Yan Cook - Mirror Maze - Delsin Records - Inertia-10

vinyl: https://www.delsinrecords.com/release/7163/yan-cook/mirror-maze
digital: https://yancookdelsin.bandcamp.com/album/mirror-zone-ep


a1. Buddy
a2. Lemur
b1. Mirror Maze
b2. Gambler

@yan_cook back on the Delsin Inertia series. Four tracks of highly effective techno gear.

Buy @ Delsin Shop

Yan Cook - Mirror Maze EP (Inertia-10)

Mental Resonance - 31.0 (Joton Remix)


Release date (3LP, cd & digital format): 3rd of November

TRACKLIST
1. Ø [Phase] - Insectoid
2. Lucy - Sana Sana Sana Cura Cura Cura
3. Ctrls - x.y
4. Rødhåd - Haumea
5. Planetary Assault Systems - The 808 Track (Parts 1 and 2)
6. James Ruskin - No Trace
7. Surgeon - Fixed Action Pattern
8. Inigo Kennedy - Arcing
9. Karenn - Pace Yourself

INFO
It was early 2007 when Inigo Kennedy inaugurated Token. Since that Identify Yourself 12” the Belgian label has gone from strength to strength, integrating both Kennedy and Ashley Burchett, aka Ø [Phase], into becoming integral cogs in the Token machine. In between releases by Grovskopa, Oscar Mulero and Go Hiyama, both Ø [Phase] and Inigo Kennedy dominated Token’s output, but it wasn’t until Burchett’s watershed Binary Opposition that Token received the shower of praise it deserved. Following this, label founder Kr!z issued three remix 12”s of that release which, including Token regulars, took in a profound cast of producers to reprocess “Binary Opposition” by the way of Sigha, Peter Van Hoesen, Planetary Assault Systems and Ben Klock. It was here Token stamped their authority on contemporary techno.

Since then Token has grown exponentially, bringing into their fold artists like Xhin, Mark Broom and Rødhåd, while Ctrls, formally one half of Northern Structures, has seen his solo career flourish on Token with the release of five records to date, and he joins Inigo Kennedy and Ø [Phase] as a label stalwart. Additionally this year, Orphx and Ancient Methods debuted their relentless Eschaton collaboration on Token, and Christian Wünsch’s Spherical Coordinates dalliance with Oscar Mulero has gained even more momentum with a second release called Kinematics Equations. Now, seven years after that debut Kennedy record, Token present Aphelion, a nine-track CD and triple vinyl grandstand of new and exclusive material from label regulars and like-minded artists whom Token founder Kr!z specifically commissioned for this milestone release.

The penultimate record before Aphelion was a second Token 12” by Rødhåd, another artist adding to the cultivation of the label’s sound and roster, and for this compilation the Berliner supplies his cosmically inspired “Haumea”. Joining the Dystopian founder on Aphelion are three of the UK’s most influential techno artists: Surgeon, James Ruskin and Luke Slater under his Planetary Assault Systems alias who provide Token with solo material for the first time after previously appearing on the imprint in remix form. Entirely new names to grace the label via Aphelion include Stroboscopic Artefacts founder Lucy, and Blawan and Pariah's Karenn project, while label faithfuls Inigo Kennedy,  Ø [Phase] and Ctrls naturally commit three Token defining productions.

Casting one’s eye over Token’s back catalogue and it’s clear to see the label is a staunch advocate of absolute techno, remaining steadfast in issuing quality material that remains true to classic strands of the genre regardless of its popularity flux. In that respect, Aphelion - a word used to describe the point in orbit when a planet or comet is farthest from the sun - provides a simple analogy that the magnetic force of Token, unfazed by the shadows cast by popular opinion, will proudly shine light on their artists and given styles. 

“We started in an era where our genre was very unpopular,” Kr!z explains. “And in the end that seemed a big advantage for us, because when everyone was giving up, we started our mission.” Regularly hosting label nights in prominent clubs around the world, Token has become a label supported by a wide-ranging body of artists like Âme and Ben Klock to Efdemin, Truss and Ancient Methods. With the label now branching out into album and compilation territory, Token’s duty to techno may not yet be accomplished, but it’s been a job well done.

www.tokenrecords.com
www.facebook.com/tokenrecords

Aphelion

Karenn - Pace Yourself

This Is Asper

This Is Asper  ---------------      SamplerRemix

Planetary Assault Systems - Turn (Deep Heet Vol. 3) [Mote Evolver]

....The unpredictable composition of the products (which vary in a broad probabilistic and somewhat chaotic manner) distinguishes fission from purely quantum-tunneling processes ....

Deep Heet Vol. 4

Planetary Assault Systems - Desert Races

Heiko Laux returns to Klockworks with a three-track EP following his first appearance on the label in 2016. The German producer and Kanzleramt label head present 3 sophisticated techno cuts that focus on pulsating acid lines and uncanny atmospheres. Expectedly, these pieces have become secret weapons for Ben Klock’s hypnotic DJ sets, now available on wax.

