Keep coming back for that Evolver sound!  I have to try to replicate it on my Hydra, (or find an Evolver) ;)

Evolver Love

Live jam dark minimal ambient mental session on Evolver 

machines: Evolver (main sounds), Octatrack (drums), guitarpedals

☢ Warning: Alien bleeps, which may trigger emotional or physiological responses that some might perceive as irritating.

"I love Evolver" the almost 1 hour synthesizer jam

🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐
🪐Main sounds / drones coming from Evolver
🪐+ octatrack for voice samples & birds
🪐Live session
🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐

The EVOLVER synthesizer space Jam

🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐
🪐Main sounds coming from Evolver
🪐+ octatrack for sampling
🪐short evening live session
🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐

Running In Circles (Evolver & Octatrack)

Tema incluido en la compilación Ibex808 vol.2
En el enlace puedes escuchar y comprar todos los temas incluidos

This track is included in the Ibex808 vol.2 compilation.
Listen to and buy it at the link below.

https://electroclubrecords.bandcamp.com/

Masterizado por Ivan Arnau

Feel The Beat (Electroclub Records)

RA.155 Louderbach http://www.residentadvisor.net/podcast-episode.aspx?id=155

Troy Pierce and Gibby Miller are blurring the lines between their respective influences on this week's RA podcast.

You might not think that a hardcore punk vocalist and minimal techno producer would be the likeliest of studio bedfellows, but Troy Pierce and Gibby Miller have forged quite the partnership with their Louderbach project. Marrying Minus man Pierce's tenebrous take on techno with Miller's gothic vocals, the duo have created an electronic pop synergy that isn't afraid to get deep and dark both musically and lyrically. Miller's began his musical career in the late '90s as vocalist in Boston-based punk band The Trouble, but the turn of the century saw him become inaugurated into the techno scene after meeting up with Troy Pierce in New York. The two struck up a friendship and have been collaborating ever since, birthing the first fruits of their collective labour on a split release for Mo's Ferry Productions. 

After more collaborations with Marc Houle, Guido Schneider and Sammy Dee, Miller was formally welcomed into the Louderbach fold, and the pair set to work on what would become their debut album. Entitled Enemy Love, the record seemed to be a continuation of Pierce's previous nocturnal minimal techno outings on Underl_ne and Minus, but this year's Autumn LP is a very different beast. Miller's love of EBM, new wave and minimal synth music are clearer than ever, whilst Pierce's has found new directions to channel his love of menacing electronic sounds. This week's RA podcast sees Pierce and Miller select the pieces of music that have heavily influenced each of them, before merging them into a single genre-defying whole that represents the ingredients that make the Louderbach sound. We caught up with both members by e-mail to ask about the mix, the decision to release on Minus, and their recent video competition.


What have you been working on recently?

Troy Pierce: I have been in London a lot over the past few weeks working with my girlfriend on the sound design for an installation she is doing for her degree show. (She graduates from Central St. Martins in June.) I am also trying to finish a number of remixes at the moment: a Function remix for Sandwell District, one for my New York friend Mike Bryant's Intrinsic Design label, one for the Swayzak guys and a Louderbach cover of a Passarella Death Squad track. All of them are in various states of completion.

Gibby Miller: Working on my label, Dais Records. It's mostly experimental sounds; ambient, folk, archival, avant-garde etc... I'm also working on some new Louderbach remixes which are coming this summer.

How and where was the mix recorded?

GM: I submitted about 100 tracks to Troy for this project, and we communicated back and forth a bit about order and flow, but he did all the hard work (creating it!) and it was done in Berlin.

Can you tell us a little bit about the mix?

TP: I was in Los Angeles in January visiting Gibby, and we did a DJ gig together at this goth party there. Gibby was playing more punk/new wave/goth stuff and I played sort of dark slower techno and it worked really well together. So from that, I sort of proposed the idea that he send me one hundred tracks, his root influences—whatever you want to call them—and I would get one hundred together and try to create this snapshot of Louderbach and where we come from musically. It was really fun to do, but a lot of tedious work warping all of the tracks to make sure they would go together and could be mixed in Ableton. Musically it's all over the place with experimental tracks from William Basinski, then spaced out '70s weirdness from Silver Apples into dark techno from Jake Fairley. But there is a common thread: this murky melancholy that is running through all 35 of the tracks that brought us together and helped us to create Louderbach.

What was the weirdest submission you received for the "Shine" video contest?

TP: There were definitely a few that left us scratching our heads, but the ones I found the strangest were ones that weren't finished. Like no audio and two minutes long, as if we were supposed to fill in the blanks or something.

GM: We got some very unique submissions... I'm proud to say that all of them were amazing and all of them were weird! We wouldn't have it any other way! 

Why did you decide to release the new record on Minus, instead of Underline?

GM: We stopped working with Underline soon after Enemy Love was released, best described as personal difference...

TP: At that point I thought the project was over, I never imagined that Rich would be into releasing a record like this. I am really thankful for his openness.

What are you up to next?

GM: Working hard on the label, Louderbach, music, writing, etc...

TP: Well, I obviously need to get my ass in gear on those remixes! Apart from that, I want to learn how to play an instrument or two. My girlfriend got me a cello for Christmas and I picked up a bass guitar in Los Angeles, so those are on the top of my to-do list. I have been making some really, really slow tracks lately, 80 BPM max. I quite like them actually, so who knows what will happen with them. Do some more projects with my girlfriend, she's amazing... Stay busy and have fun.

2009-05 Louderbach - RA podcast

Letzte Crew Care im Institut für Zukunft - Vinyl.

TECHIX CREW CARE 26.12.2024

PAUZE takes you on a journey through a broad variety of electronic music, focused mainly on bass, breakbeat, jungle, and related subgenres.

