Heard this first today on an episode of NCIS LA. Very chill music. :)

Creative Monsters

from the album 'virgins' available 10/14
on kranky [world] and paper bag records [canada].

tim hecker 'virginal ll'

Tracklisting:

1. Lune - f1gozaurus
2. Lucy - Moodprint 
3. Lay Down - Hayden James
4. Intro ft. Stalley - Flume
5. Ezra's Limit - Jaymee Franchina & Jeremy Smith
6. Juicy Insane - Jaymee Franchina & Jeremy Smith
7. Holdin On - Flume
8. Why Can't You (Say So…)- Emoh Instead
9. High With Me - Yahtzel
10. High You Are (Branchez Remix)- What So Not
11. Touched - What So Not
12. Get Free ft. Amber (What So Not Remix) - Major Lazer
13. You & Me (Flume Remix) - Disclosure
14. Can't Hold Us feat. Ray Dalton (Big Gigantic Remix)- Macklemore & Ryan Lewis
15. Come Around (Minnesota Remix)- Collie Buddz

Flume & Friends

M. Geddes Gengras - "Ishi" June 24th
180g 12" tip-on _ CD & digital include 40min bonus 'Vigil'
http://www.stonesthrow.com/store/album/mgg/ishi

“No dream, no wildest nightmare, prefigured for Ishi a city crowd, its clamor, its endless hurrying past to be endlessly replaced by others of its kind, face indistinguishable from face.”

- Theodora Kroeber, from Ishi: In Two Worlds


M. Geddes Gengras has inhabited the Los Angeles experimental music scene for the last 7 years, bouncing through various bands, monikers, and a critically acclaimed collaboration with Sun Araw and The Congos. The producer perhaps shines most brightly, however, when left to his own bespoke devices. His solo work is largely based in modular synthesis, comfortably straddling a variety of forms while remaining rooted in a deep affinity for the limitations of analog electronics and a keen ear for timbral manipulation.


Ishi finds the producer diving headlong into beautiful, sprawling ambient explorations and deep, mystical drone. Its title is the name given to “the last wild Indian” in North America, who emerged in 1911 at the age of 49. Hidden all his life in the wilderness of northern California, Ishi spent most of his life completely unexposed to the modern world lurking just beyond his own timeless reality. His only exposure to the “civilized” world came from Gold Rush settlers, whom he watched massacre and disease each and every member of his family and tribe, until he alone remained. When he was found, communication between the miraculous survivor and this strange new world was understandably difficult and frightening— but the knowledge gained through the process proved invaluable.


Sometimes the most effective and direct means of communication and understanding exist outside of human language. Gengras’ highly expressive instrumental record reveals itself via sweeping tonal gestures and striking, intensely colorful washes of heavily processed electronic sound. “Ambient” is insufficient to describe the uniquely evocative soundtrack presented here, a lushly nuanced sound world generated directly from the deeply personal relationship between one man and his meticulously cultivated machines.


“The record is about the schism that exists between the world we live in and those stuck on the margins of it— perpetual outsiders and their quest to understand the torrent of information they are constantly subjected to. I was directly inspired to these pieces by two people in my orbit who died this year, one accidentally and one not, both of whom suffered this affliction and eventually lost their lives to it. The music was a reaction to these losses and a sort of offering of something peaceful but at the same time respectful of the conflict and dissonance of life, with movement always in the distance. I look at it as music for passage between different realms, conscious & un, this world & another, layers of reality... ISHI is a metaphor for that— the man who walks into our world understanding none of it but forced to live in it regardless. This is somewhere in between a prayer and a lullaby for him and for the rest of them, but also something for those of us left behind.” - M. Geddes Gengras

M. Geddes Gengras - Passage

Η ρίζα του Ιεσσαί

STREAM

Η Ρίζα Του Ιεσσαί

Strands

steve hauschildt 'strands'

None may be better suited to crafting eulogies than William Basinski. The composer who graced us with the melancholy masterpiece Disintegration Loops now turns his gaze to David Bowie. Today marks the one year anniversary of Bowie's passing and so we humbly premiere Basinski's tribute 'For David Robert Jones.' This hymn for the music hero will be released January 20th on Temporary Residence Ltd. Keep your ears on RBMA Radio because Los Angeles resident Basinski will soon appear as a guest on Frosty's weekly LAndscape program.

@william-basinski
@temporary-residence-ltd-1
rbmaradio.com/shows/landscape
redbullmusicacademy.com

A Shadow In Time 

William Basinski - For David Robert Jones [LAndscape Premiere]

Mirage

Chihei Hatakeyama - starlight and black echo

"Only Once Away My Son" by Brian Eno with Kevin Shields

Listen to this track and many others at adultswim.com/singles

Adult Swim Singles 2017

Brian Eno with Kevin Shields - Only Once Away My Son

anoyo

tim hecker 'that world'

Injury Reserve

Jailbreak the Tesla (feat. Aminé)

Flume - Voices (ft. SOPHIE & KUČKA)

JUDGEMENT NIGHT

Holly Herndon - Movement

Purchase from RVNG: http://smarturl.it/hh-movement-rvng
Purchase from Bandcamp: http://smarturl.it/hh-movement-bcamp
Purchase from iTunes: http://smarturl.it/hh-movement-itunes
Purchase from Amazon: http://smarturl.it/hh-movement-amazon

www.igetrvng.com
www.hollyherndon.com

Buy Direct

Holly Herndon - Fade

DLP 1.1 Excerpt

El Camino Real Excerpt

from the album 'ravedeath, 1972'. available feb14th.

tim hecker 'hatred of music I'

please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.

tim hecker 'that world'

kranky

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