A Mountain Is an Idea

Double Language

Tête-à-tête

For Ruth

The Expanding Universe

East River Dawn

From the double LP, Mirvariates

TTT066

@metasplice

Mirvariates

TTT SHOP

Metasplice – Teleric

You can learn to play this piece. FREE scores and parts, among other materials, are available online: kronosquartet.org/fifty-for-the-future

Composed by Jlin
Arranged by Jacob Garchik
© 2018 Inner Sunset Publishing
℗ 2019 Kronos Performing Arts Association
Commissioned for Fifty for the Future: The Kronos Learning Repertoire

Produced by Kronos Quartet and Reshena Liao
Recorded August 2018 at 25th Street Recording, Oakland, CA
Engineered by Zach Miley
Assistant engineer: Gabriel Shepard
Mixed by Zach Miley and David Harrington at Decibelle Recording, San Francisco, CA

Little Black Book

Jlin - Little Black Book

Area Under a Curve

Desertshores (Memorial Mix) is an exclusive remix of the track from 'Desertshores  / The Final Report' double album release. The track is a gathering of the voices of thirty five of Sleazy's friends and acquaintances. The lyrics are simply "Meet me On The Desertshore". A full list of contributors is here > http://127.0.0.1:53932/industrialrecords/industrialrecords/xtg-desertshores.html

Promo Videos:
https://vimeo.com/49072037 
https://vimeo.com/49072036
Released on Industrial Records 26th November 2012.

Desertshore

Desertshores (Memorial Mix)

Buy Album Here

Final track on 'Mechanosphere', Cam Deas' debut album for The Death of Rave

Available on CD and download from Boomkat.com 31/10/19
https://soundcloud.com/camdeas

Mechanosphere

Solitude

Cam Deas - Solitude [RAVE029]

Pure Expenditure

Poortgebouw

[BD013] 12“ LP & digital
Tomoko Sauvage – Fischgeist (LP)
This is a preview of three songs. You can purchase the whole album (LP & digital) on Bandcamp.

Label: bohemian drips
Release date: October 16th 2020
Genre: Ambient, Sound Art, Experimental

Fischgeist was recorded in a former water tank in Berlin-Prenzlauer Berg in August 2019. The nineteenth-century brick building consists of five layered circles, with a spiral staircase in the middle leading up to an exit to a hilltop. Inside, it's humid and cold, the temperature always around 8–10 ℃. The building’s acoustics produce a long reverberation that lasts up to 20 seconds.

‘One day between recording sessions, a man, a passerby, wanted to look inside the building. He told me that it used to be full of fish. For a second I imagined a huge round aquarium with loads of fish swimming around in circles. Then I realized that he meant dead fish were kept there, to be sold on markets during the GDR era. But the image of fish swimming in the space stayed with me.’

In conversation with the space of the water tank, Tomoko Sauvage searches beyond the limits of her self-invented ‘natural synthesizers’: porcelain and glass bowls, filled with water and amplified with hydrophones.

While she continues to develop some of the classic techniques heard on her previous album Musique Hydromantique (Shelter Press, 2017) – hydrophonic feedback (Kinetosis Study) and ‘fortune biscuits’ (porous pieces of terracotta that emit tiny singing bubbles) (Deluge) – here new elements are combined with delicate gestures to make curious noises: stroking bowls’ surfaces to imitate the voices of sea mammals (Metamorphosis), drawing dots and circles by rubbing stones against stones underwater (Exit) …

The underwater amplification of quasi-inaudible sound is even more magnified in the air by the echo of the water tank. Not only tiny bubbles, but also micro-movements of the bones and veins of the hand holding the sonorous objects in the water, are intensely amplified – sounding like a tempest on the opening Deluge.

Sauvage's longtime research into hydrophonic feedback develops with her new obsession with natural harmonics and sympathetic resonance. In Flying Vessels, the percussive notes of struck bowls resonate and turn into feedback loops before decaying, fueled by electric signal gain. Kinetosis Study is a sonic etude on fluid dynamics – the flow velocity, pressure and density of manually shaped water waves directly controlling the aquatic synthesizer's parameters.

August, when the mid-summer Ghost Festival is held, is traditionally known as the Ghost Month throughout East Asia. The spirits of the dead visit their living families, who welcome them with feasts, dancing and music. Miniature lantern-laden boats are released in rivers, to help lost ghosts find their way home.

Animated by formless matter – water, electricity, sound – Fischgeist celebrates a phantasmagoric journey, as the souls of aquatic lifeforms find their way out of the labyrinth of the water tank.

[Tracklist]

Total Runtime: 35:59

Side A (20:36)

A1: Deluge (6:48)
A2: Metamorphosis (6:59)
A3: Flying Vessels (6:49)

Side B (15:23)

B1: Kinetosis Study (12:22)
B2: Exit (3:01)

[Credits]

Composed, performed and mixed by Tomoko Sauvage
Recorded and produced by bohemian drips prior to Speicher festival, Berlin, August 2019 | Binaural recording with a KU 100 dummy head microphone
Mastered by Andreas Kauffelt in Berlin
Cover drawings by Baien Mōri (1798–1851)
Back cover photo by Richard Berger

© Tomoko Sauvage and bohemian drips – all rights reserved
www.bohemiandrips.de | www.o-o-o-o.org

A3 – Flying Vessels

Support the compilation on Bandcamp! All profits go towards The Lebanese Red Cross and The Beirut Musicians' Fund

Hiro Kone - Between Breath And Rage

Kronos Quartet is David Harrington (violin), John Sherba (violin), Hank Dutt (viola), and Sunny Yang (cello).

http://kronosquartet.org/

Here you will find our recordings of new work commissioned for Fifty for the Future: The Kronos Learning Repertoire. Released over five years beginning in 2016, this collection of 50 compositions by 25 men and 25 women from around the world will be devoted to the contemporary approaches to the string quartet and designed expressly for the training of students and emerging professionals. Scores and parts, audio recordings, composer interviews, and many more resources are available for free on our website.

Founded over forty years ago, we are a San Francisco-based 501(c)3 nonprofit organization. For more recordings, please visit http://www.nonesuch.com/artists/kronos-quartet or http://kronosquartet.org/recordings Thank you!

Jlin - Little Black Book

kronosquartet

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