shto trex fleshbeko kko  no kkaada tusa kkur lauka vidu pamestaa kjiegelju  maajaa-stroikaa pa ziemu  or smthn kkur

TAR134
@cel-genesis

Through the silk veil of one thousand angelic voices, Cel Genesis Unleashes a mutation that eats heaven whole.

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
@wearetar

Heaven Was Never Far

Buy/Stream

Cel Genesis - "Eye Between Wings"

In a not too distant future Deep Scan Technologies, a once high functioning enterprise at the forefront of computer tech descends into worn-torn collapse. With their signature product the Deep Scan SSD being shipped out with a mysterious defect that left the masses with a security vulnerability. Data and information lost its value spiralling the world into economic collapse. A few scientists at the Deep Scan Technologies team remain and try to pick up the pieces of a world forgotten. A prototype for the Solid State Drive 2 is found by cyborg scouring the wasteland for remains. The relic taken back to a secure Deep Scan lab deep underground. These are the results of the analysation.

BANDCAMP

R-T-FAX - Circuit Breakaa

We are thrilled to announce the cinematic debut album from London-based artist @Wordcolour, hitting shops on 24th June 2022.

An artist very much on the rise, following two EPs on Houndstooth and one on Lapsus, ‘The trees were buzzing, and the grass.’ is described as an album of collaboration with contributions from percussionist Michael Anklin, voice artist Natasha Lohan and performance artist Es Morgan as well as vocal appearances from Wordcolour’s circle of friends.

Working with Es Morgan on a written text for the album, Wordcolour chopped and sampled the words throughout, inviting friends to narrate the music along with recordings from Michael Anklin and Natasha Lohan. “My dad was an acoustics researcher before he retired, and when I was growing up we always had various microphones and bits of gear lying around the house, as well as an early DAW on the computer.  I was a pretty nerdy kid, and I'd always mess around on the computer with my friends, recording our voices and combining them with audio FX to create stories.  It was about creating a whole vivid world in sound, and on this album I feel that I'm really doing the same thing,” Wordcolour explains. 

“In one sense the album is quite cinematic. Not in the sense that it is big or epic, but in the way it is structured. At times the music literally cuts like a camera - moving the listener from one acoustic environment to another. It indulges a fascination with the hyper-real world of Foley and film sound effects, natural ambiences, and Spielbergian film music. It almost feels like an album about film.”

Release date: 24th June 2022 

Tracklist: 
01. (loom)
02. Blossom
03. Cloud Room
04. Duet
05. I am sixty years old and trying salvia for the very first time
06. Babble
07. Crescent
08. people can you hear me
09. Nonet
10. (drift)

Credits
Tracks 4, 5 and 7 feat percussion by Michael Anklin.
Tracks 4 and 5 feat vocals by Natasha Lohan.
Additional percussion and vocals by Michael Anklin and Natasha Lohan. throughout. Text written in collaborating with Es Morgan.
Voices by CJ Fantoni, Caroline Whiteley, Dasha Loyko, Design Default, John Chambers, Kate Howden & Natasha Lohan.

The trees were buzzing, and the grass.

Wordcolour - Blossom

From 'Herva - Seez' (out on Planet Mu - 16th September)
https://planetmu.bleepstores.com/release/287325-herva-seez

Herva started to work on 'Seez' right after the release of his last Planet Mu album 'Hyper Flux' back in 2017. He was experimenting with home-made hardware and after the album release wanted to raise the bar, challenging himself to build a point-to-point mixer from scratch. This task took almost a year of intense soldering and forced him to scrap music production. Eventually all this hard work grew into making studio hardware properly and he co-founded a new company making mixers and compressors that work with Eurorack, called Audio Gear Obsession.

On 'Seez' Herva moves away completely from the sample-based music he's most known for and into programming and computational production, which he mixes and compresses with his newly-built hardware tools to give them the life and feeling he requires. There's also an element of randomness in 'Seez' as the music is generative, defined with numbers and ratios from his own software, tuned by ear rather than to set scales, with unexpected outcomes.

To make the record, he spent more time digging between the different iterations of each track than coding the programs that generated them. He says "How I make music is kind of weird for most producers, but I like it, and I plan to dig further. You can think of 'Seez' as the alpha version of what I and my system are able to do."

