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Kishori Mohan Das

Gita Govinda
Ashtapadi #11 
Dheera Sameere  

Lyrics 

rati-sukha-sāre gatam abhisāre madana-manohara-veśam |
na kuru nitambini gamana-vilambanam anusara taṃ hṛdayeśam ||1||

dhīra-samīre yamunā-tīre vasati vane vanamālī |
gopī-pīna-payodhara-mardana-caṃcala-karayuga-śālī ||dhruvapadam||

nāma sametaṃ kṛta-saṅketaṃ vādayate mṛduveṇum |
bahu manute nanu te tanu-saṅgata-pavana-calitam api reṇum ||2||

patati patatre vicalati patre śaṅkita-bhavad upayānam |
racayati śayanaṃ sacakita-nayanaṃ paśyati tava panthānam ||3||

mukharam adhīraṃ tyaja mañjīraṃ ripum iva kelisu lolam |
cala sakhi kuñjaṃ satimira-puñjaṃ śīlaya nīla-nicolam ||4||

urasi murārerupahita-hāre ghana iva tarala-balāke .
taḍid iva pīte rati-viparīte rājasi sukṛta-vipāke ||5||

vigalita-vasanaṃ parihṛta-rasanaṃ ghaṭaya jaghanam api dhānam .
kisalaya-śayane paṅkaja-nayane nidhim iva harṣa-nidānam ||6||

harirabhimānī rajaniridānīm iyam api yāti virāmam .
kuru mama vacanaṃ satvara-racanaṃ pūraya madhuripu-kāmam ||7||

śrījayadeve kṛtahariseve bhaṇati parama-ramaṇīyam .
pramudita-hṛdayaṃ harim atisadayaṃ namata sukṛta-kamanīyam ||8||



______________________________________________________

C 1 rati sukha sArE gatamabhi sArE madana manOhara vESam
nakuru nitambini gamana vilambana manusaratam hrudayESam
dheera sameerE yamunAteerE vasati vanE vanamAlee
gOpee peena payOdhara mardana chanchala karayuga SAlee ||  Oh dear Radha, go quickly to meet your beloved Krishna who is beautiful like Manmadha.The breeze is blowing gently. Krishna is waiting in Brundavana on the bank of Yamuna river. His hands play on the breasts of Gopikas.  
C 2 nAmasamEtam kruta sankEtam vAdayatE mrudu vENum
bahu manutE nanutE tanu sangata pavana chalitamapi rENum||dheera||  Krishna is playing flute calling your name, indicating where he was waiting for you. He admires even the breeze passing over you and reaching him.  
C 3 patati patatrE vichalati patrE Sankita bhava dupayAnam
rachayati Sayanam sachakita nayanam paSyati tava pandhAnam||dheera||  He is alarmed even when a feather or dry leaf drops. He is setting on bed of tender leaves and is excited about your arrival.  
C 4 mukhara madheeram tyaja manjeeram ripumiva kELishu lOlam
chala sakhi kunjam sa timira punjam Seelaya neela nichOLam||dheera||  Oh Radha, leave off your anklets lest they make noise when you meet him. Please go to that bower during night in black dress.  
C 5 urasi murArE rupahita hArE ghanaiva taraLa balAkE
taTidiva peetE rati vipareetE rAjasi sukruta vipAkE||dheera||  When you meet Krishna your pearl necklaces fall on his chest. You shine like lightening on his chest which resembles dark clouds with white Sarasa birds.  
C 6 vigaLita vasanam parihruta rasanam ghaTaya jaghanamapidhAnam
kisalaya SayanE pankaja nayanE nidhimiva harsha nidAnam||dheera||  Your eyes are beautiful like lotus flower. You are treasure of beauty lying on bed of tender leaves. You are bestower of happiness.  
C 7 harirabhimAnee rajani ridAnee miyamapiyati virAmam
kuru mama vachanam satvara rachanam pooraya madhuripu kAmam||dheera||  Krishna is a person with self-respect. The night is ending He would be angry if you make delay. Go soon and fulfill his wish.  
C 8 Sri jayadEvE kruta harisEvE bhaNati parama ramaNeeyam kamaneeyam
pramudita hrudayam harimati sadayam samata sukruta||dheera||  Poet Jayadeva tells this delightful story of love between Radha and Krishna with utmost devotion. Oh devotees, bow to the most benevolent lord Krishna with pious hearts. 


