Foreign Rap

FUCK YOU MEAN X JUNKIE A X WYNTER

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Trap - Hip Hop - Freestyle 2025 Music High-Energy Mix#7557

YES WE CAN – Song’s about leaving Africa (Streetdate: UK 14.06.2010 / 25.06.2010 Rest of World)
* feat. K’Naan who wrote the offical song for the FIFA World Cup 2010
* feat. Senegal’s most loved and BBC 3 ‘best african act’ (2004): Daara J Family
* first offical release of London’s underground Afrogrime Hit ’Lidl’ by Afrikan Boy (who guest appeared on the M.I.A. track ‘Hussel’)
* contains 12 previously unreleased or exclusive tracks

‘Barca mba Mbarzak’ - ‘Barcelona or hell’ – is the sentence every kid in Dakar grows up with: leave or die trying. Life is tough for many people in Africa, especially in the ever-expanding mega-cities like Dakar, Lagos and Nairobi where work is shared between millions and life is a hundred times more expensive than it was in the village. Getting to the west and the promise of a life with well-paid work is what is occupying everyone’s mind. With visas virtually impossible for the ordinary person to get and the internet and TV showing the life in Europe and the US, the image of We

Rapturous - Money talk

URBAN AFRICA CLUB – Hiphop, Dancehall & Kwaito
release date:  19.01.2007
The last ten years have seen a new generation of young stars taking over Africa’s music scene. New styles like bongo flava in East Africa, hiplife in Ghana or kwaito in South Africa rule the charts. The top artists sell 100,000s of CDs, their music is on heavy rotation in nightclubs and on local radio and TV networks such as MTV Base Africa or Channel O. Despite this high demand locally, the news of this new exiting club music from the motherland of black music is only just beginning to spread outside the continent.
Urban Africa Club introduces some of Africa’s greatest stars and music scenes:
West Africa is represented by V.I.P. from Accra, the unchallenged superstars of Ghana’s hiplife scene. Ghana’s vibrant hiplife scene is just one style that is yet to be discovered. Gabon has a distinct melodic type of hip-hop that is just starting to make itself heard (Lord Ekomy Ndong with his track ‘Exile’). Senegal probably has the hip-hop scen

Prof. Jay feat. Ferooz - Nikusaidiaje

URBAN AFRICA CLUB – Hiphop, Dancehall & Kwaito
release date:  19.01.2007
The last ten years have seen a new generation of young stars taking over Africa’s music scene. New styles like bongo flava in East Africa, hiplife in Ghana or kwaito in South Africa rule the charts. The top artists sell 100,000s of CDs, their music is on heavy rotation in nightclubs and on local radio and TV networks such as MTV Base Africa or Channel O. Despite this high demand locally, the news of this new exiting club music from the motherland of black music is only just beginning to spread outside the continent.
Urban Africa Club introduces some of Africa’s greatest stars and music scenes:
West Africa is represented by V.I.P. from Accra, the unchallenged superstars of Ghana’s hiplife scene. Ghana’s vibrant hiplife scene is just one style that is yet to be discovered. Gabon has a distinct melodic type of hip-hop that is just starting to make itself heard (Lord Ekomy Ndong with his track ‘Exile’). Senegal probably has the hip-hop scen

V.I.P. ft. Abortion - Besin

Goldenbeirut

New sounds from Lebanon These 12 songs on this compilation look at the Arab World through a new pair of glasses: Beirut’s underground. The CD focuses on a young generation that is tired of war, fed up with politics, sick of religious madness, and angry about Euro-American exoticism. It is keeping itself alive with electro beats, raw aggressive hip hop or in-your-face indie rock. Together these musicians show a new picture of this war- shaken city and region and show a different Beirut.
“The Israelis just bombed our city,” one musician joked in 2006, ”because Beirut was suddenly cooler and hipper than Tel Aviv”. With lots of irony and black humour, Beirutis often try to neglect the fact that the city still is full of problems, conflicts and contradictions. The Beirut alternative music circuit does not get the same media attention the commercial pan-Arabic satellite-TV Pop-Industry does, but is closely linked to the civil society networks that are of great importance in the ongoing revolutions in

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