My collab with Mike Mcclure!!
Available on Bandcamp, limited to 200 copies
Deep dub remix by Mark Pistel (Meat Beat Manifesto)
Withdrawal is for sale here:
https://midnightmusicclub.bandcamp.com/album/autoclub-withdrawal

AutoClub : "Withdrawal" 3 track EP/vocals by NOUR+deep dub remix by Mark Pistel

On a cold and rainy night in August 2021 Vytautas has shared with us some of the songs from his personal vinyl collection.

Asilelis Ir Lape - Weevil VINYL

Prodigal son of the ESP Institute, Juan Ramos, rises from the cesspool of a world gone mad with 'Agua Del Cenote', his fifth release with the label. Whilst many artists are following their inner light to bring us some much needed joy amidst these rotten times, Juan (being the little shit that he is) follows an inner demon and delivers listeners and dancers a demented clusterfuck of sadistic chaos. The title track opens with what sounds like a butane torch and we metaphorically freebase into oblivion. Our perception of reality unravels, writhing in abrasive textures smeared across a low-slung, mid-tempo erotic thump. Everything feels blurry and distant, as if we’re swimming through an underground aquatic tunnel, in a panic, searching for an invisible band of spirits whose tune summons us into certain annihilation. Following this is a remix from a decorated lord of 20th Century electronics, Harald Grosskopf AKA The Synthesist. Harald wipes away grit and lethargy to reveal elements hidden deep within the mix as well as softens Juan’s sense of terror by building up to an optimistic layer of added synth. We’d love to offer some relief with the balance of the EP, however, the remaining two tracks paint complimentary hues in the same cerebral palette. 'Let It Go (Freaks Only)' veers closely to House in terms of tempo and gestalt, utilizing a vocal sample from Third Generation (Kerri Chandler) and a healthy dose of sub bass, but Juan hardly apologizes for his masochistic tendencies and certainly never relents into an uplifting mood. Closing the EP, Juan serves an antidote of sorts with 'Cuko', as if suggesting a way out of the swamp, but leaves it up to the listener’s intuition to not only see the carrot, but actually follow it into the light, thus completing the quest.

[ESP085] - Agua Del Cenote

Buy from ESP

[ESP085] JUAN RAMOS - A1 - Agua Del Cenote - SNIPPET

Distorted Memo Express - sequence 8 mit Spezialausgabe zum Thema: music with drums! Mit Geezus & Bird Mane. 
Erstes Drittel Rap&Beats, Rest: Music drummy/ talking funny.

P.S sorry für mono/stereo issues, all good ab ≈40 minutes

DME8 special - "music with drums" w/ Geezus & Bird Mane - 08/10/21

Lola Interpretations is a remixes collection of the latest acoustic work released by Intersezioni, Lola Percussion.
Seven artists from the Italian techno / tribal / downtempo scene have been involved, using samples obtained from the original Lola's recordings.
The result is a free recompositions compilation of the original edits, characterised by a strong connection between acoustic and electronic sounds and thought to be perfect even for the dance floor.

Special thanks to all the artists:
Primordial Ooze
Guglielmo Prati
Kakofonico
Matteo Coffetti
Nicola Mazzetti & Luca Saponaro
Stic
A-Tweed
credits
released October 20, 2021

Mastered by Kakofonico
Sample by Lola Percussion
license
all rights reserved

Primordial Ooze - Interpretation 1

Marmo is back and Special Costello opens the label's new season with the imminent release of Life Matter Love Thought LP along with an exclusive live for Mutant. Genoa's Modus surfs the marine breeze of his cinematic electronica. Quindi Record's Rufus and Marmo Manfuoco just play records.

Manfuoco & Rufus [Marmo Music]

Modus Live [Marmo Music]

“The ceiling doesn’t know it’s being watched by so many liquid-sick eyes”

Cult duo VACUUM turn their gaze from the mechanical to the mortal with their second single ‘I’ll Call You’, which explores Western end-of-life rituals.

Cavernous soundscapes are cut razor-sharp and met with Andrea Blake (ASPS/CHROME DOME) and Jenny Branagan’s (NUN) dual deadpan recitations, reminiscent of early Anne Clark. An ominous sub-bass sets the tone while the squeak of a rubber sole on waxed hospital floors is dressed in an echo of New Wave delay. Empty platitudes are uttered down the phone line - diegetic and delivered like an infernal Shangri-las. The anticipation of a flatline extracts the sacred from the mundane – the Temenos of a waiting room, the Oracle of the Yellow Pages and an Ambrosia of instant coffee.

The album VACUUM S/T will be out Feb 18th 2022
credits
released November 25, 2021
Recorded by Josh Wells (Naarm Melbourne) and mastered by Enyang Urbik (Berlin).

Cover Photograph by Nicole Reed
Design by Luke Fraser at Grin Creative

VACUUM - I´LL CALL YOU

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://www.twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Barkosina - Fasting Culture (Modular Mind). Out December 16th 2021.

