i waited this Beacon track, but its very boring :(

Can we get an instrumental release of this track?

🌊🌬✨music, with... feeling~♥️✨✨✨

I’ve gotta say this is one of the most cinematic sounding tracks I’ve heard. Nice one Kölsch

Listen to when you feel like day dreaming. A collection of the best Electronica, Neo-Classical, Chill Hop, Compositional Ambient, Synthwave and New age. For submissions go to www.sauledamusic.com

Musing by Day -  Study / Work / Writing / Coding / Relaxing

'Got This Feeling EP' out now.
Beatport: po.st/bgotthisfeeling
iTunes: po.st/gotthisfeelingEP

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Still Linger In My Dreams (Original Mix)

Buy on Beatport

Still Linger In My Dreams

The Dark Horizon

Void

GG Promises Volumes 1 - 15 Released 9-1-2025 Director & Conductor & Principal Benjamin Hill Producer, Benjamin Hill, coproducer IBen Morton Mastering Benjamin Hill, Mixing, Benjamin Hill, Recording Engineer Benjamin Hill, assistant engineer IBen Morton All songs written by Benjamin Hill and IBen Morton Composers IBen Morton and Benjamin Hill Benjamin and Benjamin, Programming, Percussion, Keyboards, Synthesizers, Bells, various Vocals, IBen Morton and Benjamin Hill Label, IBen Morton Music, IBen Morton and Company, IBen Morton Company Music, IMCM

Loving's Eternal Bond

Murder Weapon EP

Nobody Seems To Care (Original Mix)

Brainsugar

Falling

On the Level

Krankbrother - When You're Watching Me (Original Mix)

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Interview w/ Hosini: http://whenwedip.com/2017/11/anjunadeep-hosini-premiere/

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Interview

Premiere: Hosini - Laomedeia (Original Mix) [Anjunadeep]

Hong Kong Express - Flirtations

Buy/Stream: https://Anjunadeep.lnk.to/ASAAMSo
Release Date: 19th July 2019
Follow Anjunadeep New Releases on Spotify: https://Anjunadeep.lnk.to/NewReleasesYo/spotify

Fluida, the innovative duo behind ‘We’re So Far’ are set to return with their EP ‘A Self And A Mind’. The title track is a percussion-driven cut featuring the pair’s signature steel pan hang drum. Known for their uniquely live-DJ sets, Fluida’s performances routinely feature the inclusion of live instruments over the production - a nod to their original roots in live performance.

Previous releases from the UK duo have come via Supernature, Get Physical, Kindisch and Fatboy Slim’s ‘Southern Fried Records’ in addition to a series of special vinyl-only cuts via their own label. ‘A Self And A Mind’ is set for release on 19 July via Anjunadeep.

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#anjunadeep #DeepHouse #Fluida

Buy/Stream

Fluida - (I Am) Human

Urban Soul meets the Alps / Mama Thresl, Vol. 2

Lie Alone (16 Bit Lolitas Remix)

Between The Lines (Zimmer Remixes)

Between The Lines (Zimmer Remix)

Now Here No Where

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When I wrote "Apart" early this year I didn't anticipate that there's only one interpretation in 2020... during lockdown music has kept me busy and I worked on various ideas across my favourite electronic genres. 

I hope you can connect with some of these ideas on the "Apart-EP" ;)

Follow mellowdine:

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Spotify - open.spotify.com/artist/2ptxQ6fGkpsMDmtokks4DD
Deezer - www.deezer.com/en/artist/59299772

Wide Awake

Chernobyle

Musicians often have to walk the path less travelled to get to where they want to be. Trials and tribulations are sure to pop up, and those who can push through the twists and turns will find themselves exactly where they’re meant to be. Songwriter/composer Peter Sauleda has taken this often crooked path and has found his true musical purpose in the journey. 

Originally from Stockholm, Sweden, the journey has taken Sauleda through Sao Paulo, Caracas, Madrid, Sant Pol de Mar, Costa del Sol, Gothenburg, Vienna and most recently Stavanger. Each step along the way imprinting pieces of themselves into him and his music. Sauleda gathered profound knowledge and inspiration through his travels and his connection to each city can be felt throughout his unique, ambient, synthetic sound.

Focusing on downtempo electronic soundscapes that soothe the soul, Sauleda aims to provide listeners with an even deeper experience. There is heavy influence from IDM, Cinematic, and Ambient genres. Each song taking you to another place, allowing for some peace and ease amongst the chaos of our world. 

To capture this unique sound Sauleda reached upon an assortment of musical influences. From classical composers such as Bach and Beethoven to the progressive rock of Genesis, Yes, Emerson, Lake & Palmer. The electronic examples of Vangelis, Hans Zimmer, and William Orbit had their effect as well. In today’s music scene, Sauleda is often compared to such unique artists as Boards of Canada, Thievery Corporation, and Four Tet. This diversity is what sets his music apart.

From his first piano lessons at the age of 7, the desire to transfer emotion through sound became a passion for Sauleda. An album released with Blanco y Negro Records in 2005, and a career producing music for promotional videos provided vast experience. His ability to create distinctive sound design, while never using sound banks or sampled loops, sets Sauleda on a higher level. He is able to conjure fantastic and exotic images within the mind of the listener through his immersive electronic soundscapes.

Now he is focused on publishing his own unique music under the Sauleda name. Finding inspiration in extraordinary events of the past and creating soundscapes that display the feelings of the individuals that lived through them. The sounds, the emotions, the history. All this in an effort to plant his footprint firmly in the Electronic Music scene with a sense of joy for his continued journey into sound.

Sauleda welcomes all people regardless of age, race, or orientation to come along and enjoy this epic journey alongside him. 

-written by Keith Pro - founder of IndieBandGuru.com. 20 year music industry veteran

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


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Kölsch

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