Name: ana roxanne 'suite pour l'invisible' by kranky in Shoot a telescope
Duration: 7 min 1 s
Description: from the album 'because of a flower' available 11/13

l'un des meilleurs albums de 2020, si enveloppant, apaisant et envoûtant.

Makes emotions come naturally without any control

I listened this like three hours consecutive

Shoot a telescope

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

SUPPORT THIS ARTIST

Structures Based On The Plasticity Of Sphere Surface Tension

Bing & Ruth - Reflector

Video: https://youtu.be/2xgcnaqKxoI

Purchase from RVNG: http://smarturl.it/bing-twtga-rvng
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From the album Tomorrow Was the Golden Age

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

Buy from RVNG 

Bing & Ruth - Reflector

Excerpt from William Basinski's new CD release, Cascade. To be released on April 28th, 2015 on 2062. Distribution by Secretly Canadian Distribution. catalogue number 2062.1501
MMLXII.COM 

Cascade Excerpt

“breakfast & rain” is an ambient track by Chad Nathan

breakfast & rain

"Overture in the Moonlight" is a captivating and serene classical piece, perfect for setting a reflective and romantic mood. Featuring an elegant piano melody supported by lush orchestral strings, this track evokes the quiet beauty of a moonlit night. Ideal for cinematic scenes, peaceful background music, or content requiring a touch of emotional depth and tranquility. Enjoy this enchanting soundscape, available as No Copyright Music for content creators.


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Overture in the Moonlight

Recorded at the Second Ave Sleep-out and Bach 62 
By Maggie Magee with Alexander Knight 

Drums ~ Catherine Cumming 
Noise guitars ~ Sean Kelly 
All else ~ Maggie Magee 
Mixed and mastered by Sean Kelly at Bach 62 

~ ~ ~

There is an incident on the edge of town; all the local lawnmowers drown it out. Brown paper bags barricade the drain; white feathers turn grey in the rain.

It doesn't take a full room to be crowded out!! 

I saw something on the green; something caught beneath the wheels; and a body smiling shouts - it's ONE MORE IN & ONE MORE OUT.

Looking back on all those teenage nights; two of us the small ones were forced to fight... walking home from school; black hair on the grass, she doesn't say a word, she only runs as fast as she can! 

It doesn't take a full room to be crowded out; it doesn't take a full moon to act insane.......

I saw something on the green; something caught beneath the wheels; and a body smiling shouts - it's ONE MORE IN & ONE MORE OUT....

In the passenger seat, there's a hanging head; as though it's attached to a taut and jerking thread. There's a shop en route that sells mannequins... 
I will take one home 
just to eat with it.


An Incident on the Edge of Town

A track from the album 'UV Sea' out 02/13/16 on Constellation Tatsu.

Forest Walker - Desert Lighthouse

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

Rising

from the album ~~~
https://anaroxanne.bandcamp.com/album/-

Ana Roxanne is an intersex Southeast Asian musician based in Los Angeles. Born & raised in the Bay Area to immigrant parents, Ana's love for music and singing began through her mother's cd collection of 80's/90's R&B divas. Raised in the catholic church, she became a devout choir nerd and found any opportunity to sing, whether for religious mass, the jazz ensemble of her catholic high school, or karaoke at family gatherings. Her commitment to singing led her to a brief stint at a vocational jazz program in the cornfields of the midwest; in a remote town of 7,000 people, she began a formal study of jazz and classical music. During these years she would tour with her jazz and chamber ensembles to beautiful old cathedrals in nearby cities and became enamored with the sacredness of choral music, as well as the enveloping sound of harmony. 

A near death experience, too, served as a connection between music and spirituality, and music as a healing art after facing tragedy. 

In 2013, Ana was also fortunate enough to spend a few months in Uttarkhand, India where she met an incredible voice teacher who introduced her to classical Hindustani singing. Living and studying with this teacher deeply impacted her outlook on the voice as art. It was there that she began to see the singer - the Diva - as a symbol of divinity; that the unique power of one's voice comes from the vulnerability of using the body as an instrument. Be it romance, love, or worship of a deity - in order to access such depths of emotional expression, one must be willing to be intensely vulnerable, lay one's heart in the open air, expose what is kept hidden. This brief study was the catalyst that led her to finish her music study at the experimental Mills College in Oakland, CA, where she began to combine all of these influences into her current self-titled project. This album ~~~ was created during her last years residing in the Bay Area, a tribute to the great musicians who inspired her and the landscape where she spent her formative years. 

In addition to the worship of R&B and pop divas, Ana's current practice explores themes of gender & identity. In October of 2018, she decided to come out publicly as intersex, and is dedicated to being a voice for her community and speaking out about social justice for intersex youth.

Ana Roxanne - Nocturne

TW: murder, abuse, child abuse 

• 
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• 
• 
• 

Recorded at New Bond Street by Maggie Magee & at Wine Cellar by Rohan Evans. Mixed & mastered by James Goldsmith.

Country Justice

As it stands………..I am turning the wheel
As it stands………..there’s nothing left here for you to steal
As it stands………..I haven’t seen you for weeks
As it stands………..you’re doubling through these sewer stained streets
As it stands………..I shoot it down, you know you don’t mean a thing
As it stands………..I step slow motion from the flaming machine
As it stands………..you know that I don’t want it to die, but
As it stands………..I know I’ll never leave this alive

It’s got nothing to do with you
Just the fear of forgetting
The bodies & nights that I’ve been used
& I used you too
……………….......……..like a cheap perfume

As it stands………..the only teacher is time, but
As it stands………..this lesson will be my whole life
As it stands………..I know that it is all in my head, 
As I stand…………..a rising escalator to a cliff edge, &
…………………….........I know I’m being obvious, a whale on the beach, but
As it stands………..we both know who is wearing the leash
As it stands………..I’m walking with my head in my hands, just
…………………......…...waiting for the moment when you stab me right back

It’s got nothing to do with you
Just the fear of forgetting
The bodies & nights that I’ve been used
& I used you too
……………………..........like a cheap perfume
……………………...........like a blow-up doll in a backstreet brawl
……………………...........like strangers sharing a bathroom stall
……………………...........gives me panic stabs from a casual glance
……………………...........gives me swollen glands from uncertain chance
……………………...........& I’m seeing stars in a boxer’s hand
……………………...........a one-night stand with a pension plan

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Recorded by Maggie Magee between Tāmaki Makaurau & Ōtepoti, Aotearoa/New Zealand, & Leipzig, Deutschland/Germany.
Mixed & mastered by James Goldsmith.
Written & produced by Maggie Magee, with exception of featured samples from the films "Like Crazy" (2011), "Titanic" (1997) & "The Bitter Tears of Petra Von Kant" (1972).

As It Stands

From the album Seeing Through Sound (Pentimento Volume Two), released on Ndeya 24 July 2020 https://ndeya.ffm.to/seeingthroughsound

jonhassell.com/
jonhassell.bandcamp.com/
www.facebook.com/OfficialJonHassell/
twitter.com/ndeyarecords
www.instagram.com/ndeya_records/

Seeing Through Sound (Pentimento Volume Two) MP3

Jon Hassell | Unknown Wish

from the album 'because of a flower' available 11/13

because of a flower

ana roxanne 'suite pour l'invisible'

From the forthcoming live album 'Figures In Open Air' out 6th November on Late Music.

Pre-order the double CD edition now → https://latemusic.ffm.to/figuresinopenair

Sarah Davachi - Diaphonia Basilica (Version)

please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.

ana roxanne 'suite pour l'invisible'

kranky

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