D4Rk-T$C

Kangding Ray . Solens Arc
Release : January 2014 on raster-noton
www.raster-noton.net
www.kangdingray.com

A stone thrown, just to watch it fly. A projectile launched for the sole purpose of drawing a ballistic trajectory in the sky.
The Solens arc is what remains after the subtraction of the goal; a simple parabolic curve defined by gravity, impulse and starting angle. No target to hit, no catharsis to wait for, just the beauty of the flight.

The Arc as the purpose, in the form of four variations, constructed from disintegrated melodic textures and dismantled beats. Each sequences are assembled seamlessly into dense, evolving compositions, while keeping their autonomy, and their role in the global dramaturgy.

Pointillist serial loops morph into abrasive rave anthems, broken club rhythms are refitted into uneven patterns, like deconstructivist sound architectures. Industrial techno stompers dissolve into granular sound waves and filtered space pads, before being overtaken by cinematic drums and rising arpeggios.

Solens Arc is Kangding Ray’s fourth Album for raster-noton.


TRACKLIST

A : 
Serendipity March
The river 
Evento

B : 
The river ( reprise )
Blank Empire
L’envol

C :
Amber decay
Apogee
History of obscurity

D :
Crystal
Transitional Ballistics
Son

Serendipity March

Answer Code Request | Ghostes

Answer Code Request | Blue Russian

Recondite - Caldera


Release date (3LP, cd & digital format): 3rd of November

TRACKLIST
1. Ø [Phase] - Insectoid
2. Lucy - Sana Sana Sana Cura Cura Cura
3. Ctrls - x.y
4. Rødhåd - Haumea
5. Planetary Assault Systems - The 808 Track (Parts 1 and 2)
6. James Ruskin - No Trace
7. Surgeon - Fixed Action Pattern
8. Inigo Kennedy - Arcing
9. Karenn - Pace Yourself

INFO
It was early 2007 when Inigo Kennedy inaugurated Token. Since that Identify Yourself 12” the Belgian label has gone from strength to strength, integrating both Kennedy and Ashley Burchett, aka Ø [Phase], into becoming integral cogs in the Token machine. In between releases by Grovskopa, Oscar Mulero and Go Hiyama, both Ø [Phase] and Inigo Kennedy dominated Token’s output, but it wasn’t until Burchett’s watershed Binary Opposition that Token received the shower of praise it deserved. Following this, label founder Kr!z issued three remix 12”s of that release which, including Token regulars, took in a profound cast of producers to reprocess “Binary Opposition” by the way of Sigha, Peter Van Hoesen, Planetary Assault Systems and Ben Klock. It was here Token stamped their authority on contemporary techno.

Since then Token has grown exponentially, bringing into their fold artists like Xhin, Mark Broom and Rødhåd, while Ctrls, formally one half of Northern Structures, has seen his solo career flourish on Token with the release of five records to date, and he joins Inigo Kennedy and Ø [Phase] as a label stalwart. Additionally this year, Orphx and Ancient Methods debuted their relentless Eschaton collaboration on Token, and Christian Wünsch’s Spherical Coordinates dalliance with Oscar Mulero has gained even more momentum with a second release called Kinematics Equations. Now, seven years after that debut Kennedy record, Token present Aphelion, a nine-track CD and triple vinyl grandstand of new and exclusive material from label regulars and like-minded artists whom Token founder Kr!z specifically commissioned for this milestone release.

The penultimate record before Aphelion was a second Token 12” by Rødhåd, another artist adding to the cultivation of the label’s sound and roster, and for this compilation the Berliner supplies his cosmically inspired “Haumea”. Joining the Dystopian founder on Aphelion are three of the UK’s most influential techno artists: Surgeon, James Ruskin and Luke Slater under his Planetary Assault Systems alias who provide Token with solo material for the first time after previously appearing on the imprint in remix form. Entirely new names to grace the label via Aphelion include Stroboscopic Artefacts founder Lucy, and Blawan and Pariah's Karenn project, while label faithfuls Inigo Kennedy,  Ø [Phase] and Ctrls naturally commit three Token defining productions.

