Figure 8 Live @ Kaufkunst

Whether she's working as RAMZi or under another moniker, Phoebé Guillemot is one of those producers whose music is difficult to pin down. The French-Canadian artist often occupies a dreamlike zone where vaguely tropical rhythms waft in and out of a melody-laced haze, particularly in her 'Phobiza' series of releases. Next month, that trilogy is set to come to a close with 'Amor Fati,' which will arrive via Guillemot's own FATi Records. Ahead of that, we debuted the skipping sounds of LP closer "Warhasu" (a collaboration with Mood Hut affiliate Hashman Deejay) on Red Bull Radio's First Floor, our weekly look at what's new in electronic music.

@ramzihouti
http://redbullradio.com/shows/first-floor-shawn-reynaldo
http://redbullmusicacademy.com

RAMZi feat. Hashman Deejay "Warhasu" [First Floor Premiere]

Made using sounds from Disney's Peter Pan and some sounds from Hook

Never-Never-Land (Disney Remix)

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Mixed by Zain Ahsan
Mastered by Adeel Tahir
Recorded & Produced by Zain Ahsan

Almost Tuesday

excerpt of my more ambient related live set.

playgrounds(live recording)

Small Blue Thing

Melodies

Nottingham-based composer and multi-instrumentalist Thomas William Hill returns to Village Green with Grains of Space, his second album for the label following 2017’s multi-textured Asylum For Eve. It will be released on 12-inch vinyl, CD and digitally on May 17th 2019.

Grains of Space started life as a series of minimal loops, recorded using a viola da gamba – a stringed instrument most popular in the Renaissance and Baroque eras – and a loop pedal. Using the negative space within each loop as the primary drive for composing, Thomas began a process of ‘joining the dots’, allowing the silence to dictate the next layer, informing the length, pitch and timbre of notes.

Between the overlap and juxtaposition of multiple layers, Thomas began to see melodies and rhythms emerging from relatively erratic elements:

“I began to see these loops - and recorded music in general - as a kind of fixed perspective that could be exploited. In isolation, a single layer may be no more than one or two notes punctuating four bars of silence, but when laid over multiple variations on that theme, disparate notes start to dance with each other and new connections take form, like constellations or deconstructed sentences.”

Using those recordings as the foundation, Thomas began incorporating a wide variety of other instruments into his palette, including bowed metallophones, gongs, Tibetan singing bowls, African kalimbas and metal tongue drums, as well as drum machines and analogue synthesisers.

From the tense, opening drones of ‘Carriages’ to sparser, more lyrical works such as ‘Curvature’ and ‘Refract’, Thomas again demonstrates profound compositional insight, crafting highly poignant moments rich with harmony and texture. Complementing this, a more developed sense of pulse and rhythm characterises much of the album, such as the propulsive undertow of ‘Willow’ and the tactile, modernist polyrhythms of ‘Furnace’ and ‘Tongue’.

www.villagegreenrecordings.co.uk

Grains of Space

Thomas William Hill - Furnace

Pastel

Oh Night

Stay In Distance

Improvisierte elektronische Tanzmusik auf Analogsynthies, Drum-Machines und Samplern. Alles Live im Moment kreiert und durch die Synergien der Menschen vor und hinter den Instrumenten getrieben.

Figure 8 Live @ Kaufkunst

VolcaRacho Korgchester

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