oh oh oh, more music to sleep in a gnarled coulee with.

from 'Quatorze Pieces De Menace' [CD|2xLP|DIGITAL]
Denovali Records · den178
available in September on all formats at [http://denovali.com/dalecooper]

This new full-length of the cult French Dark Jazz collective is the follow up of the highly acclaimed 2011 output "Métamanoir" - the second release for the German experimental music label Denovali. Halfway from their debut "Parole de Navarre"'s ambient and drone driven soundscapes and the more orchestrated "Métamanoir", this new collection of tracks is following their quest for dreamy but mysterious places.

A hint of 50s cool jazz, a truckload of noise and melodies, again tiny references to Twin Peaks' series soundtrack and some ghostly and deep tone voices: the Dale Cooper Quartet pushes the genre Dark Jazz towards other spaces. The album is further enriched by appearences of guest musicians such as Gaëlle Kerrien (Yann Tiersen) and Alicia Merz (Birds of Passage) on vocals.

Recorded in Brest, Britanny, France, this album always conveys an atmosphere of strangeness and beauty, the trademark of each of the Quartet's records. Based upon the live experiences of the band and their everlasting love for the local landscapes, "Quatorze Pièces de Menace" is as striking, deep, fascinating and beautiful as a storm in the middle of the Atlantic.

Quatorze Pieces De Menace

Dale Cooper Quartet & The Dictaphones - Lampyre Bonne Chère

Cold War

Bside from the Shipwrec 7"
Monkeytown018
Modeselektor and Thom Yorke - Shipwreck

Modeselektor & Thom Yorke - Dull Hull (Edit v7)

Premiering on Magnetic Mag: http://bit.ly/2r9j2ti

Bristol-based solo electronic producer LTO @lto-oa returns to Injazero Records following his debut, 2015’s No Pasa Nada EP. 

While plaudits for LTO have tended to focus their praise on No Pasa Nada’s tense and eerie programming, its deep sonics and waves of static, Storybook gives us access to the beating heart within the machine. It is an album not purely of mechanics, but also of human warmth, formed with a colour palette of equal digital and organic materials. There is expression and articulation, delicateness of performance, voices both natural and treated, piano and brass, all deftly placed about a canvas of electronic fabrics.

LTO first made waves as part of mysterious electronic collective Old Apparatus. Their music - anonymous, dark, ghostly, subterranean - was reminiscent of garage and grime scenes, but sheened with a nocturnal miasma and a fierce intellect, obfuscated by deliberate myth-making. And while LTO as a solo producer retains elements of this darkness and beguiling sound-design, Storybook sees him let the light in.

A vision is laid out by album opener ‘Change’. It combines gentle, dulcet synthesis with a percussive line made of table-tennis recordings and Spanish-language voices that softly echo in and out of the space, like Katie Gately remixed into Brian Eno’s ambient records or the poise of Max Richter filtered through Chris Clark’s production lens. These themes wander and weave through the record. They comprise willfully corrupted notions of the ‘single’: broken, distorted vocal pieces that never quite move as expected, yet somehow remains approachable and deeply touching. They comprise fluidity and elasticity, a human-ness that enwraps the mechanical parts, in the same sense as Holly Herndon or Nils Frahm. A highly accomplished pianist (indeed, a piano teacher in his civilian life), LTO’s astute musicality is the foundation stone beneath the magic and abstractions of Storybook.

Injazero Records will release Storybook on 180g vinyl and digital formats on June 23rd 2017. The record was mastered by Taylor Deupree (Dustin O’Halloran, William Basinski, Helios) of 12k Mastering.

Storybook

When

Pre-order

LTO - When

Taken from Hannah's new album: 'Mary Casio: Journey to Cassiopeia' 
OUT Sept 22nd 2017
http://smarturl.it/syjioe

**** MOJO / **** Record Collector / **** Loud & Quiet

PRE-ORDER 
Limited Edition Metallic Space Vinyl and CD: hannahpeel.tmstor.es
Itunes: itunes.apple.com/gb/album/mary-ca…eia/id1252718712

Hannah Peel's third album is a seven-movement odyssey composed for analogue synthesizers and full, traditional 29 piece colliery brass band!

 "We have a hundred billion neurons in our brains, as many as there are stars in a galaxy" Theoretical physicist and author, Carlo Rovelli.

LIVE DATES:

29th July - WOMAD Festival
5th August - Edinburgh Festival
23rd Sept - Liverpool - Liverpool Philharmonic
30th Sept - Stockton - The Arc
21st Oct - Barnsley - The Civic Theatre
28th Oct - Basingstoke, The Anvil Concert Hall
MORE TO BE ANNOUNCED...

