Compilation of tracks produced between 2012 and 2017 and written originally for electronics and clarinet.
Out on all platforms August 12th, 2021
https://kronodigger.bandcamp.com/album/good-times

Tracklist:
1. Fantasy No1
2. I Like You
3. Space Jump
4. Amphibian
5. Music Box
6. Phoenix
7. Into the Green
8. Star Odyssey

Good Times album

PLEASE READ: https://fatkidonfire.com/label/fkxf006

EP showreel - https://soundcloud.com/fatkidonfire/platypus-fkxf006-fkof-promo
FKxF006 promo mix - https://soundcloud.com/fatkidonfire/platypus-x-fatkidonfire-fkxf006-promo-mix

@platypus010
https://fatkidonfire.com
https://fkofd.bandcamp.com
https://instagram.com/platypus_010

FatKidOnFire Mix

FKxF006 promo mix

Free DL

Platypus x FatKidOnFire (FKxF006 promo) mix

Woes

Woes EP

Space Horror VIP

✝ Temple.Prayer ✝
@ra_in

Aleksandr Rain began play techno as dj at late '90s. In 2000 together with Krankiss he launched promo-group Art of Music which first in Saint-Petersburg (Russia) started organize regular hard techno parties. From 2006 Aleksandr played as hardware live-project Mental Distortion. In 2009 he joined as electronic part to ethno-electronic project Kamennoe More.  In 2012 Rain leave Russia and went to Asia where he residence at present days (currently in Vietnam).
Artist prefer more hardest substyles of techno with offbeat rhythms and IDM elements.

Find out more about artist and his projects: 
https://www.facebook.com/rain.techno 
https://www.mixcloud.com/ra_in/
https://ra.co/dj/aleksandrrain

Check more prayers at:
soundcloud.com/templerec/sets/temple-prayer
www.templerec.com

Temple.Prayer #120 Rain

While this may be the first release on Sheffield’s Central Processing Unit from Global Goon, the one known to friends and family as Johnny Hawk brings a whole heap of experience to the Nanoclusters mini-LP.

Hawk started dropping Global Goon records on the legendary Rephlex Records back in the 1990s. The project’s subsequent releases have taken in imprints as esteemed as WéMè and Balkan. Factor in a whole host of other aliases which have delivered missives via the likes of Planet Mu, and you know even before you press play on this witty, wily record that you’re dealing with a master at work here.

The confidence with which Global Goon approaches Nanoclusters shines through in Hawk taking much of the mini-album at midtempo. Cuts like ‘Khroxic Mould’, ‘Metallik’ and ‘Syntheseers’ sound like Bochum Welt heading down a dark alleyway. The former in particular is a seasick lope, the tuned synths lurching around like sailors on deck in a storm as bass ebbs and flows underneath the mix. 

The influence of Kraftwerk comes through prominently at times here, particularly in the way ‘Calcula’ and ‘Digit Six’ play pensive, slightly sombre synth chords off some simple but effective forward motion in the drum programming. That is not to say that Nanoclusters is not full of invention, though. None of the productions are overly flash, but this approach allows the little details to shine through more clearly, from cleverly panned hi-hats to hissing synth counter-melodies which flit in and out of the mix. Enthralling and packed full of ear candy, they’re further evidence that Nanoclusters is the work of an expert craftsman.

While the pulse of Nanoclusters remains relatively steady throughout, it’s still a rather lively record. Plenty of these tracks will get the dancefloor moving if deployed correctly - though whether they’re heard at home or in the dance, it’s the attention to detail which makes them stand out.

‘Snapterisk’ is as perfect an example of machine-funk as you’re likely to find - the drum programming is razor-sharp but rubbery with bongos, the bass a lithe burble, and those wobbly stabs of keys that put a bit of wiggle in the beat? Delightful stuff. Elsewhere the ever-looping arpeggio of ‘Metro Esc’ has hints of Frankie Knuckles’ house classic ‘Your Love’, though an array of interesting sonic nuggets - snippets of vocal, radar-like bloops, a gently insistent low-end pulse - soften the track’s clubbier elements with a pillowy sheen. And Hawk throws us a curveball right at the end of Nanoclusters, tapping back into that old Rephlex sound for the fizzy, braindancing ‘Metal Glass’.

Global Goon doesn’t need to show off on Nanoclusters - from brilliantly slick machine-funk to Kraftwerkian reveries, the CPU debutant lets the music do the talking here. It makes for a confident and vivacious mini-LP, one which wears its expertise lightly.

RIYL: Cardopusher, Bochum Welt, Cygnus, D’Arcangelo

Nanoclusters

Global Goon - Nanoclusters

Jonny From Space is the moniker of Miami-based producer, DJ, and co-founder of Impacto, Jonathan Trujillo.

After two EP’s on Omnidisc and a few more self-released, Incienso is excited to announce his debut solo LP, ‘back then I didn’t but now I do’.

Loping drum loops, warbling synth lines, sun-streaked pads and voice amble into the depths  of the humid world Jonny’s music inhabits, where tempos shift and often float off into the ether altogether.