______________________________________________

अष्टपदि ११ -साकांक्श पुंडरीकोत्कधा मधुरम्



रतिसुखसारे गतमभिसारे मदनमनोहरवेशम् ।
न कुरु नितम्बिनि गमनविलंबनमनुसर तम् हृदयेशम् ।
गोपी पीनपयोधरमर्दनचंचलकरयुगशाली ।
धीर समीरे यमुना तीरे वसति वने वनमाली - धृवम्॥ अ प ११-१

प-छे :- रति सुख सारे गतम् अभिसारे मदन मनोहर वेशम् न कुरु नितम्बिनि
गमन विलंबनम् अनुसर तम् हृदय ईशम् गोपी पीन पयोधर मर्दन
चंचल कर युग शाली धीर समीरे यमुना तीरे वसति वने वनमाली

a pa 11-1. hè nitambini= oh, high-hipped one, Rādha; rati sukha saare= [a place which has] connubial, blissful, quintessentially; abhisaare gatam= in preset place, he has gone in [available]; madana manohara vesham= in an arousing, lovely, mien [here, veSam is not getup; not like Lovegod's getup, as he is formless to wear any getup; even if it is so, it is an inferior getup than that of Krishna ]; na kuru= don't, do; gamana vilambanam = in going, delay; anusara tam hR^idaya iisham= follow, him, [your] heart's, lord; gopii = milk maids; piina payodhara= bosomy, busts [hence the milkmaids are too cocky, with vanity]; mardana= [lexically] in massaging [or, manipulate, to engineer of, to artifice] ; ca.ncala= moving [active, or, have a sleight of hand]; kara yuga shaalii= hands, a couple of, he who is having;

reprise: dhiira samiire= in gentle, wind [breezy]; yamunaa tiire= on Yamuna, riverbank; vasati vane= located in [lingering in,] garden; vanamaalii = one who wears leafy garland, Krishna.

"Oh, high-hipped Rādha, he is now available in that preset place, a quintessentially blissful place for connubial bliss, with his lovely and heart-stealing mien; hence go nigh of the lord of your heart who alone has a couple of hands that have a sleight of hand to engineer the busty bosoms of milkmaids of their vanity... don't linger to go... for Krishna is lingering in that breezy garden on that riverbank of Yamuna... [a pa 11-1]


नामसमेतम्कृतसंकेतम्वादयतेमृदुवेणुम् ।

बहुमनुतेननुतेतनुसंगतपवनचलितमपिरेणुम्॥ अ प ११-२

प-छे :- नाम समेतम् कृत संकेतम् वादयते मृदु वेणुम् बहु मनुते
...ननु ते तनु संगत पवन चलितम् अपि रेणुम्

a pa 11-2. hè raadhe; te naama sametam= your, name, coupled with [while fluting he uses your names as lyrics, and that flute sings 'ha, Rādha, 'o, beauty, o, goddess of love etc]; kR^ita sa.nketam = made, indication [he made an indication to bring you to that preset bower where he will be fluting; or, kR^ita sa.nketam vaadayate mR^idu veNum= to make, indication, he plays, softly; [he indicates his place of tarrying with his soft fluting]; nanu= definitely; te tanu sa.ngata= to your, body, attached; pavana chalitam api reNum= by air, moved, even, particle [of pollen etc]; bahu manute [aalingane]= highly, dotes on, [to embrace]; reprise: dhiira samiire &c

"O, Rādha, he uses your lyrical names as the lyrics of his fluting; he indicates himself with such a soft fluting; he dotes on to embrace any particle of pollen vagrant from your body, when air wafts them to his near, then why harping about your embrace... so, doesn't linger to go... [a pa 11-2]


Due to the limitation on the number of characters that can be posted here, the rest of the ashtapadis in this sarg can be found at this URL

http://www.facebook.com/media/set/?set=a.2605764595641.2099496.1600702242&type=3#!/photo.php?fbid=2610282148577&set=a.2605764595641.2099496.1600702242&type=3&theater

Dheera Samire by Pandit Raghunath Panigrahi

A spiffy rendition of Vedic Hare Krsna chant, accompanied with Srila Prabhupada's masterly commentary on the meaning, purpose, effect & goal of this chanting. I bet you, you'll play it in loops!
[Download Enabled]

Awesome Chanting With Description : HH Maha-Vishnu Swami (@CONGO)

This track is from the album One Voice, One Heart and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/sriprahlada

