HOLY SHIIIIIIT THIS IS 🔥🔥🔥🔥🔥🔥🔥🔥🔥

Feine Sets gemischt

Anfisa Letyago playing an exclusive dj set from Saluting Battery, Malta for Cercle, in partnership with Visit Malta. 

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Anfisa Letyago - Saluting Battery: https://Cercle.lnk.to/SalutingBatteryAnfisaLetyago

☞  Anfisa Letyago
https://open.spotify.com/artist/7icoOm5fKKPo49jVxoj1Cq?si=m697BQWvRdSFqYmmruNLTA&dl_branch=1
https://music.apple.com/fr/artist/anfisa-letyago/884010607
https://www.facebook.com/AnfisaLetyagoMusic

35° 53' 40.6" N 14° 30' 45.1" E

Video credits:

Artist: Anfisa Letyago
Venue: The Saluting Battery, Malta
Produced by Cercle
Executive producers: Philippe Tuchmann & Derek Barbolla
Film directed by: Pol Souchier & Derek Barbolla
Director of photography:  Mathieu Glissant
Cameraman: Mickaël Fidjili
Drone pilots: Jérémie Tridard & Simon Bourrat
FPV drone: Kenny Dorion
Sound mastering: Antoine Guest 
Production team: Anaïs De Framond, Dan Aufseesser, Armand Prouhèze
Communication: Pol Souchier & Bérénice Saïag
Graphic Design: Anaëlle Rouquette
Technical Manager: Aurélien Moisan
Chief Financial Officer: Andy Cheremond
Post-production: Mathieu Glissant (Saison Unique Production)
Photographer : Peter Mercieca

--

Special thanks to:
Franco Vella
Corrado Marzolini
Micallef Carlo
Zarb Noel
Galerie Joseph


______

This artistic performance has been recorded live. 

______

Follow us on http://www.cercle.live

Anfisa Letyago at Saluting Battery, in Malta for Cercle

recording of Maceo Plex live @ Boiler Room Berlin 17-09-2014

Maceo Plex 90min set @ Boiler Room Berlin 17-09-2014

Watch the set and get the full tracklist at https://boilerroom.tv/recording/maceo-plex-berlin?utm_source=soundcloud&utm_medium=description&utm_campaign=tracklist

Maceo Plex Boiler Room Berlin DJ Set

Sven Vath 50th Birthday @ Mannheim - Full Set

Maya Jane Coles – ‘What They Say’

http://www.beatport.com/release/what-they-say-ep/1398492
https://itunes.apple.com/gb/album/what-they-say-ep/id948342759

Buy on Beatport

What They Say

This is the second set we played for the ENTER London parties that took place 11 April 2015. 

Adam Beyer B2B Ida Engberg Warm Up Afterhour Set @ENTER London Studio Spaces 11April15

Don't U Want Sum More (Original Mix)

Tracklist & download: http://blrrm.tv/qmMbIS

Leading the charge, the long overdue return of Dubfire.

Dubfire Boiler Room Berlin DJ Set

Searching for the perfect groove and exploring the SUPA Jams through the same named Club and Open Air Events, Max, Cian and ZOKA are representing  SUPA in different views! First SUPA Aircast is following by ZOKA! Max and Cian incoming, following by local and well named DJ friends. 
Injoy...<3

SUPA

SUPA Aircast #1  //  ZOKA  //

https://www.facebook.com/kolschofficial

Latest recording of Kölsch's live-set full of new material. 

No tracklist - All tracks are played live and most of them are still defined as "work in progress".

Kölsch - Live @ Panorama Bar, Berlin - 27072012

Kölsch recorded live at Time Warp Mannheim 2019 from Floor 4

TASCAM DR-05

Kölsch live at Time Warp Mannheim 2019

Watch the set and get the full tracklist at:
https://boilerroom.tv/recording/sven-vath-120-min-mix?utm_source=soundcloud&utm_medium=description&utm_campaign=tracklist

► Witness Berlin lose their shit over the incomparable Sven Väth

Sven Väth Boiler Room Berlin Groove Magazine DJ set

Dear Friends, enjoy one of my latest sets.
Stay strong, stay healthy,  stay positive!

Sven

Sven Väth @ Ekho Club, Madrid (Spring 2020)

This set was recorded on my first trip to South Africa, where I performed at a festival and a free show in Soweto alongside local artists Vinny da Vinci , Dj Fresh, Euphonik, Culoe de Song and LSG. All tour dates were partnered with non-profit organisation Bridges for Music. The aim was to use music to break down socio-economic boundaries bringing people from different communities together . More info: www.facebook.com/bridgesformusic

'DE9 Fragments' is a series of fragmented audio edits based upon my live DJ set recordings. Each one will attempt to capture the feeling and direction of the night, giving those who were there a reminder of the events they experienced while giving those who were not present a fragmented distortion of what they missed.

Edited & Reconstructed by Richie Hawtin & Rebekah Aff

Richie Hawtin: DE9 Fragments 7. Somewhere in South Africa (February, 2013)

Richie Hawtin - Ricardo Villalobos - Loco Dice - Minimal - 2009-05-10

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Kölsch - Live @ Panorama Bar, Berlin - 27072012

Kölsch

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