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03042022 Pcdb

Another one that I have had sitting around for quite some time, I really love how this one springs off in so many weirdly tangential directions whilst still remaining cohesive somehow. I also enjoy how all the the different fidelities clash to produce a sort of handmade texture that feels authentically like collage in a scissors and glue sort of way.

contentcore doldrums

dagshenma2022
New work in progress.

new release,
please check→https://dagshenma.bandcamp.com/album/my-sound-on-canvas

Sa831

Arti

©2022 ༼ つ ◕_◕ ༽つ ♥♥♥♥ X4 RECORDS
Produced & Mixed by Danny Playamaqui 

Artwork by Wou-Wou & The Wormling
https://www.instagram.com/wouwouandthewormling/

479: 🕳🕳🕳🕳🕳🕳

Eusebio: Percussion 🐙
Rogelia: BrokenBeats and sab•o•tages 👩🏻‍🦰 
Valentino Arco: Synths 🦊
Matilda: Keys 👩🏻‍🦱
Hall: Noise and Sweets ⛑   
Potoo: Basses 🦉 

"watch out for your ears" they say 🕳🕳🕳🕳🕳🕳 

Thanks to you! Much love! 💖💖💖💖
ok done 
🌸🦄💥

Sugar Glider

d2i Stir

Pitch, number of notes, time interval, and intensity are randomized, output to the score, and performed.

metal, guitar, water, paper and everything : peeq

https://yoichi-ichikawa.bandcamp.com/album/ones-not-half-two-its-two-are-halves-of-one

one's not half two it's two are halves of one

From the album Heave To on Sedimental records, released in 2006

Make The Land (Sedimental) Excerpt

ǫ̷͙̠̖͈̬̘̤͇̼̯͍̂͛́͆ö̸̡̨̧̟̼̯̦̜́̀̀͌́̈́͒̓͜o̴͋̈͌͛̋̆͛̕ͅǫ̷̢̣̰̳̭̫̤̯̻̠̰̑ͅo̸̱̜̠̯͎̞̰̰̹͈͑̏͑͜ͅǫ̴̺̝̗̼͎̯̪̭̼͓̹͒̑͊̂͝

There are sounds in the world, sounds that are not meant to be listened to. 
The clatter of machinery, the sounds of nature, or maybe my improvised concert for one. 
By bringing these sounds together and editing them in a computer, I come across moments when an unexpected melody or rhythm appear.
Through processing these moments, and expanding them, I create my "music."


03042022 Pcdb

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