The new music still retains Herva's laid back airy feel. Each track is like a small ecosystem of chiming tones, wafting drones and skittering rhythms, hinting at formal patterns and melodies but developing on its own abstract terms. It feels as if it's the audio equivalent of watching sped-up recordings of a camera capturing different combinations of plants growing, a pleasant and curious experience to let yourself enjoy.

Seez

Herva - Xid

100. debija bootlex remix for the Suck Puck Records compilation >> https://soundcloud.com/suckpuck

this was my favourite band back in the 90s

MAN DIMANTI IR (100. Debija Bootleg Mix)

Artist: https://soundcloud.com/endobliss

In December 2021, Intersub was born. Part collective, part ensemble, part label, part platform. One year later, our undefinable format has morphed into a compilation of genre-bending sound that journeys through modular synthesis, atmospheric soundscapes, and meditative drones that are disturbed by sirens without compromise. With this compilation we delve into the incomprehensibility of our shared realities - oscillating within the emotive spectrum of the human experience. We celebrate the variety and depth of the music produced by the talented artists in this compilation, and release it with gratitude for the chance to meet such inspiring people in such a short space of time.

Endobliss - Mis Brain So (Fresh Mode Beta)

yooyoo guys dj limpo back at it with a delivery right after a night in carnival of youth fountain of poo, 
thnx everyone 

love yaal




life coach glaabeejs aproach

Premiering "Repeterd" by Tigrics taken from VA "TRANSCENDENT WAVES VOL​.​1" out on 31st March via FREE SEQUENCE

Bandcamp: https://freesequence.bandcamp.com/album/transcendent-waves-vol-1

FREE SEQUENCE proudly present their first ambient compilation 'Transcendent Waves', presenting a fine selection of ambient, drone and experimental compositions featuring artists from Budapest, Japan, Italy, Sweden, Belgium and the UK. 'Transcendent Waves' is also the name of the event series that showcases ambient live acts in Budapest for an immersive experience.

Links:
soundcloud.com/free-sequence
soundcloud.com/tigrics
www.instagram.com/freesequence/
www.facebook.com/freesequence

TRANSCENDENT WAVES VOL.1

TRANSCENDENT WAVES VOL​.​1

bandcamp

[Premiere] Tigrics - Repeterd (FREE SEQUENCE)

Nacre

Veneer

It's 2021
We have new music for you
Enjoy!
<3

Artist: VA
Title: Hyperboloid 2021
CAT: HYPR088
Release Date: 01/01/2021
Release type: Digital (all formats)
Mastering by VA, Pixelord
Artwork by gsm_garden

Hyperboloid 2021

DL // BANDCAMP

SILÉNT PHIL & KAISSA - WHAT IS ESSENTIAL

Minimal Violence return to Tresor Records with Phase Two of their DESTROY ---> [physical] REALITY [psychic] <--- TRUST series.

This five-track 12” kicks off straight into the dust storm of Dreams 4 Sale, a Lynchian trip through explosive breakbeat manipulation, sirens and cries deep into the abyss. True to form, Ashlee Luk and Lika P harness raw tensions and lock into the flow on Mankind. An EBM monster, its bass sequences lay writhing non-stop, over a beat in full propulsion. Drawing to a close, the kick drum falls out leaving a suspended room full of action.
The Canadian duo then follows up with the sensational Hard Delivery, a 175bpm hi-NRG gabber barrage. Smeared synths hint at a melody, like a pair of pitched-up foghorns beaten down in a harsh rhythm world, as disfigured barks amp up the pressure. Prey Drive is the most straight techno track, its industrial bassline a cornerstone to grip onto, as its elements pile in on top. Closing track 1992 wears its identity on its sleeve, a pure rave track inspired by the early 90s sound. Distorted drums and synthesised strings coat a gnarled breakbeat with paranoid malice.
Sounding like nothing else right now, its influences are chewed-up and spat-out. There is no sound capable of sitting still, just a mutant sonic environment of destructive movement.

Tresor.322 releases February 19th on 12” and digital.

MAN DIMANTI IR (100. Debija Bootleg Mix)

KODEK

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