Serenity

We’re happy to welcome Berlin based musician Midori Hirano to the label with her new album Soniscope. The album will be out on September 10th on a heavyweight vinyl edition and digital. Award winning composer Robot Koch provided a rework of the track Patterns under his recently announced new ambient project Foam and Sand.

LISTEN/BUY: https://dauw.bandcamp.com

Artwork by Jelle Martens 
Mastered by Ian Hawgood

DAUWLP019

© & ℗ 2021 all rights reserved

https://dauw.bandcamp.com
https://jellemartens.info
https://midorihirano.com
https://www.robotsdontsleep.com

Midori Hirano - Patterns (Foam And Sand Remix)

Sa Casa Des Carbó

Lucient - Turquesa

Ediciones Éter, Medellín, 2022

Producido por Ezmeralda
Masterizado por Miguel Isaza

*

Production by Ezmeralda
Master by Miguel Isaza

Flores En El Río

"It’s the last song on the album - a love letter to anyone that might need it."

180gm white vinyl edition of 500 copies - deluxe printed inners / CD / Digital    https://hth.lnk.to/Hinako

London-based artist Hinako Omori releases her debut full-length album, ‘a journey…’ on March 18th. The release will be celebrated with a special performance on March 19th in the Purcell Room at London’s Southbank Centre accompanied by London Contemporary Orchestra.

Artist: Hinako Omori
https://linktr.ee/hinakoomori

Label: Houndstooth
https://linktr.ee/houndstooth

Artwork: Emi Takahashi
http://emitakahashi.ca

Lyrics:

"I tried to visualise
what it was like through
your eyes
 
But all I could see
closed in on me
 
the fragility
 
I wish I could let you know
that every passing moment
will fall like the snow
 
Not settling
disappearing without a trace
before you
 
Let me be your eyes
let me guide your light 
through the darkness
 
Let me be your eyes
let me shine a light
on your darkness
 
I promise there’s a way"

Snow

Hinako Omori - Snow

See-Through

Patricia Wolf - The Grotto

Seachless

Before the Storm

Cassius

Overlook

New Dawn

sdr gtr

Sometimes Life Is Hard And So We Should Help Each Other

Today I Woke up Earlier Than Usual

With a strong interest in geology and biology, Takahashi started imagining the landscape and life of the Earth in prehistoric times based on fossils and illustrated books, later used as inspiration for his compositions. At first sight, these images make it easy to envision the ecosystems and environments of prehistoric Earth as so distinct from those of today that they could almost be seen as different planets. Living through the pandemic, when Takahashi first started composing the songs, made him rethink his initial thoughts. 

“The Palaeozoic era was a time of extinction, of prosperity and decline. When I think ab out these facts from geology, they are quite spectacular. But I felt that this cycle is still happening today, b ut on a different scale. If you think about the time before Covid-19, people were very active and free to move around. It was with this in mind that I set about writing the music, imagining what it would be like to overcome the social upheaval of Covid-19." 

It's the similarities between his initial analogy and the new pandemic reality that ultimately formed the main context for Paleozoic. This led Takahashi to make an album which sonically reflected the sequence of Paleozoic: starting from a time when life flourished in the sea ,before the arrival of life on land, to the gradual arrival of plants and insects on land and the end of an era due to change. 

In order to create a more vivid representation of the life force and grandeur of nature, Takahashi decided to forgo his signature lo-fi production style of using GarageBand on his Iphone. For this, he enlisted the help of sound engineer, producer and Atoris bandmate Kohei Oyamada with the mix and arrangements, resulting in a highly evocative, expansive sound palette. 

“With his techno sensibility and sound engineering skills, he was able to bring me closer to the sound I've been chasing, which is full of mystery, life and images of a wild and simple time. This record is the first step in my work with him and the foundation for further progress." 

The result is a fascinating journey through imaginary landscapes infused with great dramatic affect and an acute sense for details across sweeping drones and electronic glistens. 
credits
released April 29, 2022 

Composed by H. Takahashi 
Mix & arrangement by Kohei Oyamada 
Mastered by Taylor Deupree (vinyl) and Kohei Oyamada (digital) 
Artwork by Alicia Carrera

Emerald

I Don't Force It.

Passiflora

New Dawn

KOLOAH

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