Reunion (Maha Mantra)

'Krishna Govinda Gopala Nandalal' - Ojasvi das

Written by Srila Bhaktivedanta Narayan Goswami Maharaj
Sung by Sudevi Devi Dasi
lyrics: http://kksongs.org/songs/v/vrajajanamanasukhakari.html

Vraja Jana Mana Sukha Kari

Gracefully Sung by HG Rangaraja Prabhu and Family. Credits also go to HG Shabda Hari Prabhu for making this recording. This recording was made during the early days of ISKCON Jagannath Mandir, Bengaluru. Other tracks that I have are available on my profile, Yhs

For The Wellbeing of His Holiness Jayapataka Swami.

narasimha-kavacham vakshye
prahladenoditam pura
sarva-raksha-karam punyam
sarvopadrava-nashanam

sarva-sampat-karam chaiva
svarga-moksha-pradayakam
dhyatva narasimham devesham
hema-simhasana-sthitam

vivrtasyam tri-nayanam
sharad-indu-sama-prabham
lakshmyalingita-vamangam
vibhutibhir upashritam

catur-bhujam komalangam
svarna-kundala-shobhitam
saroja-shobitoraskam
ratna-keyura-mudritam

tapta-kancana-sankasham
pita-nirmala-vasasam
indradi-sura-maulishthah
sphuran manikya-diptibhih

virajita-pada-dvandvam
shankha-chakradi-hetibhih
garutmata cha vinayat
stuyamanam mudanvitam

sva-hrt-kamala-samvasam
krtva tu kavacham pathet
nrsimho me shirah patu
loka-rakshartha-sambhavah

sarvago ’pi stambha-vasah
phalam me rakshatu dhvanim
nrsimho me drshau patu
soma-suryagni-lochanah

smrtam me patu naraharih
muni-varya-stuti-priyah
nasam me simha-nashas tu
mukham lakshmi-mukha-priyah

sarva-vidyadhipah patu
nrsimho rasanam mama
vaktram patv indu-vadanam
sada prahlada-vanditah

narasimhah patu me kantham
skandhau bhu-bhrd ananta-krt
divyastra-shobhita-bhujah
narasimhah patu me bhujau

karau me deva-varado
narasimhah patu sarvatah
hrdayam yogi-sadhyash cha
nivasam patu me harih

madhyam patu hiranyaksha-
vakshah-kukshi-vidaranah
nabhim me patu naraharih
sva-nabhi-brahma-samstutah

brahmanda-kotayah katyam
yasyasau patu me katim
guhyam me patu guhyanam
mantranam guhya-rupa-drk

uru manobhavah patu
januni nara-rupa-drk
janghe patu dhara-bhara-
harta yo ’sau nr-keshari

sura-rajya-pradah patu
padau me nrharishvarah
sahasra-shirsha-purushah
patu me sarvashas tanum

manograh purvatah patu
maha-viragrajo ’gnitah
maha-vishnur dakshine tu
maha-jvalas tu nairrtah

pashchime patu sarvesho
dishi me sarvatomukhah
narasimhah patu vayavyam
saumyam bhushana-vigrahah

ishanyam patu bhadro me
sarva-mangala-dayakah
samsara-bhayatah patu
mrtyor mrtyur nr-keshari

idam narasimha-kavacham
prahlada-mukha-manditam
bhaktiman yah pathenaityam
sarva-papaih pramucyate

putravan dhanavan loke
dirghayur upajayate
yam yam kamayate kamam
tam tam prapnoty asamshayam

sarvatra jayam apnoti
sarvatra vijayi bhavet
bhumy antariksha-divyanam
grahanam vinivaranam

vrshchikoraga-sambhuta-
vishapaharanam param
brahma-rakshasa-yakshanam
durotsarana-karanam

bhuje va tala-patre va
kavacam likhitam shubham
kara-mule dhrtam yena
sidhyeyuh karma-siddhayah

devasura-manushyeshu
svam svam eva jayam labhet
eka-sandhyam tri-sandhyam va
yah pathen niyato narah

sarva-mangala-mangalyam
bhuktim muktim cha vindati
dva-trimshati-sahasrani
pathet shuddhatmanam nrnam

kavachasyasya mantrasya
mantra-siddhih prajayate
anena mantra-rajena
krtva bhasmabhir mantranam

tilakam bibhriyad yas tu
tasya graha-bhayam haret
tri-varam japamanas tu
dattam varyabhimantrya ca

