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Tēva laiki 2023 Return Of Father Xmaster

Off of 2005's Let Live - https://itunes.apple.com/us/album/let-live/id487904245

All My Life - Midnite

مسلم وعبد الباسط حمودة- يا اصفر 2022

مسلم و عبد الباسط حمودة - يا اصفر 2022

"Jihad, Bitch"  ETHNIC | TRAP | BANGER MOTHERFUCKER

انا الاسد سايق عريني

12 years old unreleased tune, now limited 100 Free downloads.
R.I.P. Jah Shaka

Nickynutz Feat Jah Shaka Tony Tuff & Longfingah - Dreadlockz Style VIP [2011 dub, 100 FREE DL]

MASSIVE ATTACK - Unfinished Sympathy (Nickynutz 2013 Remix) 2023 Refix [100 FREE Downloads]

music by Andris Indans, lyrics by Ieva Viese, cover by Miķelis Fišers

Anna Fišere - voice
Undīne Balode - cello
Andris Indāns - voice, electronics

a song from the album "Saules Sirds", 2023
https://gasoflatvia.bandcamp.com/album/saules-sirds

Gas Of Latvia - Plūst

From ‘History Of The Future Part 2’
3CD + DVD box set // 2CD softpack // download
16th February 2015
Malicious Damage Records


Fussball (Deadbeat's Champions League Dub)

Complex Premiere: http://bit.ly/1GkzgCa

“One year ago, Stick Figure—the SoCal-based band—dropped "Smokin' Love." It's garnered millions of plays since so today, they drop a necessary remix to the track featuring an all-star line-up of Collie Buddz, J BOOG, Iration, and Funk Volume's Dizzy Wright. It's three-and-a-half minutes of laidback vibes and verses, that will soundtrack your summer all over again.” — Complex

http://www.stickfigure.com
https://www.facebook.com/stickfiguremusic
http://www.twitter.com/StickFigureDub
http://www.soundcloud.com/stickfigure
https://www.instagram.com/stickfiguremusic

iTunes

Smokin' Love (Remix Ft. Collie Buddz, J BOOG, Iration, and Dizzy Wright)

Dead Man's Chest - the hardcore/jungle revival project from Alex Eveson - returns with a third EP for Ingredients this March 18th.

Following on his Dreamscapes and Nautilus EPs, Alex's 4-track Farseer release sticks to his slower bpm and rave aesthetic guidelines, but leans in the direction of esoteric rollers. “Dead man‘s chest is simply me delving into and re-imagining the music that got me hooked 20-odd years ago,” says the Bristol producer.

Today's Debut Transmission 'Unnatural Mystic' is as arcane and unpredictable as its title suggests, with muffled chants that swirl through layers of relentless breaks and fuzzy pads. The track can be streamed exclusively below and picked up next month via digital download or red and orange marbled 12" vinyl.

Dead Man's Chest - Unnatural Mystic

Minimal Techno, Berlin Minimal Music Dj Mix 2012

Minimal Techno

dziesmiņa par lūciju

Taken from the album "John Frusciante - Maya" (23rd October 2020)
https://planetmu.bleepstores.com/release/200467-john-frusciante-maya

John Frusciante releases the first instrumental electronic album under his own name on Aaron Funk's Timesig label. The record is dedicated to his cat Maya who recently passed away, a fellow traveller in his otherwise solitary music making sessions. He says "Maya was with me as I made music for 15 years, so I wanted to name it after her. She loved music, and with such a personal title, it didn't seem right to call myself Trickfinger, somehow, so it's by John Frusciante." 

  'Maya' is inspired by his favourite music: '91 to'96 UK breakbeat hardcore and jungle. It’s a varied and personal take with sophisticated, authentic production balanced against John’s acute sense of melody, an inspired blending of machines and samples infused with a joyful energy.

  After discovering early UK rave music, John started dancing at drum & bass club nights in Los Angeles. He then got into Venetian Snares' music at the Autechre curated ATP in 2003, eventually becoming friends with Aaron resulting in the Speed Dealer Moms collaboration which boosted his confidence in making electronic music.

  The process of making his tracks changed over time as John explains; “For a full year before I started this record, I worked within self-imposed limitations and rules that made the music-making process as difficult as possible, programming for programming's sake. After a full year of that, I decided to make things easier, to the degree that I could regularly finish tracks I enjoyed listening to, while continuing many of the practices I‘d developed. Throughout the recording of Maya, I would prepare to make each track very slowly, but would finish tracks very quickly. I'd spend weeks making breakbeats, souping up a drum machine, making DX7 patches, and so on. By the time an idea came up that seemed like the beginning of a tune, I had a lot of fresh elements ready to go."

  John says his solo music has changed; "I don't have that interest in singing or writing lyrics like I used to. The natural thing when I'm by myself now, is to just make music like the stuff being released this year. I really love the back and forth with machines and the computer." The fun he’s having on 'Maya' is infectious.

Tēva laiki 2023 Return Of Father Xmaster

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