liminality

Limited edition coloured vinyl 12" available at: http://bit.ly/TrickyStottSoundcloud
'False Idols' - album order details: <a href="http://www.trickysite.com/false-idols-released/" rel="nofollow" target="_blank">here</a>

Exclusive Andy Stott remix of "Valentine" from the new album 'False Idols' released on False Idols in association with !K7 Records.

Tricky says: 

"Andy Stott remix was done just because he is a talent, no other reason. This is not for a single release and not promotion for any up and coming release. We approached him and asked him to choose a song. False Idols is not a typical label so we do not have to do things in typical label fashion. Andy Stott's remix is totally pure and refreshing and stands alone."

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Valentine (Andy Stott Remix)

Pre-Order 12"

Earlier on this year Andy Stott found himself playing on the same bill as New York “Heavy Metal hoarders” Batillus. Despite operating in completely different spheres, Batillus had been playing ‘Luxury Problems’, Stott’s most recent album, on their tourbus and suggested a remix.
The result is pressed up on this one-sided 12”, a deadly reduction that pitches the original down into the abyss,...
Andy Stott will be back in 2014 with new material.

Andy Stott - Batillus - Concrete (Andy Stott Remix)

Produced slowly and meticulously over the last 12
months, these seven tracks are the closet thing we've
had to a new album from Andy Stott since the release
of his debut full-length Merciless five years ago.
Taking influence from an array of seemingly incoherent
noises, from the indefinable and unforgettable mindtricks
of Arthur Russell to the slowhouse of Kassem
Mosse, from the alternate VHS realities of James
Ferraro and Jamal Moss to the Linn Drum classics of the
vintage Prince era - these seven tracks create their own
pace and agenda, largely shying away from the
dancefloor in favour of something more complex and
hard to define.
Following on from the tribal malfunctions of opening
intro Signature, New Ground heads into a chasm of
layered loops, creating a decimated and re-wired funk
template coloured in with frayed percussion and
dislodged vocal samples. North To South starts off from
similar ground but adds a shuffling vibe at a deceptively
intoxicated 110 bpm.
Intermittent is something altogether different, taking
perfectly formed Boogie templates and screwing with
them until nothing quite fits, brittle elements floating in
and out of time yet somehow keeping it together,
before Dark Details delivers the most dancefloor
compatible six minute stretch of the set, all clanging
stabs and dense percussion, somewhere between
Shackleton and Bam Bam.
Execution and Passed Me By end things off on a slowed
down tip, the former deploying an anaesthetised and
padded 4/4 template sunk deeper into the abyss by
deformed, time-stretched vocals, the latter ending off
proceedings with a more delicate palette, letting go of
all that pent-up emotion with nothing but that rumbling
low-end and some strings for company.

Signature

New Ground

North To South

Intermittent

Dark Details

Execution

EU TOUR DATES 2017:

All Tour Tickets - www.mountkimbie.com/live

27/10: Liverpool Music Week, Liverpool, UK
28/10: Ritz, Manchester, UK
30/10: Glasgow Art School, UK
01/11: The Institute, Birmingham, UK
02/11: Motion, Bristol, UK
03/11: Roundhouse, London, UK
04/11: AB, Brussels, Belgium
05/11: Paradiso, Amsterdam, Netherlands
07/11: Parkteatret, Oslo, Norway
08/11: Kagelbanan, Stockholm, Sweden
09/11: Vega, Copehagen, Denmark
10/11: Astra, Berlin, Germany
11/11: Niebo, Warsaw, Poland
12/11: Kwadra, Krakow, Poland
14/11: Meet Factory, Prague, Czech Republic
15/11: Flex, Vienna, Austria
16/11: Muffathalle, Munich, Germany
17/11: Mascotte, Zurich, Switzerland
18/11: Magnolia, Milan, Italy
19/11: Cabaret Aleatoire, Marseille, France
21/11: Rockstore, Montpellier, France
22/11: Razzmatazz, Barcelona, Spain
23/11: Joy Eslava, Madrid, Spain
24/11: Atabal, Biarritz, France
25/11: Le Trianon, Paris, France
28/11: Grand Mix, Lille, France

New music coming soon!!! - Get updates first http://smarturl.it/MKSignUp

Mount Kimbie's Remix of Foals' 'Spanish Sahara'

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Foals 'Spanish Sahara' (Mount Kimbie Remix)

These remixes are exclusively available to purchase at Bleep::: http://bleep.com/index.php?page=release_details&releaseid=33954

Original songs taken from Holy Other's debut EP 'With U' available everywhere that sells good music. 

Holy Other - Know Where (Andy Stott Remix)

Not In Love

Not In Love (Radio Version)

A low end monster, brilliantly constructed out of all the warmth and heaviness machinary will allow. Another out and out killer from this gifted producer!

Handle With Care

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

liminality

Koen V.