Name: earthen sea 'rough air' by kranky in MID
Duration: 3 min 47 s
Description: from the album 'ghost poems' available 4/15

之 / OF

YUN / 暈

Isik Kural - film festival

Follow Isik Kural
INSTAGRAM: https://www.instagram.com/isikkural/

Follow RVNG Intl
TWITTER: https://twitter.com/rvngintl
INSTAGRAM: https://www.instagram.com/rvngintl
YOUTUBE: https://www.youtube.com/user/RVNGintl

©2021 RVNG Intl. // https://www.igetrvng.com

film festical

Isik Kural - film festival

from the album 'ghost poems' available 4/15

Ghost Poems

earthen sea 'rough air'

With a strong interest in geology and biology, Takahashi started imagining the landscape and life of the Earth in prehistoric times based on fossils and illustrated books, later used as inspiration for his compositions. At first sight, these images make it easy to envision the ecosystems and environments of prehistoric Earth as so distinct from those of today that they could almost be seen as different planets. Living through the pandemic, when Takahashi first started composing the songs, made him rethink his initial thoughts. 

“The Palaeozoic era was a time of extinction, of prosperity and decline. When I think ab out these facts from geology, they are quite spectacular. But I felt that this cycle is still happening today, b ut on a different scale. If you think about the time before Covid-19, people were very active and free to move around. It was with this in mind that I set about writing the music, imagining what it would be like to overcome the social upheaval of Covid-19." 

It's the similarities between his initial analogy and the new pandemic reality that ultimately formed the main context for Paleozoic. This led Takahashi to make an album which sonically reflected the sequence of Paleozoic: starting from a time when life flourished in the sea ,before the arrival of life on land, to the gradual arrival of plants and insects on land and the end of an era due to change. 

In order to create a more vivid representation of the life force and grandeur of nature, Takahashi decided to forgo his signature lo-fi production style of using GarageBand on his Iphone. For this, he enlisted the help of sound engineer, producer and Atoris bandmate Kohei Oyamada with the mix and arrangements, resulting in a highly evocative, expansive sound palette. 

“With his techno sensibility and sound engineering skills, he was able to bring me closer to the sound I've been chasing, which is full of mystery, life and images of a wild and simple time. This record is the first step in my work with him and the foundation for further progress." 

The result is a fascinating journey through imaginary landscapes infused with great dramatic affect and an acute sense for details across sweeping drones and electronic glistens. 
credits
released April 29, 2022 

Composed by H. Takahashi 
Mix & arrangement by Kohei Oyamada 
Mastered by Taylor Deupree (vinyl) and Kohei Oyamada (digital) 
Artwork by Alicia Carrera

Emerald

Andrea Belfi - "Natura Morta" out november 7th on Miasmah.

Natura Morta, "dead nature" or "still life". This album can be understood as a powerful study of the minute details of the art of electro-acoustic composition, as much as the Renaissance "nature morte" were a masterful display of the artist’s skill in portraying the glow of a ripe fruit, or capturing the light beaming on a vacant chair.

Six tracks, to be listened to as two long explorations in the art of variation and repetition. Layers of drums and percussions intertwine with synth waves making the portrait come to life, detail after detail, until a complex figure emerges from the white canvas. The constant, unsteady sounds, wavering noise, swirling cymbals, and distant feedback gently pull the listener into the picture, letting them enjoy every detail of this beautifully staged compositions.

Recorded at EMS studio, Stockholm, ZKM in Karlsruhe and at the legendary Funkhaus in Berlin, this album mixes influences from both Italian minimalism and the electro-acoustic contemporary scene. Somewhere in between the electronics of Keith Fullerton Whitman, the percussive repetitions of Jon Mueller, and the atmospheric sensibility of Pan-American.

Andrea Belfi - Roteano

Bing & Ruth - Reflector

Video: https://youtu.be/2xgcnaqKxoI

Purchase from RVNG: http://smarturl.it/bing-twtga-rvng
Purchase from Bandcamp: http://smarturl.it/bing-twtga-bcamp
Purchase from iTunes: http://smarturl.it/bing-twtga-itunes
Purchase from Amazon: http://smarturl.it/bing-twtga-amzn

From the album Tomorrow Was the Golden Age

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

Buy from RVNG 

Bing & Ruth - Reflector

The Farthest Memory

LOK! - TURN ME UP, TEAR ME DOWN (Prod. LOK!

produced by Mo-Tano

raw boom bap, dusty drums, that old school feel.

