Name: oren ambarchi & robin fox 'standing mandala' by kranky
Duration: 9 min 3 s
Description: from the album 'connected' available oct22.

[PIRANHA SIBERIA DUB] proudly presents fresh, 34th release from Greek musician Substak - Patterns EP. In the depths of the Athens electronic scene, where ancient rhythms meet modern sounds, musician Substak (@substak) opens a new page in the history of dub techno. His latest release, "Patterns EP", is a collection of three original tracks that take the listener on a journey through the meditative depths of the genre. This album is not just a piece of music; it's a mosaic of sounds that reflects Substak's unique style. Each track is a separate pattern, composed of carefully selected sounds and textures, creating a rich audiovisual palette.

An equally significant part of the "Patterns EP" are six remixes from famous artists in the dub techno genre. Hidden Encampment (@masayuki-takahashi-4), Amaral Borges (@amaral-borges), BLOMAQ (@blomaq), George Kostopoulos (@george_kostopoulos), RE.vila (@re_vila) and Oldschool_Dubtechno .Producer (@enercube and @x_fr) contribute their unique interpretations, adding new dimensions and contrasts to the album.

Substak's "Patterns EP" is not just a new release from [PIRANHA SIBERIA DUB], it is a statement about the enduring value of deep sound and its ability to bring people together. This mini-album is an invitation to plunge into a world where every beat and every rhythm has its own meaning.

This album is also dedicated to the memory of recently deceased musician Shebuzzz, whose contribution to electronic music will remain unforgettable.


:::
Substak - Patterns EP
1. Substak - The Background
2. Substak - The Chord
3. Substak - The Pad
4. Substak - The Background (Hidden Encampment Remix)
5. Substak - The Pad (Amaral Borges Remix)
6. Substak - The Pad (Oldschool_Dubtechno .Producer ReChord)
7. Substak - The Chord (BLOMAQ Remix)
8. Substak - The Background (George Kostopoulos Remix)
9. Substak - The Chord (RE.vila Remix)
:::
Label: [PIRANHA SIBERIA DUB] – [PSD034]
Format: Digital
Country: Russia
Release date: 26.04.2024
Genre: Electronic
Style: Dub Techno, Deep Techno, Techno, Dub 


🎬🎬🎬🎬🎬🎬
Bandcamp: https://piranhasiberiadub.bandcamp.com/album/patterns-ep
Beatport: https://www.beatport.com/release/patterns/4525465

Substak - Patterns EP [PSD034]

🎯🎯🎯Get Your Copy💾

Substak - The Chord (Original Mix)

Music from the forthcoming EP by Luke Abbott and Jack Wyllie of Portico. 

Released via Buffalo Temple (BFFT003) on 25th September available on 12" vinyl and digitally.

Etxeberri

Xantako

Resina is the alias of Karolina Rec, a cellist/ composer based in Warsaw, who signed to 130701 having sent in this album as a hugely impressive demo late last year. A very accomplished performer with a background in Polish underground music, this eponymous album is her solo debut and sees a rich, atmospheric re-imagining of a Polish music rooted in a feeling for indigenous nature / landscape and realised via an intuitive, experimental approach to playing.

A fantastic debut release, ‘Resina’ is an immersive and deeply enchanting album, which unveils a unique and striking new talent. 

more info at 130701.com

Resina

Resina - Tatry I

Andrea Belfi live at Radialsystem on 16 April, 2016.

Enoy this great souvenir of Andrea Belfi's visit to the UM:LAUT stage. Back in April 2016 he opened two sold-out evenings with a solo show before supporting Nils Frahm and his Nonkeen band for their release tour kick-off at Radialsystem V. 

Special thanks to Andrea for the great performances, and for mixing and mastering this tune. And cheers to Carlo Grippa for the amazing sound and the recordings.
 
Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Markus Werner

If you like what you hear, support the artist!
www.andreabelfi.com

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Andrea Belfi @ UM:LAUT - Live Snippet

from 'Electric Stutter' [CD|2xLP|Digital]
Denovali Records · den281
available on all formats at [http://denovali.com/orsonhentschel]

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.    

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

Electric Stutter

Orson Hentschel - Fade In, Fade Out

"Apart" is a mini-album containing a set of cello improvisations, concieved during days of solemn recording in the basement of an unused industrial space outside of Bern, Switzerland in 2015.

Released 6th of october 2017 on LTD edition dark green or black LP

Apart

Svarte Greiner - Passage

Mirall

Rauelsson - Sierra

Premiering on the Ransom Note: https://bit.ly/2MyJojX

"An enchanting new album." - The Ransom Note 

Heinali is the alias of self-taught composer and sound-designer Oleg Shpudeiko from Ukraine. Now well established under the name he brings along his latest full length ‘Iridescent’ due for release on October 12th on Injazero Records. 

Having garnered rapturous responses to his earlier output and last year’s ‘Anthem’ Oleg continues to push the boundaries and experiment with altering mood and atmospheres of any space - with abstract yet deeply personal transmissions of ambient synthesiser work and subaqueous, minimal techno contortions. 

‘Iridescent’ consists of fragments of studio improvisation sessions recorded in 2016 and 2017, some of them recorded in one unedited take on a modular system and some layered and later morphed into compositions. As the title suggests Heinali crafts shimmering, incandescent portraits, rich in his unique characteristics and compositional liberty. 

Apart from the “musical sculptures,” that represent the bulk of this LP, Oleg was interested in the exploration of polyphonic capabilities of the modular system. ‘Rainbow Folding’, a loose homage to Terry Riley’s 'A Rainbow In Curved Air,' features an interplay of several independent, but distinct voices and their processed shadows — ‘ghost voices’. In 'Shadow Invention’ eerie atmospherics steal the spotlight and dominate the composition, ending in a cacophony of the ‘ghost voices’. 

Oleg says of the album, “it’s a kind of studio dairy. A reflection on the development of my relations with the hardware instruments and exploration of them as channelling vessels for my experiences and ideas.” 

“One can think of Iridescent’ as ‘musical sculpture’ analogy — when the body of music stays the same, but its surface is flickering with various colours over time — sometimes in a subtle manner, sometimes loud and clear. Or it can be understood in the context of various colours of polyphony, or as a liminal condition of the colour as if it’s being ‘stuck’ in the mist of twilight zone between neighbouring colour-states, so it can’t become a particular colour and is in a flickering kaleidoscopic state.” 

‘Iridescent’ bares Oleg’s style of sonic storytelling and austere, otherworldly textural embellishments that bring to mind Ben Frost, Akira Yamaoka, and Oneohtrix Point Never but also plants the seed for much more club ready electro. ‘Starling Reprise I’ is a scorching piece of ambient techno that conjures Four Tet, LTO and Susumu Yokota’s blissful, kaleidoscopic synth work whilst ‘Starling Reprise II’ retains the frosty, steely ambience that has become Heinali’s calling card. 

Cover artwork by Olga Gaidash.
Mastered by Taylor Deupree at 12k Mastering.

Pre-order

Heinali - Rainbow Folding

from the album 'connected' available oct22.

oren ambarchi & robin fox 'standing mandala'

Track taken from the new album 'Rites', released via Subtext Recordings.

Read it:

www.fluid-radio.co.uk/2013/04/paul-jebanasam-rites/

Buy it:

www.subtext.bigcartel.com/product/paul-jebanasam-rites

Paul Jebanasam - Rites III

please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.

oren ambarchi & robin fox 'standing mandala'

kranky

Recent comments

auditone

mylifeismusicandmusicislife

alexhary

irmos lengas

Related tracks