The shape of this piece emerges gradually, at first several independent micro-sounds appear and are gathered at a slow pace, in order to then become organized and create musical phrases. Through these phrases various polyrhythms emerge which in turn are increased and eventually create a unified sound mass. The energy of this mass creates tension so that it becomes more and more dense until it reaches its peak and release. It will then weaken by gradually subtracting its density and organization of its individual elements until we reach the end and the initial silence. The evolution of this piece could be explained very simply with a shape of a triangle, although we will see that there are important events within this piece that break its seemingly linear evolution and dramatically affect the listener's anticipation.

Scala

First aired @ 9pm GMT, 08/12/2021 on Internet Public Radio
♱
This mix series focuses on creating a listening environment that is based in extremes, showcasing music that meanders between aggressive and tender.
♱
On Internet Public Radio every 2nd Wednesday of the month.
♱
Daine - IDC
Lyra Pramuk - Witness (feat. Colin Self)
boli group - Agri x Bottega
Gabber Modus Operandi - Sangkakala
bela - 변주 1 (Variation 1)
JASSS - Busto
E-Saggila - 83C
Joshua Chuquimia Crampton - Axolotl
X/O - Red Alert
Renslink - !6
Baby Blue - MADONNA EDIT
Sky H1 - Elysian Heights
VALET - The way that you see yourself
the fertile crescent - 6G
CECILIA - Neige
HEITH - 21122020 (Strings Of Visio)
IDKLANG - Echo is a Dancer

XXVI MIEDO TOTAL - Internet Public Radio - 08/12/21

An attempt to tune the untunable “Strega”  and escape the world for a while~

     Feedback Loops
          Emergent Rhythms
               Layers of Analogue Grit
                    C major 
                         Micro Bleeps
                              Waves~
                                   ~~~
                                     ~

Nuvole Mauve

Since 2013 we have published an annual mixtape of exciting new music by Goldsmiths students and alumni. The mixtape is a great way for burgeoning and unsigned artists to get their music ​out there. For the listener, it's a brilliant source of fresh, unreleased sounds.

Once again, we have been bowled over by the response to our mixtape callout this year. The 2022 collection is as long, ambitious, varied, deeply conceptual and downright catchy as ever. Thanks to all our participants, and feel free to click through and read more over at our website: https://www.nxrecords.co.uk/2022-mixtape

NX 2022 Mixtape

Ici Et Ailleurs

WE ARE NOT ALONE: A Panicattack Duo Retrospective 2054 is an immersive auditory experience and performance, within an exhibition featuring installations, paintings, prints, sculptures, photography and various mixed media works, as well as a video piece made by @idaweltt

The sound piece made by @apri_goat is guiding the audience through the story. The performance activates the art works; with us taking you through the three floor installation and a dystopian journey from 2021 to 2054.

After the end of the first series of performances the exhibition will be open to the public until the end of December 2023. The visitors will then be able to indulge in the auditory experience, going through the space in their own pace.

Sound Artist: Giulio Dal Lago @apri_goat
Video Artist: /da @idaweltt
Curators: Simge Burhanoğlu @simgeburhanoglu & Azra İşmen @darktitania
Production & Set Up: İzel Karaca & Metin Akbaş @nit3m
Performance Coordinator: Ayda Kayra @aydakayra_
Assistants: Sevgi Macide Canik @sevgimacide & Onur Tayranoğlu @onurtayranoglu
Press & PR Consultant: Burcu Dimili @burcudimili
Graphic Designer: Despina Psara @despinapsara
Technical Equipment Support: Staras Technical Productions @starastechnical
Supported by Cyprus Cultural Ministry

WE ARE NOT ALONE (soundtrack for We are Not Alone exhibition)

A Mozart classic. Slowed down with Paulstretch to become 800% more dramatic. Perfect to listen to when you're depressed and thinking about what you're doing with your existence. 

