Lanternbones

Warm and radiant. This track celebrates the joy and courage of stepping into a new day, with uplifting textures and soft rhythm.
Energy without rush. Presence without noise.

Rising Sun

[Verse 1]
How do you say I love you
When you know they’ll look away?
When the moment’s passed, the door is shut
And words just float astray?
How do you shout I love you
When it echoes back as shame?
When silence hugs the air so tight
You’re scared to speak its name?

[Chorus]
So I hold it like a secret
Buried deep beneath my skin
A truth too loud to whisper
But too sacred to give in
If I say it—will it vanish?
If I don’t—will it remain?
How do you say I love you
When it only brings you pain?

[Verse 2]
How do you say I love you
When the one you love won’t hear?
When “I miss you” sounds pathetic
And “I’m sorry” feeds their fear
How do you still keep hoping
When the facts all say you can’t?
When you’re dancing with delusion
But you never learned to plant?

[Chorus]
So I hold it like a secret
Carved in pages I don’t send
A prayer I tell the night sky
That will never reach its end
If I scream it—will it cheapen?
If I write it—will it fade?
How do you say I love you
When there’s nothing left to say?

[Bridge]
Why do words mean more to some
And to others just feel light?
Why does love become a burden
When it once had given flight?
Why does pain become a prison
When it only wants release?
Why can’t we just say I love you
And let that be our peace?

[Final Chorus]
So I sing it through the silence
In a song you’ll never hear
But it’s all I have to offer
And it’s all I hold dear
If I never say I love you
Know it still beats in my chest
How do you say I love you
When your heart won’t let it rest?

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How Do You Say I Love You (When It’s Already Too Late)

Text:
[Verse]
He died in a rocket crash on Mars
They gave me his military records
And I saw my name
He had a secret family with me

[Verse]
They brought his body back to Earth
I opened the casket and
I saw his face
He had a secret family with me

(Instrumental-Part)

[Chorus]
I want to love you for a long time
I want to see your face
You are the most important thing to me
And I love you

[Bridge]
He was already married
He had a son and a daughter
He was in the Air Force
I thought he was in the Army
He had a secret family with me

(Solo)

[Verse]
His body was on display in an open casket
His parents asked me not to come
But I couldn't miss it
He had a secret family with me

[Verse]
I saw his wife at the funeral
She looked just like me
They all thought it was a coincidence
He had a secret family with me

My Secret Family

Música Henri Salvador
Saxofone Daniel Vissotto
Voz Anna Carolina Rimoli
Arranjo Daniel Vissotto

Jardin D'hiver (Henri Salvador) [Releitura]

A slow-burning, intimate confession from the perspective of a man who loves through possession and pain. Acoustic-driven and darkly poetic, The Sadist explores the sacred violence of surrender, devotion, and emotional dominance. Calm, spiritual, and quietly terrifying. Inspired by the writings of Avsolen.

The Sadist

I went to Alaska in winter, not for an adventure—
but because I didn’t want to be alive anymore.
I thought maybe if I disappeared into the snow, no one would have to find me.

Over 300 planes have gone missing or crashed in Alaska. I found one of them when I was ready to vanish—and it made me want to stay

And I wouldn’t have to explain.

It was so quiet out there. No cell signal, no noise. Just wolves in the distance.
I hadn’t seen another person in days when I found it—a plane wreck, buried in the snow.
Half-sunken in a drift, broken open like it had been forgotten by time.
The fuselage looked like a ribcage. The cold had softened everything.

Inside, there was no blood. No bodies. Just rust and frost.
But it felt… inhabited. Not haunted in the scary way—
Haunted in the holy way.
Like the people who’d been there hadn’t left completely.
Like the wolves were keeping their memory safe.

I didn’t touch anything. I just sat there in the snow.
And for the first time in a long time, I didn’t want to vanish.
There was something beautiful about how the wreck hadn’t been erased.
How the forest just held it. How the silence wrapped it gently.

I thought:
Maybe the point isn’t to be saved.
Maybe it’s just to be witnessed.
And maybe the broken things—like planes, like people—don’t have to be thrown away.
Maybe they just rest. And become part of the evergreen.

That’s where Ghosts in the Evergreen came from.
A song for what’s been lost. And what quietly chooses to stay.

Ghosts in the Evergreen

“I Talk to Satellites” is a love song born in a lonely October.
We didn’t meet on purpose. We weren’t looking for anything—just trying to feel a little less alone.

It started with kindness. A comment. A message.
We sent each other photos of clouds. Talked about tea and music and grief.
I never saw their face. But I felt seen.

This song is for the people who’ve met someone through the glow of a screen—
who found connection in a username,
who typed out their truth to a stranger
and slowly realized they were being heard.

Two years later, we’re still together.
And I still think kindness is a kind of signal.
Maybe even a kind of God.

I talk to satellites

Lanternbones is a hymn for the ones who carry light in the places that broke them. It drifts through ghosted memories and quiet strength, where every bone is a lantern—glowing not despite the darkness, but because of it. With ethereal textures, hushed vocals, and echoing harmonies, it feels like walking through a forest of what-ifs, guided only by the glow of what you survived.

Coldplay’s Ink always left something open—like a letter never finished, or a name whispered into the wind. It felt like heartbreak without blame. Like trying to trace someone who was never yours to hold.

Ink on the Wind is my answer to that ache.

Where Coldplay sang about chasing someone through time and maps and memories, I wanted to write about letting go. About what happens when you stop running and just watch the wind carry what’s left.

This song is for the words we were too scared to say.
For the names we never stopped writing in the air.
For the love that didn’t vanish—just drifted.

It’s not about getting them back, but letting them go because that’s what they need.

Ink on the Wind

Ash and Ember is not a phoenix story—it’s something older, wilder. This track carries the heat of grief, the smoke of memory, and the quiet rage of rebuilding. It’s for anyone who was told they were ruined when they were really remaking themselves. No perfect rise. Just roots that held through fire, breath that stayed through smoke, and a name no one could take.

A dream pop confession in flame and silence—where the forest doesn’t burn down, it becomes something else entirely.

Ash and Ember

“You Tried to Fix Me” is my response to Coldplay’s Fix You.
That song is beautiful—but I always felt like healing isn’t about someone saving you.
Sometimes, it’s about being seen without being solved.

This isn’t a song about blame. It’s about what happens when love comes with good intentions,
but not enough listening.
Not everyone needs to be rescued.
Some of us just need space to bloom—softly, quietly, and on our own terms.

I wasn’t broken.
Just buried.
Now blooming in the darkness.

You Tried to Fix Me

Told You So

A quiet holiday becomes a slow unraveling.
Rain outside, silence within.
Two people grow distant without knowing how or when.
The words are few, the days long,
and what remains is the feeling of something quietly slipping away.

Clouds over Chalet 9

Волны Океана (Твоя музыка)

Cover By Cha "Come away with me"
Norah Jones
Acoustic 
Guitar 

Cover By Cha "Come away with me" Norah Jones Acoustic  Guitar

Kristen Banana writes songs like whispered confessions. True, raw and honest. 
Dream pop, emotional alt, and soft-spoken hauntings from a life rewritten more than once.
Survivor of violence, survivor of silence, believer in the glow of the soul. 
Not here to shine—just to stay.
🕯️ ethereal. powerful. honest.
New album Lanternbones and Ghosts out August 1 on all streaming services. Listen early on SoundCloud.

Ash and Ember

kristen banana

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