The Altar release was produced and inspired by and for Paloma Contreras Lomas' multimedia installation “Rana Disco Club” and the short film "Virgilio" at the Anahuacalli Museum in Mexico City. Caníbal and Fantasma are two singles that invoke the tribal prehispánico genre of the early 2010s. Zutzut's music in this release invokes specters that ruminate different mausoleums, under the volcanic stone of Mexico City.  Zutzut and Contreras Lomas have been frequent collaborators since 2024.

The Anahuacalli Museum is a pre-Hispanic mausoleum located in the south of Mexico City. Zutzut was assisting during the production process of the exhibition “¿Cómo se escribe muerte al sur?” by Paloma Contreras Lomas, Mexican artist and Carolina Fusilier, Argentinian artist, which was inaugurated at the beginning of the year 2025 in the museum. The museum contains Diego Rivera's collection of pre-Hispanic objects and was intended as the place that would house his ashes, along with those of Frida Kahlo. That did not happen. The bodies are not buried there, but what does inhabit it is the rebellious spirit of ancestral entities that live at the collection. Zutzut was inspired by the museum architecture of volcanic stone from the Xitle volcano; its ghosts, inhabitants of the underworld and a darkness that appears in each of the tracks. He imagined how an ancestral tribal rave would sound, dancing between Contreras Lomas and Fusilier's pieces. 

We will like to thank for their loving accompaniment to Karla Niño de Rivera, chief curator of the museum, Sam Ozer, guest curator, Galería Agustina Ferreyra and PequodCo.

Altar

Canibal

Caníbal

CRIMINALA NEKIUCHEK

FAN LETTER 2

An hour of my 4 hour dj set at Super Burrito Manhattan 8.9.25

SB MIX 8.9.25

dj-linda-brooklyn-ny-08-25-2025

Pre-order: https://negdedunn.bandcamp.com/track/negdedunn-mizik-pou-la-klib

'Mizik pou la klib' (translating to 'Music for the Club' from Haitian Creole), is the debut single from @negdedunn on @NAAFI - a bold and percussive take on bouyon.

Originally produced at 114 BPM, the track took a new direction after fellow producer Pekodjinn suggested pushing its tempo, resulting in a high-impact, hard-hitting bouyon club weapon at 150 BPM, loaded with percussive energy and extra 808 bass.

More exclusive music

Premiere: Negdedunn 'Mizik pou la Klib'

Live set from Nanoos x AKU @ Smoke & Mirrors Chicago 8/7/25

not what people usually book me for 001 (garage, techno, deperreo, hard dance, juke)

Thank you so much Ben and JPB for inviting me to be on the show !
https://thefaceradio.com/archives/daydreams-2518/

Wanted to let tracks groove for longer than usual with this set. Just focusing on letting the music speak more than anything. Hope yall enjoy!

Tracklist:
Royal House - Voodoo Killer
Johnny Fiasco - Taurus
Toronto Track Symphony - Livin’ In Da Projects
CS - Dont Move (DJJBK Deeper Mix)
Unit 46 - Good Inside (Mummy’s Boy Mix) 
Round One - I’m Your Brother (Chicago’s Twisted Mix)
Bernard Badie feat. Dajae - Now
Calisto - Get House
Armando - Morse Code
Louis Bell - 826 At 4.5
Drewski - Wigged Out
Paul Johnson - If You Ever Call Me
Gant Garrard - Groove The Feelin’

Daydreams with Daystar 9/6/25 (Radio)

MOCHAKK B2B DJ SWISHA - @ Calling Festival Malta -27th of July, 2025

SEMANTICS

Provided to SoundCloud by Ojalá.ststems

REY

TWELVOTWO

Released on: April 6, 2019

Associated Performers: REY
Composers, Lyricists: Jesus Rey Leon
Producer: DJQ 
Mixing Engineer, Recording Engineer: Jesus Rey Leon
Mastering Engineer: Jesus Rey Leon

Follow REY on:
Apple Music - https://itunes.apple.com/us/artist/re...
SoundCloud - https://soundcloud.com/musicbyrey
Twitter - https://twitter.com/musicbyrey
Facebook - https://www.facebook.com/musicbyREY/
Instagram - https://www.instagram.com/musicbyrey/
SnapChat - @musicbyrey

Follow DJQ on:
SoundCloud - https://soundcloud.com/sinsafos
Twitter - https://twitter.com/sinxsafos
Instagram - https://www.instagram.com/sinsafos/

Sorry I Ain't Always Got Time [Prod. DJQ]

Instagram.com/kpmadman_

Contact: kpmadmanllc@gmail.com

SEMANTICS

KPMADMAN

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