INFO:
With only a year following on from the release of her second album ‘Awake But Always Dreaming’ to widespread acclaim (Voted No.1 Album Of the Year – Electronic Sound Magazine), ‘Mary Casio: Journey to Cassiopeia’, explores one person's journey to outer space, by recounting the story of an unknown, elderly, pioneering, electronic musical stargazer and her lifelong dream to leave her terraced home in the mining town of Barnsley, South Yorkshire, to see Cassiopeia for herself. With artwork by Grammy award winning designer Jonathan Barnbrook (David Bowie collaborator on albums ‘Blackstar’ and ‘The Next Day’ ) and the complete brass band and rhythm section recorded live on location in The Barnsley Civic Theatre with Peter Gabriel’s Real World studio team, this exclusive album combines Peel’s detailed, analogue synth layered production and her expressive flair for performance with ‘Tubular Brass’, featuring the top UK championship brass band players. It’s a wholly unique, collaborative sound and seemingly, a first of it’s kind both live and on record. 

At the close of the album’s final song ‘The Planet of Passed Souls’, tutti brass jostle with the hiss and crackle of a 78rpm record. An emotionally charged, scratchy sample taken from a 1928 recording of Peel’s own choirboy grandfather in Manchester Cathedral leaves the listener questioning the reality of Mary’s connection with the stars… Did she ever make it to Cassiopeia? Is this all a daydream as she sits in a back garden shed tinkering with electronics and her telescope? Or maybe this is her final breath as her mind and body pass into another realm of life? Is this science or fantasy? And how much is there really a division between the two? 

ALBUM TRACKS:
1. Goodbye Earth
2. Sunrise Through The Dusty Nebula 
3. Deep Space Cluster 
4. Andromeda M31
5. Life Is On The Horizon 
6. Archid Orange Dwarf
7. The Planet Of Passed Souls

Mary Casio - Journey to Cassiopeia

Hannah Peel - 'Sunrise Through The Dusty Nebula'

BUY ALBUM: http://smarturl.it/inboxesbc
SUBSCRIBE TO 11 ALBUM SERIES: http://smarturl.it/ltsseries

Exclusively through our Bandcamp store, all purchases of 'A History, in Boxes' come with an instrumental version of the album. Plus, it’s now included in our ‘Prelude to the Decline’ 11 album series, going on HERE: smarturl.it/ltsseries.

'A History, in Boxes' is a brand new collaboration between spoken word artist Matt Finney and multi-instrumentalist William Ryan Fritch. Much of 'A History, in Boxes' will no doubt recall the triumphant and explosively charged moments of Fritch's work with Jon Mueller on the Death Blues Ensemble album. Lost Tribe Sound is thrilled to welcome Matt Finney and his twisted wry wit to the label.

Cover photo courtesy of Simpleinsomnia 
Cover photo modified by Ryan Keane 
Cover photo licensed under "Attribution 2.0 Generic (CC BY 2.0)"

A History, in Boxes

All That Lives Will Sour

Buy Album

William Ryan Fritch & Matt Finney - All That Lives Will Sour (from A History, In Boxes)

Arve Henriksen - Pink Cherry Trees

Late Night Tales: Nils Frahm

Peaks

Ti Prego, Memory Man

benoit pioulard 'margin'

from 'Miscellany' [CD|LP|DIGITAL]
Denovali Records · den348
available on all formats at http://denovali.com/origamibiro

After an almost 6 year hiatus, and the break up of the audio-visual trio it had evolved into, Origamibiro returns with Miscellany, a body of work amassed during the years since the release of 2014’s Odham’s Standard.

Though the group never officially disbanded, a number of life-changing events meant it simply became impossible to continue together. As such, the project organically reverted back to the solo pursuits of composer Tom Hill. Fellow multi-instrumentalist Andy Tytherleigh, however, remains a strong collaborator.

Miscellany comprises a varied mixture of work, ranging from electroacoustic to orchestral chamber music. Drawing upon much of the found-sound style for which Origamibiro became known, the DIY approach to sampling and composing continues to play a central role in the process.

Exploration into the tangible nature of everyday objects and textures - both in and outside of the home - is a theme relished in much of Origamibiro’s work. Forest brambles and plastic toy Easter eggs are examined in surgical detail alongside the debris of demolished piano parts, to be repurposed into whatever sonic potential they offer up.

However, new additions to the instrumental palette - viola da gamba, piano, zither, singing bowl, glockenspiel, drum machines and gongs - contribute to an even broader timbre.

Miscellany will be released on Denovali, March 2021.

Miscellany

Origamibiro - Fracture

please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.

benoit pioulard 'margin'

kranky

Recent comments

Fausto del Real

shaheedishrddn

Oggetti riflessi

FF

Related tracks