Krish Ashok gems

Nila Paithale (m)I olympian anthony atham

Now available on Spotify: https://open.spotify.com/album/5s4K799M4AgKPr2NkfCK3x
and Apple Music: https://music.apple.com/in/album/nilavinte-neelabhasma-feat-cv-bharadwaj-single/1628903101

An adaptation of the Malayalam song from Agnidevan (1995) originally sung by MG Sreekumar. 

Vocals: @bharadwaj-cv
Piano, violin, cello & bass: Krish Ashok

You can hear the original here - https://www.youtube.com/watch?v=d14ROIPH2Mw

Nilavinte Neelabhasma

VIDEO: https://www.youtube.com/watch?v=-lMW4-jO3Wk
Arnab Goswami is a man of depth. He unleashes rationality and factuality by assembling 5-6 experts every day night and interrupting them at every step. Subramaniam Swamy is a professional Dream Stealer whose task is to infiltrate the subconscious realm of Arnab's own kingdom and interrupt the interruptor, name-call the name-caller and implant the idea that it is possible to reduce prime time news to even more unimaginable depths of ridiculousness

To capture the essence of his genius, we have adapted Hans Zimmer's Time from Inception. 

The source material is largely from this - https://www.youtube.com/watch?v=FykqCkDDrW0

Interrupception

There is a political battle in India on whether or not to replace German with Sanskrit in schools. My response to that is a Sanskrit adaptation of Rammstein's Du Hast with lyrics by the brilliant Vaishnavi S

The guitar used is a BC Rich Kerry King Special 

Lyrics

त्वम्
माम्
त्वम् माम् नीतवती

त्वम्
माम्
त्वम् माम् नीतवती

त्वम्
माम्
त्वम् माम् पृष्टवती
त्वम् माम् पृष्टवती
त्वम् माम् पृष्टवती
अहम् च किमपि न उक्तवान्

आमरणम् त्वम् तदीय भविष्यति वा?
न
न
यावत् सा उद्युक्ता तावत् त्वम् तदीय भविष्यति वा? 
न
न
यावत् सा सुष्ठुः तावत् त्वम् तदीय भविष्यति वा?
न
न

Tvam

A Sanskrit adaptation of Blue Oyster Cult's "Don't Fear the Reaper" with lyrics by Vaishnavi S (http://twitter.com/utprekshaa) & SP Suresh (https://twitter.com/vajrabhrt)

The guitar parts were recorded in 6 separate layers and panned left and right. In the interlude, there is a key change from A to G and the raga playing there is Hemavathi. 

And oh, the wife did some of the backing vocals

Lyrics

All our times have come आगता अस्माकं कालाः 
Here but now they're gone आगम्य गता अधुना
Seasons don't fear the reaper ऋतवो मरणान्न त्रस्यन्ति  
Nor do the wind, the sun or the rain नापि वायुस्सूर्यो वर्षाणि च

Come on baby... Don't fear the Reaper आगच्छ प्रिये ... मृत्युम् मा भैषीः 
Baby take my hand... Don't fear the Reaper करमादत्स्व... मृत्युम् मा भैषीः
We'll be able to fly... Don't fear the Reaper उद्गच्छाव ... मृत्युम् मा भैषीः
Baby I'm your man अहं तवास्मि 

Valentine is done  मन्मथोत्सवस्तु नः 
Here but now they're gone परंतु तौ दूरं गतौ
Romeo and Juliet प्रेमलोकं प्राप्य
Are together in eternity... अनन्तसहवासः

Repeat chorus

Artwork credits: http://heylookadistraction.deviantart.com/art/Yama-jii-84521336

Mrityum Ma

G Saraswathi, my 74-old grand aunt, taught me more about the finer nuances of Carnatic music than my violin teachers & a collaboration with her has been long pending. This is a Trip Hop adaptation of Muthuswami Dikshathar's Sree Kanthimatheem set in Raga Hemavathi. The vocals were recorded in a single take. 

Pallavi:
Sri Kanthimathim Shankara Yuvathim
Shree Guruguha Jananeem Vandeham
 
Anupallavi:
Hreemkaara Beejaakaara Vadanaam Hiranya Manimaya Shobaa Sadanaam
Paaka Shaasanaadi Deva Vinutham Parashuraama Natha Hima Shaila Suthaam
Shuka Shounakaadi Sadaaraadhithaam Shuddha Thaamraparnee Thatasthithaam
Shankadyashtotthara Sahasra Kalashaabhisheekha Modaam Surahithaam
 
Meaning: (From T.K Govinda Rao’s book)
I prostrate before goddess Kantimati, the young (“Yuvathim”) bride of Sankara. I prostrate (“Vandeham”) before the mother (“Jananeem”) of Guruguha. Her face (“vadana”) is of the form (“akaara”) of mystic Bijakshara – Hreem. She is established in the lustrous (“shoba”) golden (“Hiranya”) mansion (“sadanam”) studded (“maya”) with gems (“mani”).She is extolled (“vinutham”) by Indra (“paaka shasanaa”) and other celestials (“deva”). She, the daughter (“suthaam”) of Himavan, is worshipped (“natha”) by Parashurama. She is always venerated (“araadhitham”) by Suka, Saunaka and others (“aadi”). She dwells (“sthithaam”) on the banks (“Thata”) of the crystal-clear (“shuddha”)  river Tamra Parni. She is anointed with holy waters from 108 (“Shankadyashtotthara”)  pitchers (“Kalasha”) and conches. She is benevolent (“modam”) to the celestials.  

Sree Kanthimatheem

North 24 Kaatham Movie Title Song - Thanaro - Sreenath Bhasi - Original Track

This is our own rendering of "Kaithola paya virichu" an old famous Malayalam traditional song.We have tried giving it a modern touch by starting off smooth and then taking it into a whole new level of grooves.Inspired from Masala coffee.
Hope you guys enjoy it !

Kaithola Paya Virichu By Madras Music Factory

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Paarake - Kilometers and kilometers

I take the ridiculous and the sublime, add cellos, violins, guitars and random internet collaborators to make music of sorts

Nilavinte Neelabhasma

Krish Ashok

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