🙌🏼हे हे हे पार्वतीपतये हरहर महादेवः🚩

कृपामहाकाल माया🚩🚩🚩

Love the tempo, So Clear and Perfect speed 🙏❤

🌹🙏🌹harekrishna radhe radhe. 🌹🙏🌹This is so sweet beautiful and powerful! Hare Krishna🙏🌹🙏

Lakshmi Ashtakam by Bombay Sisters

Rudram - unknown chanters

Ganapati AtharvaSheersha

Anantha samsara samudhra thara naukayithabhyamguru bhakthithabhyam,
Vairagya samrajyadha poojanabhyam, namo nama sri guru padukhabyam.1

Kavithva varasini sagarabhyam, dourbhagya davambudha malikabhyam,
Dhoorikrutha namra vipathithabhyam, namo nama sri guru padukhabyam. 2

Natha yayo sripatitam samiyu kadachidapyasu daridra varya,
Mookascha vachaspathitham hithabhyam ,namo nama sri guru padukhabyam.3

Naleeka neekasa pada hrithabhyam, nana vimohadhi nivarikabyam,
Nama janabheeshtathathi pradhabhyam namo nama sri guru padukhabyam. 4

Nrupali mouleebraja rathna kanthi sariddha raja jjashakanyakabhyam,
Nrupadvadhabhyamnathaloka pankhthe, namo nama sri guru padukhabyam. 5

Papandhakara arka paramparabhyam, thapathryaheendra khageswarabhyam,
Jadyadhi samsoshana vadaveebhyam namo nama sri guru padukhabyam.6

Shamadhi shatka pradha vaibhavabhyam,Samadhi dhana vratha deeksithabhyam,
Ramadhavadeegra sthirha bhakthidabhyam, namo nama sri guru padukhabyam.7

Swarchaparana makhileshtathabhyam, swaha sahayaksha durndarabhyam,
Swanthachad bhava pradha poojanabhyam, namo nama sri guru padukhabyam. 8

Kaamadhi sarpa vraja garudabhyam, viveka vairagya nidhi pradhabhyam,
Bhodha pradhabhyam drutha mokshathabhyam, namo nama sri guru padukhabyam. 9


Guru Paduka Stotram by Adi Shankaracharya

Bho Shambho Shiva Shambho Swayambho 
 
Gangaadhara Shankara Karunaakara 
Maamava Bhava Saagara Thaaraka 
 
Bho Shambho Shiva Shambho Swayambho 
 
Nirguna Parabrahma Swaroopa 
Gama Gama Bhootha Prapancha Rahitha 
Nija Guha Nihita Nitaanta Ananta 
Aananda Adhishaya Akshayalinga 
 
Bho Shambho Shiva Shambho Swayambho 
 
Dhimitha Dhimitha Dhimi Dhimikita Thakathom 
Thom Thom Thimikita (Tharikita) Tharikita Kitathom 
Maathanga Munivara Vanditha Isha 
Sarva Digambara Veshtitha Vesha 
Nitya Niranjana Nithya Natesha 
Isha Sabesha Sarvesha 
 
Bho Shambho Shiva Shambho Swayambho 
 
Shiva Shambho Swayambho 
Shiva Shambo Swayambho 
Shiva Shambho Swayambho 
Shiva Shambhoooooo Swayambhooooooo 
 
Meaning :-
pallavi: Hail , oh Lord Shambhu, one who "self appeared" 
 
anupallavi: Source of Ganges, Shankara, oh merciful lord who redeems me from this ocean of sorrow, samsAra 
 
caraNam   1:   without   gunas,   one   who   is   beyond   time,   past,   present   and   future   truth   beyond   gunas(?),   beyond   all   things  
finite, oh infinite, blissful, wondrous, ever the same lingA 
 
caraNam 2: This is just the rhythm of the dance of creation and destruction 

Bho Shambho in "Anubhoothi" Fusion

Bhavani Ashtakam is a hymn composed by Adi Shankaracharya.
by Uma Mohan

Bhavani Ashtakam - Uma Mohan - Sri Adi Shankaracharya

In memory of my beloved spiritual younger brother, Mayoora. Playing this  rudram can be very soothing to the soul -- especially after it  has just recently  left this physical plane -- and as they adjust to their new surroundings. Play it  only if you feel compelled. It has soothing benefits to all who chant this rudram.