Casting one’s eye over Token’s back catalogue and it’s clear to see the label is a staunch advocate of absolute techno, remaining steadfast in issuing quality material that remains true to classic strands of the genre regardless of its popularity flux. In that respect, Aphelion - a word used to describe the point in orbit when a planet or comet is farthest from the sun - provides a simple analogy that the magnetic force of Token, unfazed by the shadows cast by popular opinion, will proudly shine light on their artists and given styles. 

“We started in an era where our genre was very unpopular,” Kr!z explains. “And in the end that seemed a big advantage for us, because when everyone was giving up, we started our mission.” Regularly hosting label nights in prominent clubs around the world, Token has become a label supported by a wide-ranging body of artists like Âme and Ben Klock to Efdemin, Truss and Ancient Methods. With the label now branching out into album and compilation territory, Token’s duty to techno may not yet be accomplished, but it’s been a job well done.

www.tokenrecords.com
www.facebook.com/tokenrecords

Aphelion

Ø [Phase] - Insectoid

Buy on Beatport: goo.gl/2ssuHr

Mario Giordano & @ADLdj - Fabric [@DSRDigital]

Distributed by Pressology - www.pressology.net

Mario Giordano & A.D.L - Core Drum (Original Mix)

'Signs' will come fully equipped not only with a stunning video directed by Ry X and Constantin Demner, but an arsenal of remixes from Kalabrese, Rødhåd and Radioslave (who also turn in a mix from their other guise Matom) to be released on white label early March.

Howling -  Signs (Rødhåd Remix)

Victor Calderone has stepped up for his first solo release on Drumcode with his two track single, ‘Burden’. Featuring two energetic tracks, ‘Skin’ and ‘Burden’, Victor has used effected vocals to create funky rhythms over the top of some steaming kick drums. The synth stabs lend themselves well across this EP particularly in ‘Burden’ where they really augment the flow of the track. The use of percussion phrases throughout both tracks on the single also reinforces the grooves and adds character to create a distinctive sound that keeps the single fresh and exciting.

Victor Calderone - Burden - Drumcode - DC139

i wish my former vocalist the best of luck in her future endeavors<3
  this is Edith on vocals


"FRAIL" 
(E.Kath)

If you defray
You end up prey
Glow through the veil
Is this what you call frail

Ignore the edification 
Of those whom you admire
We withhold our blessing
We refuse to calm the fire

Frail
Is this what you call frail
Glow through the veil
Is this what you call frail

Knit her a new pea coat
Drape it past the knee
The sinew has withered
Suture as accessory

Frail
Is this what you call frail
Glow through the veil
Is this what you call frail

////////////////////////
Edith Frances: vocals
Alex Zelenka: engineer
Samuel Jacob: engineer
Patrick Mundy: mix
Brian Gardner: master
Au Vyst: artwork

///////////////
////////////
////////


Frail

Release date (vinyl & digital format): 18th of May 2015

TRACKLIST
A1 Anna Livia
A2 Enter
B1 Prime Mover
B2 Voltage
C1 Artefakt
C2 Astragral
D  Blue Note

INFO
Token certainly have their staples - Ctrls, Ø [Phase] or Inigo Kennedy making regular appearances. The last release on Token for example, Ø [Phase]'s 'Tunnel Vision/Internal Conflict' 12” showed the producer enjoys a level of familiarity with the label, allowing him to indulge his more leftfield tendencies, resulting in some truly captivating dancefloor moments.

Just as often Token will ingratiate new talent to the roster however, continuously reshaping their boundaries. The most recent record comes from one such new addition. In the wider sense though, it'd hardly be fair to call Parisian producer Antonin Jeanson aka Antigone fresh-faced. Since debuting in 2011 on Zadig's then relatively new Construct Re-Form label, Jeanson has enjoyed an impressively consistent run of releases, despite his penchant for sounds which are a little out of the ordinary.

