Heard you play this fucking masterpiece last night at Fabric - those rolling Scottish style drums leading into that beautiful beat pattern - trance like,  Exceptional my friend.

highlight ... feels like aphex, prodigy, wink ... thanks a lot

Insomnia 2021

Insomnia 2021 (Epic Mix)

Anfisa Letyago playing an exclusive dj set from Saluting Battery, Malta for Cercle, in partnership with Visit Malta. 

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Anfisa Letyago - Saluting Battery: https://Cercle.lnk.to/SalutingBatteryAnfisaLetyago

☞  Anfisa Letyago
https://open.spotify.com/artist/7icoOm5fKKPo49jVxoj1Cq?si=m697BQWvRdSFqYmmruNLTA&dl_branch=1
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35° 53' 40.6" N 14° 30' 45.1" E

Video credits:

Artist: Anfisa Letyago
Venue: The Saluting Battery, Malta
Produced by Cercle
Executive producers: Philippe Tuchmann & Derek Barbolla
Film directed by: Pol Souchier & Derek Barbolla
Director of photography:  Mathieu Glissant
Cameraman: Mickaël Fidjili
Drone pilots: Jérémie Tridard & Simon Bourrat
FPV drone: Kenny Dorion
Sound mastering: Antoine Guest 
Production team: Anaïs De Framond, Dan Aufseesser, Armand Prouhèze
Communication: Pol Souchier & Bérénice Saïag
Graphic Design: Anaëlle Rouquette
Technical Manager: Aurélien Moisan
Chief Financial Officer: Andy Cheremond
Post-production: Mathieu Glissant (Saison Unique Production)
Photographer : Peter Mercieca

--

Special thanks to:
Franco Vella
Corrado Marzolini
Micallef Carlo
Zarb Noel
Galerie Joseph


______

This artistic performance has been recorded live. 

______

Follow us on http://www.cercle.live

Saluting Battery

Anfisa Letyago - Saluting Battery

Hold / Clear

Kölsch - Clear

Kölsch - Hold

Speicher 119

Kölsch - Woohman

Kölsch - Speicherband

The Prototype

Ever in search of an even-better environment to make music in, Joris Voorn has been hard at work this year constructing a new studio space near his home in Amsterdam. Having only very recently been completed, Joris immediately went to add the finishing touches on his next single in his new natural habitat. 'Genova' is the result, and its been well worth the wait.

A nagging techy beat with a funky undertone drives this infectious track, with monotone synth rhythms subtly rising from the depths to create tense pressure. Moments of teasing intensity increase the drama, before a beautiful arpeggiated melody unfolds and with it brings a sorrowful chord progression. The bass follows in tandem as we head towards a sparse breakdown which strips things down to the bare minimum. A lengthy snare build recalls classic trance as the synths pulse and swell, with a hooky vocal snippet announcing the drop. After some more of that juicy groove, an extended ambient outro provides an atmospheric, heavenly ending.

'Genova' has been heavily road-tested by Joris, featuring in all his sets over the summer and it has received huge reactions whenever played. It seems like his new studio has added a touch of magic to it, and we can all look forward to much more material coming out of it very soon indeed.

Genova

Joris Voorn - Genova

Buy: https://found.ee/TheLights

Teeming with flair and charm, two redoubtable heavyweights of the scene - rave pioneer Sasha and house music star Kölsch - have come together to release a sun-drenched single titled 'The Lights'. It is the third official release on Kölsch's IPSO imprint and follows two previous collaborative releases from the Danish producer with Michael Mayer and Tiga.

Having already gained support from Pete Tong on his BBC Radio 1 program, 'The Lights' is an expertly crafted progressive track that allows each producer's signature style to shine through with true majesty and delight. 

Sasha and Kölsch's single 'The Lights' drops on March 22 via IPSO.

More exclusive music

Premiere: Sasha & Kölsch 'The Lights'

When the Lights Are Out

When the Lights Are Out (Late Night Mix)

Shoulder Of Giants / Glypto

Shoulder Of Giants

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Kölsch - Woohman

Kölsch

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