beneath The Skin EP (O-TON 97), offering four stylistically different but congenial Techno scenarios for club use.

Buy 12"

Terence Fixmer | Melting Planets

@EtappKyle’s first full Ostgut Ton EP release sees the Ukrainian-born, Berlin-based Berghain resident emphasizing the connection between spaces, while avoiding Techno’s overt intergalactic clichés. By partially linking to his ‘Continuum EP’ (Unterton, 2016), the results are four tracks of pristine, sci-fi minimalism, propelled by Ambient synths and percussive explosions in distant skies – more utopian than dystopian.

Etapp Kyle | Ritual

Melter EP

Bell (Original Mix)

Over the past four years, Hayden Payne aka Phase Fatale has earned a reputation as a techno innovator, both for the broad spectrum of dystopian electronics included in DJ sets as well as his deep understanding of synthesis and sound design in his own productions. Having previously released on labels such as Jealous God, Payne made his Unterton debut with last year’s Anubis EP. Since then he has settled into residences at both Berghain in Berlin and Khidi in Tbilisi, released his first LP on Hospital Productions and kicked off his own label BITE with a collaborative EP between himself and Silent Servant.

On his debut 4-track EP for Ostgut Ton, Reverse Fall, The New York native has sharpened the rhythmic contours of his productions, creating an imposing wall of sound within the techno framework. Inspired in part by Crash, J.G. Ballard's dystopian novel on the fetishization of car crashes, Reverse Fall is uncompromising motorized, cybernetic techno – infused with haunting soundtrack-like flourishes reminiscent of films by directors John Carpenter and Dario Argento.

A night drive accelerating at the pace of a dark, melodic bassline and distorted hi-hats. “Reverse Fall” is available across streaming platforms, as a single track and as an instant gratification download with the purchase of the full digital release.

Listen at
Apple Music: https://itunes.apple.com/album/reverse-fall-ep/1394765995
Bandcamp: https://phasefatale.bandcamp.com/track/reverse-fall
Deezer: https://www.deezer.com/de/album/66459102
Spotify: https://open.spotify.com/album/42DjPohwGNsWkjnurRI1iz?si=P9S-wDG0S9yb__2L3l00Cw

Taken from the forthcoming Ostgut Ton EP: Phase Fatale | Reverse Fall [O-TON 113], out July 13, 2018.
Pre-order EP on 12" vinyl or in digital formats: https://phasefatale.bandcamp.com/album/reverse-fall

All info: http://ostgut.de/label/record/219
Artwork: Richard Söderberg, https://www.instagram.com/sabotage999 | Layout: Yusuf Etiman

Catch Phase Fatale on the road: https://www.residentadvisor.net/dj/phasefatale/dates

Phase Fatale |  Reverse Fall

Mdr 10

Asle

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

Artwork: northor | Layout: Yusuf Etiman

Asle

Kobosil

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