prasayed yo naro mantram
narasimha-dhyanam acharet
tasya rogah pranashyanti
ye cha syuh kukshi-sambhavah

kimatra bahunoktena
narasimha sadrsho bhavet
manasa chintitam yattu 
sa tacchapnotya samshayam

garjantam garjayantam nija-bhuja-patalam sphotayantam hatantam
dipyantam tapayantam divi bhuvi ditijam kshepayantam kshipantam
krandantam roshayantam dishi dishi satatam samharantam bharantam
vikshantam purnayantam kara-nikara-shatair divya-simham namami

iti shri-brahmanda-purane prahladoktam shri-narasimha-kavacam sampurnam

Sri Narasimha Kavacha Stotra

Nitai Gauranga

Song Name: Nitai Pada Kamala
Official Name: Nityananda Nistha Song 1; Mana Siksa
Author: Narottama Dasa Thakura
Book Name: Prarthana
Language: Bengali
 
LYRICS:
(1)
nitāi-pada-kamala, koṭi-candra-suśītala
je chāyāy jagata jurāy
heno nitāi bine bhāi, rādhā-kṛṣṇa pāite nāi
dṛḍha kori' dharo nitāir pāy
 
(2)
se sambandha nāhi jā'r, bṛthā janma gelo tā'r
sei paśu boro durācār
nitāi nā bolilo mukhe, majilo saḿsāra-sukhe
vidyā-kule ki koribe tār
 
(3)
ahańkāre matta hoiyā, nitāi-pada pāsariyā
asatyere satya kori māni
nitāiyer koruṇā habe, braje rādhā-kṛṣṇa pābe
dharo nitāi-caraṇa du'khāni
 
(4)
nitāiyer caraṇa satya, tāhāra sevaka nitya
nitāi-pada sadā koro āśa
narottama boro dukhī, nitāi more koro sukhī
rākho rāńgā-caraṇera pāśa
 
TRANSLATION
1) The lotus feet of Lord Nityananda are a shelter where one will get the soothing moonlight not only of one, but of millions of moons. If the world wants to have real peace, it should take shelter of Lord Nityananda. Unless one takes shelter under the shade of the lotus feet of Lord Nityananda, it will be very difficult for him to approach Radha-Krsna. If one actually wants to enter into the dancing party of Radha-Krsna, he must firmly catch hold of the lotus feet of Lord Nityananda.
 
2) Anyone who has not established his relationship with Nityananda Prabhu is understood to have spoiled his valuable human birth. Such a human being is actually an uncontrollable animal. Because he never uttered the holy name of Nityananda, he has become merged into so-called material happiness. What can his useless education and family tradition do to help him?
 
3) Being maddened after false prestige and identification with the body, one is thinking, oh, what is Nityananda? What can He do for me? I don't care. The result is that he is accepting something false to be truth. If you actually want to approach the association of Radha-Krsna, you must first achieve the mercy of Lord Nityananda. When He is merciful toward you, then you will be able to approach Radha-Krsna. Therefore you should firmly grasp the lotus feet of Lord Nityananda.
 
4) The lotus feet of Nityananda are not illusion; they are a fact. One who engages in the transcendental loving service of Nityananda is also transcendental. Always try to catch the lotus feet of Lord Nityananda. This Narottama dasa is very unhappy, therefore I am praying to Lord Nityananda to make me happy. My dear Lord, please keep me close to Your lotus feet.

Ten Million Moons (Nitai Pada Kamala) by Sri Gauravani

Recorded live at Manly Yoga in August 2010

Kirtan Hare Krishna by Sri Prahlada

Kishori Mohan Das, Jagannath Astaka

Kishori Mohan Das, Jaya Radha Madhava

Kishori Mohan Das, Hare Krishna Maha Mantra

Kishori Mohan Das, Hari Haraye namaha

Kishori Mohan das and Sudevi - Hare Krishna

Hare Krishna                  

Kishori Mohan Das, Jaya Shri Krishna Caitanya & Hare Krishna

Hindi Bhajans                 

Kishori Mohan Das, Jay Jay Radha Ramana Haribol

The occupational activities a man performs according to his own position are only so much useless labor if they do not provoke attraction for the message of the Personality of Godhead.
Srimad Bhagavatam 1.2.8

Kishori Mohan Das, Jay Jay Radha Ramana Haribol

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