His inaugural release with Kr!z's Token Records, the 'Cantor Dust' EP, is similarly reflective of his inclination to mix the abstract with the functional. Jeanson's movements across the release are difficult to second guess – 'Anna Livia' opens with Klaus Schulze reminiscent, spacial electronica, yet the serenity doesn't last for long. 'Enter' asserts Jeanson’s dancefloor sensibilities, chugging forward unfalteringly. The track builds at a steady pace, before the anthemic 'Prime Mover' provides a sudden release of tension. Jeanson’s reverberant stabs lunge forward, driving low-end thudding militantly beneath.

From here the EP dives back into more sinister territories - the serpentine 'Voltage' or gurgling, abstract melodies of 'Astragal' have a similarly rugged texture to them. 'Artefakt' is equally muscular, and undoubtedly one of the record's most climactic moments. The interplay between rasping mechanical percussion, booming low-end and grinding drones is rushingly intense.

'Cantor Dust's structure proves well-designed to the last however. The celestial 'Blue Note' provides a moment of reflection, distant synthesisers easing out gently - an emotive chord progression floating melancholically above Jeanson’s booming rhythms. It is the calm after the storm, a moment to savour, and reflect on the trip.

Words by Theo Darton-Moore. 

www.tokenrecords.com
www.facebook.com/tokenrecords

Cantor Dust - EP

TOKEN53 - Antigone - Cantor Dust

Polar Inertia - 'Can We See Well Enough To Move On (Part One)'

Lakker - Milch

https://www.facebook.com/lakkermusic

Lakker - Milch

cory arcane found her comfort zone in a constant state of crisis, and her liberation through love, sensuality, and high-speed internet access.
as some might recall, she used to struggle with her own decay, navigating an intricate web of bureaucracy, endless social-media scrolling, 24-hour news channel feeds and marketed strategies of seduction.
her intense and continuous obsession for surf, breakdancing and cat videos might have saved her from a silent decline, but it would be her first attempts at integrating a professional ballet company that provided the initial spark. her unorthodox dance movements were often considered shocking, transgressive, and barely legal; and even though some recognised her genuine talent, it was clear she would never make it into this structure. this is when she started her slow drift towards the outer limits of society, in search of the way to achieve the conditions for absolute freedom.
her emancipation was surely marked by different forms of excess: the inappropriate use of fireworks, the consumption of large quantities of alcohol and controlled substances, as well as the occasional blasts of kitchen appliances.
she bypassed the gender war and became an expert in advertising sabotage. soon cory would give academic courses on the true liberation of the mind, or, in her own words, the apotheosis of senses.
lately, she could be seen squatting in the outskirts of different giant metropolises, embracing the mayhem, contemplating the crumbling of a system. the sound of the city, mixed with the music on her headphones, would weave complex rhythms and futuristic textures into a beautifully coloured, pixellated surface.
looking out onto this fabulous chaos, she smiled.

»cory arcane« is kangding ray‘s fifth album on raster-noton and will be released as CD, double vinyl LP, and digitally.

kangding ray - dark barker

release date (vinyl / cd / digital): 30th of October 2015

Take a look over Ashley Burchett’s back catalogue and you’ll find the Greater London resident has played an understated yet influential role in purporting British techno. Fifteen years ago Burchett’s prevailing Ø [Phase] project debuted on Sheree Rashit and Steve Bicknell’s Cosmic Recordings before providing Cosmic ID with its final record in 2002, and since 2007 Burchett's helped mould and define the sound of Token by becoming the label’s marquee artist.

In 2013 the Belgian imprint finally coaxed the debut album from Ø [Phase], Frames Of Reference, described in Tony Naylor’s 4/5 review for Resident Advisor as, “a techno album of real imagination and depth that, when it needs to be, is brutally functional.” Almost two years since its release Ø [Phase] is back with Alone In Time?, his second studio album which adds to the continuous slew of unrivalled long players Token has put out of late. Token spreads the 11-tracks on Alone In Time? across three heavy weight discs, and the music further demonstrates Burchett’s deft skill in linear arrangements shaped to fit the warehouse frame, while painting a colourful, Detroit influenced side to his productions yet to really be heard to this extent before.

