Makes me feel so happy and stressfree whenever I listen to track. One of my all time favourite❤️❤️

Supported by Dubfire, Fake Blood, Jody Wisternoff, NT89, Seamus Haj, Rob Threezy, Hoshina Anniversary, Larry Tee

A couple of months ago we heard this track by Vincent Leijen, we really loved since the emotional vibe came really close to Kolsch tracks like Opa and Loreley. But we felt it needed some more rawness, so the track would become a perfect festival edit. 

For the past months we have been closing almost all our sets with this one and the reaction was great every time.

Now it will also become available for you since the label http://soundcloud.com/littlegloberecords decided they wanted to officially release it. 

-update.
The track got featured in the official ADE aftermovie of 2013
http://youtu.be/YEMPFtAy8eo


http://www.facebook.com/LittleGlobeRecords
https://soundcloud.com/vincentleijen
http://www.facebook.com/henzelunddisco

Free Download

Vincent Leijen - Rosette (Henzel & Disco Nova Edit)

Ida Engberg - Disco Volante (Sebastien Leger Remix)

Building on the resonant triumphs of Ad Astra and Entropy, Trou ascends to new heights with his latest release, "Memento Mori." This evocative track weaves a profound narrative of love, hardship, suffering, pain, and redemption, capturing the universal journey and inherent meanings of life. "Memento Mori" is not just a song; it's an exploration of the truths that bind us all in our shared human experience. Join Trou as he delves into these deep, emotive themes, offering listeners a chance to reflect on the inevitable paths we all traverse.

Trou - Memento Mori (Radio Edit)

Kölsch - Loreley - Original Mix

Kölsch - Opa - Original Mix

Extrait du podcast "Podcast For Friends" mixed by Dylan

La Mezcla (Paul Kalkbrenner Remix) - Michel Cleis

Out Now:  https://lnk.to/IPSO002-HALSM

About a year ago I launched my label IPSO. First release was a collab with Michael Mayer. We made Dogma 1 and 2, and the tracks have been in heavy rotation ever since. I remember a magical morning at Panorama Bar where we played Dogma 1. It was one of those moments we all live for, where everything fell in place. Magical.

This summer IPSO 002 is released and this time it's a collab with none other than Tiga. We spent a couple of great days in my Copenhagen Studio, and I'm really proud of what we came up with.
This is the first track "HAL" from the forthcoming IPSO 002 E.P.

Kölsch & Tiga - "HAL"

Gregor Tresher - A Thousand Nights

Kölsch - Loreley (Original Mix)

Out April 22nd on Beatport!

--------------------

A very special record for me. The efx on the track were recorded many many years ago in my grandparents garden, Its my grandad messing about in the shed. There is a ghost in this song. 

Kölsch - GoldFisch (Preview)

Domino

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Kölsch - Loreley - Original Mix

Kölsch

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