IV.Visions D'ailleurs / Diabolus In Musica
composed by Pierre Thilloy
Solo violin performed by Stéphane Rougier
Electro performed by François Guilliou 
VJ: Vincent Guilliou
Recorded Live in France /  La Forgerie, Théâtre du Val de Blaise          (25th september 2013)
www.kords.fr

Live - Visions D'ailleurs

Le Songe d'Ananta - Opus 195
composed by Pierre Thilloy
Ustad Amjad Ali Khan, Amaan and Ayaan Ali Khan - Sarod
Tanmoy Bose - Tabla
Avignon Provence Symphonic Orchestra conducted by Samuel Jean
Kords - Electro
Recorded Live in India /  Ahmedabad 2013
www.kords.fr

Le Songe d'Ananta - Ahmedabad - INDIA 2013

Le Songe d'Ananta - Opus 195
composed by Pierre Thilloy
Ustad Amjad Ali Khan, Amaan and Ayaan Ali Khan - Sarod
Tanmoy Bose - Tabla
Avignon Provence Symphonic Orchestra conducted by Samuel Jean
Kords - Electro
Recorded Live in India /  New Delhi 2013
www.kords.fr

Le Songe d'Ananta - New Delhi - INDIA 2013

Kords / Vivaldi - Four seasons - Summer - Presto

Recorded live (extract) at festival "Honey Bank" organized by the French Institute in Oslo, Norway 06.06.2015.
The melodrama «La sagesse des abeilles» (The Wisdom of the Bees) is a contemporary music piece by Pierre Thilloy  based on the text of Michel Onfray.

Narrator: Pierre Thilloy
Sound design, electronic and performance: François Guilliou
Soundscape, 7 strings bass: Vincent Guilliou

Visual: Vincent Guilliou

Special thanks to:
Agnès Arquez-Roth and Baptiste Pépin from the French Institute in Oslo.

www.kords.fr

La sagesse des abeilles - Live in Oslo, Norway

LED 2 - album: 2.1 (2012)
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LED 2 - album 2.1

KORDS - LAM 1
Album: 2.1 (2013)
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LAM 1 - album 2.1

KORDS - LE 4.3.7
project: LE 4.17
www.kords.fr

LE 4.3.7 - Live at Mugam Center in Baku – 14th December 2012

LAM1R2
www.Kords.fr
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LAM1R2

There is only one… multiple… experimental… original… sincere… unbelievable… free from any taboo… step from the passion of lute-makers in Cremona listening to the vibration of a standing tree and thinking about a sound which will be created by musician playing this still imaginary violin, to the one of musicians of today listening to a piece of music and simultaneously thinking about its interpretation through the purism of both imagination and all-electronic lute-making. The approach of KORDS is… to go from a pure lute-making by anyone creating a sound by carving the wood, to anyone embodying the unheard by sculpting a sound… 

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