In the words of JFS himself- this album is “built 2 chill”

All songs written and produced by Jonathan Trujillo 
Mastered and Lacquer cut by Anne Taegert @ Dubplates and Mastering
Artwork Josh Abramovici 
Distributed by WordandSound Sales@wordandsound.net

“Crystal Eyes” is taken from Jonny From Space ‘back then I didn’t but now I do’ LP

ORDER: Vinyl 12"/Digital:
inciensorecs.bandcamp.com/album/back-t…but-now-i-do
Out Feb 9th, 2024
INC-026

Jonny From Space 
@jonnyfromspace
www.instagram.com/jonnyfromspace/
@jonnyfromspace

Incienso 
www.inciensorecs.bandcamp.com 
www.instagram.com/inciensorecs www.incienso.nyc

Jonny From Space - Crystal Eyes [INC-026]

Rinse FM Podcast

Hessle Audio feat. Pearson Sound - 18 March 2024

>>> Check the video here: https://youtu.be/K1WpBaWdP2k <<<

Windows 95 Theme

I was sounding.
http://www.youtube.com/watch?v=ks3MFShdhDo
http://www.youtube.com/watch?v=oCcG__vpgZE


Mao_xebec 

http://www.youtube.com/ma0412
http://flavors.me/mao_xebec

Taken from the album 'Ingrid' released as one sided LP and digital

Klara Lewis 'Ingrid (excerpt)' (EMEGO 270)

Taken from the album 'Akkosaari' released as LP and Digital.

Auvinen 'Usvassa Eksyminen' (EMEGO 286)

Supported by NOISIA, Encrypted Audio, Silent Motion

Album and EP RELEASES:

LOST LANGUAGE - https://kronodigger.bandcamp.com/album/lost-language
label: self-released, type: album, date: Mar 01, 2019

Parasyte - https://www.beatport.com/track/parasyte-original-mix/11341586
label: Division, type: single, date: Dec 07, 2018

Surreal // Addicted - https://silentmotionrecords.bandcamp.com/album/surreal-addicted
label: Silent Motion, type: EP, date: Apr 05, 2018

ENC032 - Kronodigger - https://buy.encryptedaudio.com/album/enc032-kronodigger
label: Encrypted Audio, type: album, date: Mar 26, 2018

ENCLP001 - TROP - https://buy.encryptedaudio.com/album/enclp001-trop
label: Encrypted Audio, type: album, date: Feb 1, 2017

ENC015 - Kronodigger - https://buy.encryptedaudio.com/album/kronodigger-enc015
label: Encrypted Audio, type: EP, date: May , 2016


PLAYABLE TRACKS for clarinet and electronics (music and score):

I Like You - https://kronodigger.bandcamp.com/album/i-like-you
Amphibian - https://kronodigger.bandcamp.com/album/amphibian
Space Jump - https://kronodigger.bandcamp.com/album/space-jump

signed to "Encrypted Audio".
Alexey Gorokholinsky (aka Kronodigger), comes from professional classical music background. Praised as one of the very best clarinetists of his time, Alexey is alumni of both The Juilliard School and special artist program of Carnegie Hall - CONNECT. His passion for electronic music took roots when he was only 12 years old, being exposed to an extreme variety of traditional, experimental, and underground electronic music genres thanks to Russian pirate radio stations. 
In 2009 he began composing his first album for electronics and clarinet while still at the Juilliard School. 
In 2015 he got signed to label Encrypted Audio and saw the release of his first EP “ENC 015”. Since then, the label has gotten a big recognition in dubstep and bass music community as “the label with the most forward-thinking artist roster”. 
Same year Alexey has started collaborating with a highly praised NY dance theater company Sidra Bell Dance New York. DJ-ing for company’s dance modules, he was offered to compose a full score for 1.5 hour dance show premiere “LOSTLANGUAGE”. The collaboration resulted in 8 live performances at Baruch Performing Arts Center in June 2016.
August 2016 Alexey combined forces with experimental dubstep producer Fill Spectre and they created their project TROP, that was initiated to push the boundaries of sound design and bass music even further. In February 2017 their full length self-titled album saw release on Encrypted Audio as the very first full length album of the label. The album got reviews from magazines such as Igloo and was described as “outward-bound, bass-driven electronic album that baffles preconceived notions of breakcore/dubstep terrain”.
In December of 2017 Alexey and his collaborator clarinetist Sebastian Lambertz took their project “Clarinet & DJ” on a tour to Taiwan. The project consisted of Alexey’s dance-like tracks with composed clarinet parts. The tour consisted of 6 shows and took the duo to such places as Taipei, Taichung, Kaohsiung, and other cities.
Kronodigger’s sound has been getting recognition and support among many artists in the bass music community including famous trio “Noisia” with the feature on their radio show.
2018 sees another busy year with Kronodigger awaiting releases of his 5 track EP on Encrypted Audio, 2 track EP on label Silent Motion, and another collaboration with Sidra Bell’s dance company for the show “FRICTION” scheduled for June 2018.

Good Times album

Kronodigger

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