Kompakt - Speicher EPs

Speicher 128

Environ

Unity

Doubts

Skywalking

Unity Pt. 2

Fading

“Atmos Minimal – Second Wave” takes you deeper into the hypnotic world of minimal techno.  
This album blends rolling sub-bass, glitch textures, and atmospheric synth layers into immersive soundscapes designed for underground clubs, late-night drives, and focused listening.  

Each track carries its own pulse – from ghostly echoes to fractured signals, from static horizons to drifting subwaves. Together they form a cinematic journey through shadow and light, rhythm and silence.  

A continuation of the Atmos Minimal series, “Second Wave” delivers deep, meditative, and psychedelic techno energy for those who seek pure minimal sound.


Subwave Motion

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Get @officialaender's track on @recoverycollective here: 
➟ All platforms: https://go.protonrad.io/rls9Ksk0rAFiE 

A statement of solidarity, creativity, and global connection through music. Since 2018, the ALLIANCE series has emerged in moments that matter — not just as a collection of tracks, but as a cipher for the underground. Over the past seven years, it has introduced more than 50 artists to the Recovery Collective catalog, becoming a launchpad for fresh talent and diverse voices from across the globe. ALLIANCE 2025 hits harder and cuts deeper, echoing the raw spirit of resistance, unity, and collective power that lies at the root of not only electronic sounds but music itself. With 13 tracks from 15 artists across Australia, Brazil, Germany, South Africa, France, Russia, the USA, Canada and the UK, this is an international Alliance moving with one intention: truth through rhythm, story through sound. Spanning progressive, melodic, abstract and psychedelic styles, this collection offers a diverse spectrum of expression – something for every corner of the dancefloor and every shade of the inner journey. Compiled by label founder JYDN, this fifth volume is more than a celebration. Its a movement. A global call to stay raw, stay real and to move as one. At a time when the world feels increasingly divided, ALLIANCE remains a quiet rebellion. A tribute to unity, creative freedom and the unstoppable rhythm of connection. From the calm before the storm in 2018, to the isolation of 2020, the cautious return in 2022, the revival of 2024, and the fractured landscape of 2025 – this series has evolved with the world. And still, we move as one. We are greater than the sum of our parts. Stronger, Together.

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
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Aender - Organism [Recovery Collective]

Eleggtro - SPS [Tech Ero]

Available Now: https://KompaktRecords.lnk.to/Speicher97SD

KÖLSCH returns to SPEICHER / KOMPAKT EXTRA following the tremendous success of last year’s “Grey” (KOMPAKT EXTRA 93). A single that surprised everyone by catapulting the Danish artist into daytime UK radio. Alongside launching his own BBC1 residency, he continued to evolve as a DJ which has led to residencies launching in Cologne and Ibiza. 

KÖLSCH also launched his own record label IPSO which debuted a collaboration with MICHAEL MAYER with more to come... 

For his latest SPEICHER instalment, Rune revisits the bold, catchy minimalism of his earlier days: think of his INK AND NEEDLE alias or KÖLSCH’s very first SPEICHER / KOMPAKT EXTRA release (KOMPAKT EXTRA 68) and you’re not too far off the mark. PUSH is a raucous, sawtooth-y banger that quickly evolves into a high-flying space ride, thanks to its bursts of melody and a deep string break. On the flipside, GOODBYE creates a delightfully melancholic mood enhanced (and transcended) with organ-like synth textures, retro-futuristic bleeps and fragmented alien voices. 

Our SPEICHER series rapidly heads towards 100. Where it goes, only we know - so savour the flavour while it lasts.

Kölsch - Goodbye

Kölsch - PUSH

Speicher 93

Grey

Upperground EP

Upperground

All Gone Ibiza: Pete Tong b2b Andrea Oliva

Dum Dum

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


KIR

Kölsch

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