Shiva Sri Rudram - Rudra Namakam Chamakam

Śrī Sūkta, also called Śrī Sūktam, is a Sanskrit devotional hymn (set of shlokas / Śloka-s) revering Śrī as Lakṣmī, the Hindu goddess of wealth, prosperity and fertility. Śrī Sūkta is recited, with a strict adherence to the Chandas, to invoke the goddess' blessings. The hymns are found in the Rig Vedic khilanis, which are appendices to the Ṛkveda that probably date to pre-Buddhist times.
The goddess Śrī appears in several earlier vedic hymns, and is the personification of auspicious and royal qualities. Śrī Sūkta is perhaps the first text in which the homology between Śrī and Lakṣmī is drawn, and the goddesses are further associated with the god of fire, Agni. Since the later epic period (ca 400 CE), Śrī-Lakṣmī is particularly associated with Viṣṇu as his wife or consort.
The Śrī Sūkta describes Śrī as glorious, ornamented, royal, lustrous as gold, and radiant as fire, moon and the sun. She is addressed as the bestower of fame, bounty and abundance in the form of gold, cattle, horses and food; and entreated to banish her sister alakṣmī (misfortune), who is associated with need, hunger, thirst and poverty. The hymn also associates Śrī with (agrarian) fertility and she is described as the mother of Kārdama (mud), moist, perceptible through odour, dwelling in cowdung and producing abundant harvest. 

The Śrī Sūktam assumes specific significance because of Śrī Mahālakṣmī's presence on Lord Śrī Venkaṭeśvara, at Tirumala, or Viṣṇu's chest, at the Heart. Lakṣmi is the embodiment of Love, from which devotion to God or Bhakti flows. It is through Love/Bhakti or Lakṣmī that the Ātmā or soul is able to reach God or Viṣṇu.

Śrī or Lakṣmī is also the personification of the spiritual energy within us and universe called kuṇḍalinī. Also, She embodies the Spiritual World or Vaikuṇtha; the abode of Lakṣmī-Nārāyaṇa or Viṣṇu, not to be confused with Heaven, as The Heavenly Planets are still part of the Material Universe. Vaikuṇtha-Dham is purely spiritual, eternal and self illuminating. She is also supposed to have the Divine qualities of God and the soul. Lakshmi is God's superior spiritual feminine energy or the Param Prākṛti, which purifies, empowers and uplifts the individual. Hence, She is called the Goddess of Fortune.

The Śrī Sūkta uses the motifs of lotus (padma or kamala) and elephant (gaja) – symbols that are consistently linked with the goddess Śrī-Lakṣmī in later references. The lotus is thought to be symbolic of purity, beauty, spiritual power, life, fertility, growth or, in Tantra, the entire created universe. It is a recurring motif in Hindu (as well as Buddhist and Jain) literature and a lotus growing from Viṣṇu's navel is said to mark the beginning of a new cosmic creation. The elephants are symbolic of royalty and, in Hindu mythology, are also related with cloud and rain; they thus reinforce Śrī-Lakṣmī's stature as the goddess of abundance and fertility.

Later Hindu iconography often represents Śrī-Lakṣmī in the form of Gaja-Lakṣmī, standing on a lotus, flanked by two elephants that are shown showering her with water with their trunks. 
The Śrī Sūkta is one of the Pañca-Sūktam (5 Suktams) recited during the 3-hour long Abhiṣeka of Venkateswara, at the famed ancient Hill Shrine of the Tirumala Venkateswara Temple in Andhra Pradesh, India. The Abhiṣekam to the main deity is performed every Friday. Śrī Sūkta is also recited during the daily Arjitha Vasanthotsavam seva.

Sri Suktam

This album was released by Times Music, July 2004. It comprises music that manifests as strength and success. A sublime tribute to Lord Ganesha.

Track Listing 
1.Maha Ganapathi Moolamantra and Ganesh Gayatri 
2.Ganapati Stavaha 
3.Ganapati Prarthana and Ganapaata 
4.Sankat Naashana Ganesha Stotram 
5.Ganesha Bujangam 
6.Ganapati Atharvasheersham 
7.Shri Maha Ganesha Pancharathnam and Ganadhipati Panchakam 
8.Ganesha Maalamantra 
9.Shri Ganesha Stavarajaha

Credits 
Contents perceived and researched by : Uma Mohan 
All voices : Uma Mohan 
Music and voice arrangement : Stephen Devassy 
Guitars - Sangeeth P.P Sarod, Promod Shanker 
Recorded, mixed and mastered at Aravind Studios, Bangalore 
Produced for The Times Group by - Promod Shanker

Rudram - unknown chanters

Kottakkal Sasidharan

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