DL: http://www.mediafire.com/file/75l08nh88f0ayr0/Lacrimosa+800%25+Slower.mp3

Mozart - Lacrimosa 800% Slower

Hood By Air for Pitti Uomo FW15 score
Art by Jesse Kanda

Tracklist: 
1. Matriarch
2. Pity
3. Drowning 
4. En
5. Sifter
6. Submissive
7. Umbilical
8. Hymn 
9. Don't / Else
10. At Last I Am Free (interlude) 
11. Immortal  

Mastered by Matt Colton at Alchemy

Sifter - contains a sample of  ”Yayo Ha /W Lana Del Rey" by Beek ( @anthonybadon9 ) at 4:45
Interlude - contains a sample of “At Last I Am Free” by Robert Wyatt at 12:55
Immortal - contains a sample of ”Enjoy" by Bjork at 13:15


www.arca1000000.com
www.hoodbyair.com



Facebook: facebook.com/arca1000000
Twitter: twitter.com/arca1000000
Soundcloud: @arca1000000
YouTube: www.youtube.com/user/arca1000000

The new Arca album 'Xen' out now:
CD: smarturl.it/XenCD
LP: smarturl.it/XenLP
DLD: smarturl.it/XenDigital


Sheep (Hood By Air FW15)

"Cistern" is the first single and title-track from Jherek Bischoff's upcoming ambient orchestral album Cistern, out July 15th on The Leaf Label. 

Pre-order now: http://bit.ly/CisternBC

Cistern is an album inspired by time Bischoff spent improvising in an empty, two-million-gallon, underground water tank, with a 45-second reverb decay. The unique acoustics of the space forced Bischoff to slow down and adapt his compositional approach - something which, unexpectedly, brought him back to his childhood, and the slow-pace of life he experienced growing up on a sailboat. 

CREDITS
Composed, Produced, Mixed & Mastered by Jherek Bischoff
Recorded by Patrick Higgins at Future-­Past Studios, NY
Photography by Alex Stoddard
Art Direction by Jan Lankisch

MUSICIANS
Jherek Bischoff - Sub-bass, Bells
Contemporaneous:
David Bloom - Conductor
Kemp Jernigan - Oboe
Vicente Alexim - Clarinet
John Gattis - Horn
Evan Honse - Flugelhorn
Daniel Linden - Trombone
Kate Dreyfuss - Violin
Marina Kifferstein - Violin
Josh Henderson - Violin
Nikita Morozov - Violin
Nicole Parks - Violin
Finnegan Shanahan - Violin
Kallie Chieckhomski - Viola
Sarah Haines - Viola
Dylan Mattingly - Cello
Matthew Smith - Cello
Pat Swoboda - Contrabass
Additional Musicians:
Serena McKinney - Violin
Lauren Baba - Viola
Aniela Marie Perry - Cello
Mayumi Heider - Bells

(p) 2016 Jherek Bischoff under license to The Leaf Label Ltd
(c) 2016 The Leaf Label Ltd

Cistern

N30: Who guards the Guardians? fuses official and unofficial recordings of police transmissions made on November 30, 1999 into a simmering polyglot of radio traffic, polyphonic speech, splashes and sprays of tape hiss, enigmatic numbers glossolalia, and other broadcast anomalies.

An oral history made in the moment, this 57 minute radiophonic work depicts how law enforcement acted and reacted on that unforgettable day in Seattle history when thousands gathered in Seattle to protest the World Trade Organization. 

Both activists and law enforcement strategists refer to November 30, 1999, as "N30" while "Who guards the Guardians?" was inspired by lines from Plato and Juvenal. In that classic of Greek philosophy, The Republic, Plato called for elite guardians to rule his ideal state: "We mean our guardians to be true saviors not the destroyers of the State...." (Book IV, 1896 Jowett translation). Addressing the decadence, erosion of individual rights, and decline of morality in the early Roman Empire, the satirist Juvenal asked pointedly in his Sixth Satire "Who guards the guardians?" 

N30: Who guards the Guardians?

Creating soundtracks for the movies in my head.

Nuvole Mauve

Kostako

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