All tracks written & produced by Heiko Laux 
Cat. No. KW24 – all rights reserved
℗ & © Klockworks 2019 
www.klockworks.de

Pre-order

A1. Heiko Laux - Self (KW24)

Drive (Ø [Phase] Remixes)

Robert Hood - Drive (The Age Of Automation) (Ø [Phase] Nocturnal Mix)

DJ Nobu & Katsunori Sawa are Nobusawa.

A true auteur of hyper functional dance floor Techno production trades blows with one of the genre’s most lauded DJ’s.

By virtue of its component parts - each individual is a veteran of their respective schools, Nobusawa represents something of a dream team within the field of contemporary dance music. Nobu - a DJ in a rich vein of form, whose unique and beloved performances continue to build upon decades of experience as a selector; and Katsunori Sawa - whose keen ear for sonic balance & inventive engineering processes have long since marked him out as both a top tier solo artist & collaborator - the latter previously represented in his work as one half of the Steven Porter project.

The pairing also makes a strong statement regarding the burgeoning Japanese Techno scene - Sawa hails from Kyoto on Japan’s west side, and Nobu from Chiba - the east side of the country. Both artist’s represent different articulations of the genre, but come together as a powerful production unit to deliver a stunning, cohesive record in line with the Token label’s more dissonant, razor edged output.

Featuring two collaborative recordings, and a pair of solo works from each artist - TOKEN91 eschews low slung, wide angle ambience in favour of a more stripped back, direct approach. Nobu’s offering Peppercorns operates in the high frequencies, a tentatively more droning, dream-like composition in the context of Sawa’s galloping Call Scope - which marries quick fire kicks with a heady, psychedelic lead sequence. Decorative 17, EP closer & the second of the two collaborations is an unabashed main room workout, while Raspberry looks to warehouse spaces for inspiration - polyrhythmic drum machine programming buoys a warping lead synth line that binds the piece, whilst remaining untethered and wholly adventurous.

It’s a powerful debut for both artists that speaks volumes on the richness of properly articulated & well executed collaboration. Both Nobu & Sawa’s fingerprints are all over the work, and each individual brings an undeniably different angle to the EP -  but as a whole, it is the duo’s obvious, mutually respectful rapport that shines though, lifting the music far and above the sum of its parts.

Nobusawa - Raspberry

Stroboscopic Artefacts releases ‘X – Ten Years Of Artefacts’, a 13-track album curated by Lucy, the nom de techno of Luca Mortellaro. It celebrates ten years of his label by boldly confirming its raison d’être: a continual redefinition of modern techno.

‘X – Ten Years Of Artefacts’ is a various artists album in which the label’s key artists respond to its tenth anniversary with fresh compositions. Artists with divergent perspectives and MOs are equally at home expressing themselves. These tracks’ timbres, tempos and moods differ greatly yet—somewhat improbably—they seem together, ideologically unified.

The album will be later complemented by a special remixes EP, with four new reworks of pivotal back catalogue material from the label (Donato Dozzy, Caterina Barbieri, Xhin and Klock). And from fall 2019, Lucy and an incredible cast of Stroboscopic Artefacts artists will begin an extended club tour to mark the anniversary.

On ‘X – Ten Years Of Artefacts’, Mortellaro features solo as Lucy, in collaboration with Rrose as Lotus Eater and together with Speedy J as Zeitgeber. (Rrose also appears alone with “The Myth of Purity.”) Shifted, Efdemin, L.B. Dub Corp (Luke Slater), James Ruskin, Denise Rabe, Adriana Lopez, Chevel, Alessandro Adriani and Serena Butler each feature, representing a group of singular artists whose relationships with the label range from years to months—Stroboscopic Artefacts’ past, present and future must exist simultaneously.

Back in September 2009, Lucy released “Why Don’t You Change / Dub Man Walking,” the first record from Stroboscopic Artefacts, which began a discography that, ten years later, is almost unparalleled in its ambition and vision. Put simply, Mortellaro wanted to create something that didn’t exist. Stroboscopic Artefacts would be respectful of, and indebted to, the great techno and electronic music artists of the past but would develop new paths forward for the label and the genre. The label refused to perpetuate the established dichotomies of electronic music—between the dance floor and home listening, between club music and experimental music, between the past and the future. It took risks knowing it wouldn’t always work. But within a year or so of the label’s inception, it was obvious Stroboscopic Artefacts’ approach had captured imaginations far beyond its Berlin base, showing us that the boundaries of techno are often constructs of limited imagination. The label pursued constantly evolving methods of releasing music. It created concept-driven series like Monad, Stellate and Totem, establishing frameworks that would give freedom in limitation. Standout albums by Lucy, Xhin, Dadub, Zeitgeber, Chevel, Kangding Ray, Lotus Eater and Alessandro Adriani were deeply considered longform presentations.

With this new album, remix EP and tour, now is the moment for Stroboscopic Artefacts to look fondly at its past while drawing breath, reenergised, and hinting at new chapters.

Mastered @ Artefacts Mastering Studio, Berlin
Graphic concept by Ignazio Mortellaro [OA]
℗ & © Stroboscopic Artefacts 2019
Cat. No. SA10YEARSLP – All rights reserved
www.stroboscopicartefacts.com

Mental Resonance - 31.0 (Joton Remix)

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