This uncharted sound of Ø [Phase] can be found in tracks like “Remote”, the album’s homage to electro, to the jittery, alien grooves of “Spacialize”, “Mo_del” and “Nep-tune”. There’s big room domination on productions like “Orbitron” and “R-Mash”, while the album’s title-track is a journey through Burchett’s conceptual references to cosmology, time and isolation. Burchett explains, "it was always an intention to make another album and now just felt like the right time. Life moves on, we change and grow. As lessons get learned and ideas form, the desire to express them gradually manifests."

Furthermore, Burchett adds, “Frames Of Reference was about overcoming personal struggles and challenges, while Alone In Time? is more forward facing.” With an extensive back catalogue in his wake, Ø [Phase] has become a relied source for the discerning techno DJ and these new, expertly crafted club cuts add to his ever-expanding pool of productions for selectors to choose from, and it’s clear, if the bouncing rhythm of “Blind Eye” and orchestral epic of “The Maze” is anything to go by, Ø [Phase] isn’t only head strong, but standing tall.

TRACKLIST
A1 Spacialize
A2 Orbitron
B1 Increment
B2 Blind Eye
C1 Nep-tune
C2 Alone In Time?
D The Maze
E1 Remote
E2 Mo_del
F1 R-Mash
F2 Astryx

www.tokenrecords.com
www.facebook.com/tokenrecords

Alone In Time?

Ø [Phase] - Alone In Time?

Download: http://www.electricdeluxe.net/episode-159

Electric Deluxe Podcast 159 Etapp Kyle

Buy now: TurboRec.lnk.to/Sehnsucht

Young artist @charlottedewittemusic continues to bolster a credible catalogue of tough, no-nonsense Techno with the introduction of her second solo EP for Tiga’s extolled Turbo label. With a recent nod from Alan Fitzpatrick who included her Weltschmerz (Melodic Theme) in his recent Fabric mix she is an artist with a penchant for dark and moody atmospherics. Now - after her inclusion in the recent 12-track VA on Suara - the previously gold-selling Ghentian producer follows up her collaboration with Oscar & The Wolf and her first solo EP on London’s Bad Life with Sehnsucht: a bold four-track record packed with burly kick drums, steely synth tones and hypnotic vocal sampling primed for discerning big-room crowds. Also included in the package is a ruthless remix from Suara boss Coyu.

The title track is an apocalyptic march propelled by a purposeful kick and an unapologetic clap that keeps the pressure up throughout before ‘My Feeling’ lays a circling, hypnotic vocal over scuttling claps and luminous, flashing hi hats. Coyu then steps in with his take on ‘My Feeling’, pushing it into overdrive and marrying brash, white-noise snare drums with shuddering hats and vocal snippets. ‘Enough’ then sets sharp drums knocking against cold and capacious textures before a disquieting and arresting vocal suffuses the track to stunning effect. ‘Den Ganzen Abend’ then brings the record to a sinister close as a pellucid German vocal sample is set creeping over an ineffably weighty low-end sitting it comfortably on the floor of Berghain and capping off another coup for a consistently reliable label and an artist firmly on her ascent.

Played/Supported by: Len Faki, Shadow Child, Jackmaster, Eats Everything, Tiga, Andre Crom, Junior Sanchez, Digitalism, Dense & pika, Maceo Plex, Anja Schneider, Truncate, Huxley + more

Release date: June 10th, 2016

Available digitally and on beautiful 12" white vinyl

Tracklist:

A1 Sehnsucht
A2 My Feeling
B1 Enough
B2 Den Ganzen Abend
DX1 Sehnsucht (Melodic Theme)
DX2 My Feeling (Coyu Remix)

www.turborecordings.com

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