Fasting Culture is Barkosina Hanusova's debut book publication with a music tape,drenched in multidisciplinary art forms her magnum opus entitled “Fasting Culture” has no shortage of performance art elements. Barkosina draws resemblance of human nutritive starvation with cultural starvation, urging us to reevaluate what cultural existence means to us. Throughout the creation of this Opus, Barkosina has fasted andcreated a daily audio piece with spontaneity and immediacy, capturing raw material that reflects on the current emotion in time and space.
Barkosina is a London based performance and sound artist from the Czech Republic. She holds a BA in Drama and Theatre Arts (Goldsmiths University of London). She has trained in Theatre de l’Ange Fou’s corporeal mime- physical theatre practice and International school of language and drama. She is an autodidact with a strong engagement in music, and literature.
Working across diverse artistic practices and languages within Contemporary Art, such as Performance Art, Theatre Arts, Poetry, and Music, her work explores the dialogue between everyday life and performance. Transcending the power of storytelling by embodying words and turning them into potent imagery, actions, objects, and sounds. She aims to draw out the entertaining and tragic elements of the human experience.
Barkosina is also one half of Years of Denial with whom she has released music on various labels including Death & Leisure, Veyl Records, Modular Mind, Pinkman and Khemia.

Artist social media:

https://www.facebook.com/Barkosina.Art
https://soundcloud.com/barkosina
https://www.instagram.com/barkosina

Label social media:

https://soundcloud.com/modular-mind
https://www.modular-mind.com
https://www.instagram.com/modularmind
https://www.facebook.com/modmindmastering

Fasting Culture

Imagining Things

PREMIERE : Barkosina - Imagining Things (Modular Mind)

Demord Enregistrements presents three different mixes by the label’s crew - Delphine Demord, Riposte & Perte de Charge. Expect some hot news from friends and other french labels, weirdo electronics tunes, emotional ambient and guitar songs. 

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Demord Enregistrements @ Kiosk Radio 14.02.2022

Zero

KREIDLER are Thomas Klein, Alexander Paulick, and Andreas Reihse.

The band was founded in 1994, with their debutRiva released 1994 on the Parisian label En Contresans. This was to be the first of 28 releases, with #29 the upcoming album SPELLS AND DOUBS in 2022.

KREIDLER played throughout Europe, Asia and America. In techno clubs, in rock venues, in concert halls. At festivals like Sonar, Roskilde, Nrmal, SXSW, or Cervantino. Commissioned by Goethe-Institut the band toured Sout-East-Asia and Mexico.
KREIDLER performed in museums and art galleries: at the Van Dyck retrospective in Antwerp, for Rosemarie Trockel, Thea Djordjadze, Mike Kelley, or in The MoMA NYC and in the Centre Pompidou Paris for Andreas Gursky. For a project of Djordjadze and Trockel they collaborated in 2019 with singer Asmik Grigorian at Elbphilharmonie, an extension to an exhibition at Deichtorhallen Hamburg.

KREIDLER'S music was presented in installations at Transmediale, at Image Movement , at italic Berlin, or - for 2 years - in Mischa Kuball's res·o·nant at Jewish Museum Berlin.
They contributed to artists books such as Deutsch - Young German Photography, Toit du Monde, Romantik. Their videos are regularly screened at film-festivals e.g. in Barcelona, Valencia, Baden-Baden, and Munich. Au-Pair, La Casa, Moth Race, and Tornado were awarded at Internationale Kurzfilmtage Oberhausen.

KREIDLER'S musical collaborateurs include Klaus Dinger (NEU!, la Düsseldorf), Add (N) to X, Pyrolator, Young Gods, Leo Garcia, Chicks on Speed, or Anika.
They remixed artists like Einstürzende Neubauten, Depeche Mode, Edward, Faust, or Eurythmics.

KREIDLER music has graced the catwalks of Lagerfeld, Chanel, Lacoste, 22/4 _Hommes_Femmes, or Giles Deacon.
It is featured in films, plays and in the modern-dance - e.g. in Pina Bausch's Ten Chi or in Eva Meyer-Keller's Polaroid.
They worked with authors like Jacob Wren, Nick Currie/ Momus, Theo Altenberg, Mark von Schlegell, or Ricardo Domeneck. In 2015 KREIDLER'S collaboration with Sibylle Berg started, participating in touring lecture performance Der Tag, als meine Frau einen Mann fand, continued in 2018 supporting p≡p coop at re:publica#18, and in 2019 and 2020 for exclusives shows in Kassel respectively Augsburg.

KREIDLER composed soundtracks for Alexandra Sell's acclaimed movie Durchfahrtsland / Remote Area / Terre de Transit, for Tommy Pallotta's / Femke Wolting's The Last Hijack and it's extended online version - that was awarded with a Digital Emmy in 2015.
KREIDLER has an ongoing collaboration with Heinz Emigholz. Emigholz accompanied their album DEN in 2012/13 with 7 films. In 2014 KREIDLER contributed the music to The Airstrip. Emigholz' movie 2+2=22 (The Alphabet) is built around KREIDLER'S ABC recording session in Tbilisi, and premiered at the Berlinale film festival in 2017. In 2020 the band provided the score for The Last City.

In March 2019 KREIDLER celebrated the 10th anniversary of Mosaik 2014, with a remastered edition with an updated track list, and in a surround audio installation, Mosaik 2014 Seven Speakers, at italic Berlin. In Autumn 2019 KREIDLER released FLOOD. Forthcoming, in January 2022 is the album SPELLS AND DAUBS.

Zero

Kreidler

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