@dites_safran

MNBN011 - Une Tendance à Remplir - Out September 10th.

Available in digital, tape, and limited edition soap on Bandcamp: https://manband.bandcamp.com/album/une-tendance-remplir

Olfactive design by Magique Studio
Soap conception & design by Matière Noire
Artwork by Studio 24/24
Mastering by Krikor

Dites Safran - Une Tendance à Remplir (Snippets)

D3. Apocalyptic Signs (Eulogy)

Buy & Support:
Digital:
vimanismo.bandcamp.com/album/aprieta
12¨ vinyl:
www.one-eye-witness.com/release/16732…Phran-Aprieta

A3 - Sons (feat. oma totem) - preview -

Acclaimed producer, DJ and community leader TYGAPAW is one of the contemporary guiding lights of the New York club scene. Creating multiple spaces for the city’s LGBTQIA+ community to thrive within nightlife culture, their 2020 debut album GET FREE acted as a mission statement to dismantle patriarchy, racism and queerphobia set to some of the most full bodied, soul-rendering electronic music of recent memory. After releasing the hypnotic club sounds of ‘MYSM’ and the even more relentless ‘PRESSURE’, today TYGAPAW announces love has never been a popular movement; their second album and purest dancefloor declaration yet. 

A more hazed out, soulful meditation than previous singles ‘MYSM’ and ‘PRESSURE’, TYGAPAW’s ‘GLAMOUR Riddim’ utilises vapour-esque synths and reverbed vocal samples that echo through the track’s featherweight atmospheres. The vocals of one of the UK’s brightest new stars of forward thinking R&B George Riley only brings further animation to the track, with her whispered tones offsetting TYGAPAW’s midtempo percussion to create passionate counterpoint on the producer’s vital forthcoming album, ‘love has never been a popular movement’. Hypnotic, blissful and packed with subtle kinetic energy, ‘GLAMOUR Riddim’ is made just as much for DJ sets as it is for hedonistic, sweat-soaked nights that last until the sun rises. 

In eight tracks that hopscotch across atmospheric techno and East Coast club, TYGAPAW’s forthcoming new album love has never been a popular movement addresses, with unshakable confidence, fierce self-love and TYGAPAW's journey as a Jamaican reckoning with their trans identity. Taking the propulsive energy accumulated from relentless touring since the release of GET FREE, TYGAPAW has transposed that devastating frission into a focused, intentional and wholly vital work of club music, without ever losing it’s power to demand movement from its listener. An electronic artist that means so much to so many people, they have taken their time to craft their vital, unique sound into something even more urgent; creating an escape from the overbearing nature of the outside world - a space where the listener can be whoever they want to be. With love has never been a popular movement, TYGAPAW will cement their status as one of the most important artists in the NY club scene, broadening their cathartic sound to new horizons as they do it. 

In anticipation of the release of love has never been a popular movement, TYGAPAW is on tour across Europe, previewing tracks from the album to crowds across the continent. Full dates below: 

23/03 - Lux Fragil, Lisbon - Portugal 
24/03 - Nitsa, Barcelona - Spain 
25/03 - Mondo Disko, Madrid - Spain 
08/06 - Melt Festival, Berlin - Germany 
23/07 - Secret Garden Party - UK 
16/08 - Cabaret Vert - France 
credits
released April 21, 2023 

George Riley, LSDXOXO,

SK9 (Release Me) Ft. LSDXOXO

06 TYGAPAW - SK9 (Release Me) Ft. LSDXOXO [fabric Originals]

Mossambi makes his return to All Centre to follow up the stunning debut Resurf EP from the beginning of 2023. On The AI Told Me To, he delivers 3 more experimental techno exertions backed by a heavy-duty club remix from Holloway.

Reptate opens proceedings with otherworldly vocals stuttering over Mossambi’s distinctively inventive sound design. The track enters an off-kilter, compelling groove composed of deep kicks, growling subs and snippets of microtonal melodies, building up and playing out like an extra-dimensional take on dubstep.

The title track keeps up the momentum with deep kicks and shuffling hats, allowing a lush choral pad to stutter and proliferate amongst the percussive intricacies. The chord is manipulated, filtered and triggered in unpredictable patterns as the track progresses, keeping the listener on their toes whilst Mossambi holds down a transfixing groove.

Mossambi’s final track, Miscellaneous Vegetable Platter, slows things down to a hypnotic 110 bpm pace. A disorienting blend of scrambled vocals, fried digital synths and dubbed-out bass and chord hits are kept in check by steady drums, whilst a frenzied snare roll pushes and pulls at the track’s intensity as the track progresses, crafting an engrossing low-tempo workout.

Holloway translates Mossambi’s glitched vocals and heady sound design onto a ferocious four-to-the-floor groove. A warbling bassline bubbles underneath driving percussion, whilst a syncopated hard house siren brings the energy levels to a fever pitch.

Mossambi - The AI Told Me To [ACEN056] (PREVIEWS)

Pour cette émission de latin sessions, elsa winner invite Rosa qui nous délivre depuis les Pays Bas une heure de baile funk and dembow as its finest !
@rosa-van-rooij

latin sessions - elsa winner inv. Rosa (11.04.24)

Radićeva 1 008 w/ Matkec

where there's smoke, there's fire - the first edition of SMOKE was a pleasure to burn <3 @mayalabae @Unavailable_username

SMOKE 03-23-24 mayalabae b2b Jade

Drop That

WRD0251 - Degrand - Basilisco (Original Mix).

I created this track to remember summer while the winter blues approach ☀️

IN REAL LIFE - DN'T U

get in touch via instagram / email / telegram

kru:

Dannheimer
Cameron
MINI
Alfred
Alvin
Maduran
Alexa
Malej
Adam Mclean

#never2kool #n2k

Radićeva 1 008 w/ Matkec

komrad

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