🎧 grab this beat or check out more on → https://motano.bandcamp.com/

got more beat packs and flips up there too.

connect:
IG – @MoTanoBeats
YouTube – https://www.youtube.com/@MoTanoBeats

collabs or placements? hit me up.

Cold Verse | Instrumental

Creek Hills EP

Jani R - All That Matters [Creek Hills EP]

Blending classic ambient and electronic styles, Solaris brings together Fourth Dimension’s Strahinja Maletić and Ascendant’s Don Tyler for a Tarkovsky-inspired glimpse into the invisible world of a future earth.

Aeon V

Reception

Warmth's new album ambient 'Home' is the first vinyl release on Archives. Comes in a Double Vinyl with pictures by Alexander Kopatz. Also on Double CD with each one of the original pieces revisited by talented artists, including: Hotel Neon, SineRider, Leandro Fresco, Purl, SVLBRD, Chris Weeks, Tone Color and Robert Farrugia.

Written and produced by Agustín Mena.
Remixes by Hotel Neon, SineRider, Leandro Fresco, Purl, SVLBRD, Chris Weeks, Tone Color and Robert Farrugia.
Mastering by Rob Small.
Photography by Alexander Kopatz.
www.go70north.com
ARCHIVESCD21 | 2017

Buy CD/Vinyl/Dig

Warmth - Waves (Purl Dub Remix)

Sarah Davachi - "Let Night Come On Bells End The Day" LP with CD (R45)
www.recitalprogram.com/let-night-come/
www.recitalprogram.com/purchase/

R45 Sarah Davachi - "Buhrstone" from Let Night Come On Bells End The Day  LP w/ CD

Brian Eno & Robert Fripp - Wind on Water

Midori Hirano - Close to Life
From the album “Mirrors in Mirrors”

Release date: 5th March, 2019
Pre-order “Mirrors in Mirrors” here: https://daisart.bandcamp.com
© Daisart / daisart.info

From the liner notes:

If you stand between two mirrors facing each other, you’re faced with a curious and unique visual sensation – endlessly repeating reflections bounce off one another into an infinite, spiralling prism. Any movement from your vantage point derails the point of focus, and transforms the illusion in real-time before your eyes. Light bends, and with it, colours slip in and out of dominance, in an
Escherism of endless space, despite no change to the dimensions you inhabit in that ever so concrete space between two mirrors.

Midori Hirano speaks of “waning lights” and “edges blending into fog” as some of the sensory indicators inspiring Mirrors In Mirrors – her debut on Daisart – and these Impressionistic sentiments are deeply imbued within Hirano’s delicate, restrained compositions. The hallmarks of modern classical, electronica and ambient are adopted as an assemblage to explore nuanced tones and techniques less dictated by those stylistic underpinnings, perhaps somewhere hovering between – but never too far away – keenly aware of form and
function.

An emphasis upon the piano is an immediate point of reference for placing Hirano’s work within a broader context, but important to point out is the subtle and careful use of synthesisers and effects processing throughout the record – sometimes providing a more detailed background terrain, sometimes taking centre stage. Whichever instrument she turns her hands to, Hirano has crafted a record with enough dedicated focus and space to allow the listener to immerse oneself in her devised temporal expanse, an Impressionistic liminal space of Mirrors in Mirrors.


Written, produced, recorded and mixed by Midori Hirano in Berlin, Germany 2017-18. 
Mastered by Sean McCann of Recital Program.



“Mirrors in Mirrors” comes in a first edition of 200 x 12inch 145gm black vinyl (incl. download) with Pantone printed inner and outer
sleeves designed by Jeroen Wille and Rudd Ruttens [ruttens-wille].

Midori Hirano - Close To Life

please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.

🎨 Digital Artist ● 3D Motion Designer 
🕹️ Game Art ● Effects/Animations ● UI/UX Design ● Unity 
🌌 Fractal Landscapes 
✨ VJ Media Art Performer

earthen sea 'rough air'

kranky

Recent comments

Static Noize

In a marine light

Related tracks