the singer of parquet courts sounds alot like David Berman [silver jews]... and i fucking love that

From Chastity Belt's debut album No Regerts, out on August 13, 2013. 

Buy No Regerts:  
Help Yourself (vinyl): www.shophelpyourselfrecords.com
iTunes: https://itunes.apple.com/us/album/no-regerts/id720263290

Like Chastity Belt on Facebook: www.facebook.com/chastitybeltmusic/
Follow Chastity Belt on Twitter: www.twitter.com/CHAST1TYBELT

Like Help Yourself on Facebook: www.facebook.com/helpyourselfrecords
Follow Help Yourself on Twitter: www.twitter.com/HYRecords
Follow Help Yourself on Soundcloud: www.soundcloud.com/helpyourselfrecords

Listen to "Seattle Party" by Chastity Belt here:
https://soundcloud.com/helpyourselfrecords/seattle-party

Recorded and mixed by José Díaz Rohena
Mastered by Chris Hanzsek
Artwork by Jake Muilenburg

Chastity Belt - Black Sail

Follow

From his forthcoming debut LP out January 28th, 2014 on Trouble In Mind Records. www.troubleinmindrecs.com

Morgan Delt - Obstacle Eyes

From Parquet Courts upcoming album Content Nausea, available Nov 11th Digitally and Dec 2nd on CD/LP. 

Pre-order the record from What's Your Rupture?  http://whatsyourrupture.bigcartel.com/product/parquet-courts-content-nausea-preorder-cd-lp-2xcd 

Or internationally from Rough trade.  

Parkay Quarts - Uncast Shadow Of A Southern Myth

07 Future Primitive

Summer/RIP

Golden Daze's self-titled LP is due February 19 via Autumn Tone Records

"Low"

The Orielles debut Heavenly Recordings single 'Sugar Tastes Like Salt.' Produced by Marta Salogni. The Orielles are Sidonie B Hand-Halford, Esmé Dee Hand-Halford and Henry Carlyle Wade.

Sugar Tastes Like Salt

iTunes pre-order: http://smarturl.it/cagetropical
Bandcamp pre-order: https://frankierose.bandcamp.com/album/cage-tropical

After spending years as a major presence in Brooklyn’s thriving music scene, Frankie Rose relocated to her familial home of Los Angeles for 18 months with the intention of establishing yet another moment in her storied indie rock métier. Gradually, she found herself short on sleep, funds and optimism. "I moved to LA, drama ensued and I ended up on a catering truck. I was like, how can this be my life after being a touring musician and living off of music. I had really lost my way and I thought I was totally done."

Through sleepless nights of listening to broadcaster Art Bell’s paranormal-themed archives, Frankie’s thoughts had turned to "who am I, I’m not cut out for this business, it’s not for me." She continues, "I was literally in my room in L.A., not knowing how I was going to get out. But out of it all, I just decided to keep making music, because it is what I love and what I do – regardless of the outcome."

Towards the end of her time spent in Los Angeles, Frankie reached out to Jorge Elbrecht (Tamaryn, Gang Gang Dance, Violens) and began sketching what became the basic outline of what felt like a new album. Then, rather fortuitously, Frankie ended up back in Brooklyn with the realization that "in the end, I’m on my own. I have to do these things on my own."

The months that ensued meant basically working with no budget and finding ways to record in-between days. This time enabled Frankie to experiment musically with a variety of people that ultimately changed the way she worked. "I got a lot of input from people like Dave Harrington (Darkside), who was helpful reconstructing the songs, adding dynamics and changing up the rhythms."

The result of this existential odyssey is Cage Tropical, Frankie’s 4th album. It is awash with vintage synths, painterly effects pedals, upside down atmosphere and reverberating vocals. It evokes a new wave paranormality of sorts that drifts beyond the songs themselves. "My references aren’t just music," says Frankie, "I love old sci-fi. They Live is one of my favorite movies ever, same with Suspiria. 80’s sci-fi movies with a John Carpenter soundtrack, with silly synths – that makes it into my file, to the point that I’ll write lyrics incorporating that kind of stuff. It’s in there."

Beginning with the shimmery, cinematic and percussive sparkling of the album’s opening track "Love in Rockets," the song’s refrain of "a wheel, a wheel of wasting my life: a wheel, a wheel of wasting my time" immediately alludes to those darker circumstances that led to the creative origins of Cage Tropical."It’s all essentially based on what happened to me in Los Angeles and then a return to Brooklyn," says Frankie. "Misery turned into something good. The whole record to me is a redemption record and it is the most positive one I’ve made"

 "I feel like I am finally free from worrying about an outcome. I don’t care. I already lost everything. I already had the worst-case scenario. When that happens, you do become free. In the end, it’s about me rescuing myself via having this record."

Cage Tropical

Buy LP/CD

Frankie Rose - Trouble

from the album "Oh" released 10/11. Tour dates: THU 9 Nov @Brighton Up Bar, Sydney  FRI 10 NOV @Franks Wild Years, Wollongong WED 15 Nov @ NSC, Melbourne FRI 24 Theatre Royal, Castlemaine

Machine Translations "Sola"

From Chemtrails' debut LP Calf of the Sacred Cow, out February 9 2018 via PNKSLM Recordings. Pre-order at www.PNKSLM.com/store

www.facebook.com/chemtrailsldn/
www.facebook.com/PNKSLM

Parkay Quarts - Uncast Shadow Of A Southern Myth

What's Your Rupture?

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