Boots b2b jacquestrax will deliver two hours of heads down, fast paced bass-oriented remedies.

www.operator-radio.com

PAUZE w/ Boots b2b jacquestrax - 16th January 2025

Variación de géneros musicales / delicadeza en las mezclas

Mix de gran sensibilidad y variación musical. Tracks donde la voz humana es un elemento clave. Mezcla de estilos y delicadeza en las mezclas. 
Importancia en el uso de cajas a tierra, en el uso de melodías en el bajo y en registros medios.

////////

Eclectic genre selection / refined mixing technique

A mix of great sensitivity and musical diversity. Tracks where the human voice plays a key role. A seamless blend of styles with refined and delicate transitions.
Emphasis on the use of grounding snares, melodic basslines, and mid-range textures.

Tracklist

Cobblestone Jazz – India In Me (2006)
Jon Convex Ft. dBridge– Lied To Be Loved (2012)
Sandwell District, Silent Servant, Regis -  Sampler 1 B1 (Regis Edit) (2024)
Niños Luchando - Refugio (Jaime Beltrán Remix) (2024)
James Welsh - Multimode Self (2024)
Leftfield - Storm 3000 (Dungeon Meat Mix) (2017)
Or:la - Slay The Beast feat. Eliza Rose (2024)
DJ Sotofett - Bachi (2023)
DJ Swisha - CLUB MEGAMIXXX (2023)
León & Sayed - Orbital (Ayesha's After Dark Rub a Dub) (2022)
Hooverian Blur - Project One (Forthcoming in Sneakers Social Club)
Rhyw - Drool (2024)
Airhead - Pyramid Lake (2012)
Drone - New Take (2024)
Max Ulis & Adam 2 ft. Nina - Testify (2024)
SANSOUNI - Wasp (2024)
Human Safari - Jazz Affair
Bjarki - 10'000 Steps But Still Biting My Nails (2024)

@topangakiddo

Topanga Kiddo (Dj Set)

A dive into some electro sounds. A genre that has always fascinated me for its beautiful melodies and raw machine sounds. 

Electro Space

Crate Digger Radio show 444 /Mark Allen on www.movedahouse.com

Recorded live at @canal54 live and direct from the infamous cellar.

Live at Canal54 - 250329

Polish Techno.logy | Podcast #40 | Aksamit
05.10.2018

We are pleased to invite you to the podcast by Aksamit - one of the most talented Polish artists.

BIO: 
Wrocław artist, resident of the Projekt Pralnia, co-founder Affekt A project. She loves to play with vinyls and her biggest inspiration is the operation of the Italian music scene. In her compositions you'll hear hypnotic sounds from ambient to deep techno.

In her short adventure with playing, she visited such clubs as among others Tresor, Das Lokal, Smolna, Sfinks 700, Prozak 2.0, Projekt Pralnia, Burg Schnabel, and can also boast of performances in Andorra and Barcelona. She has a play alongside artists such as: Dasha Rush, Neel, Takaaki Itoh, Perc, Monoloc, Dubspeeka, Fabrizio Lapiana, Frank Lorber, Introversion. At the moment, she is responsible for booking and creating a new face of the Wyspa Tamka in Wrocław.

EXPLORE MORE:
SC: https://soundcloud.com/alicja-aksamit
FB: https://www.facebook.com/aksamit.aff/

Polish Techno.logy | Podcast #40 | Aksamit

Live jam dark minimal ambient session on evolver + guitar pedal.
☢ Warning: Because i was experimenting some parts of this jam may sound noisy or loud, and/or it may trigger emotional or physiological responses that some might perceive as irritating.

ALIENNA -  Evolver Minimal Ambient Drone 40 mins jam(live)

Evolver (Dave Smith) + Octatrack in action
if possible use headphones (to experience the panning noise)

ALIENNA Loves Synthesizer Live Jam (Evolver, Octatrack)

Sadly Darren Emerson was scheduled to be this month's guest but due to Technical issues, we have now scheduled him for April 2021.

Radio Drama 025 brings 2 hours of House and Techno mixed live in the studio by Vince Watson.

Tracklisting :
01. Jon Dixon - Beautifully Equipped
02. Daniel Rateuke - Or Stay Alive (Robert Earnshaw Remix - Vince Watson Edit)
03. DJ Fudge - Introspection (Cee El-assaad Remix)
04. Rick Wade - Planet Deep (Vintage Future Remix)
05. Vince Watson - Progress (Manoo Remix)
06. Rick Wade - Academy (Pezzner Remix)
07. Archiv - City Without Tears
08. Jjohn Tejada - Moving 909’s
09. Francisco Aguado - Cold Look
10. Kaap - Basics 002
11. DJ Deep - Fluorescent
12. Fred P - Construction
13. BNJMN - Hypnogogia Pt 2 (Efdemin Remix)
14. Pvt. Vasquez - JJ’s Bad Room
15. Alex Banks - Vegueta
16. Najel Montiero - Terra Preta
17. Atlyxsys - 1994 (Reset Robot Remix)
18. Vince Watson - Bon Voyage
19. Miles Atmospheric - Orbis Alius
20. Cyspe - Tracing
21. Vince Watson - Fourth Wave
22. Deniro- Aquagoos
23. Taupe - Vortex
24. Alexi Delano - Shifting Paradigma (Cari Lekebusch Remix)
25. Kristian Heikkila - Baskanal 2
26. Lorenz Audio - Scanline
27. Da Capo - Ujir

This podcast is hosted by Syndicast.

Radio Drama 25 | Vince Watson

Sound explorer live & dj, 
radiomaker @ We Are Time Travelers (107.4 grk.fm) www.wearetimetravelers.com

Running In Circles (Evolver & Octatrack)

ALIENNA

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