The Chase action adventure, the struggle, overcoming, the thrill of overcomming victory. Orchestral mock up. If you like my music find more visit my website on www.williammalcolmjonescomposer.com

action adveture chase 2

The synth and rhythm tracks are inspired by my love of The Who. Specifically Who Are You, Won't Get Fooled Again and Baba O'Riley. Once I started adding melodies it took on its own life. That's the cool thing about recording sometimes. The song goes where it wants to regardless of how hard I try. ;-)

03-02-18: Replaced original mix 3 file with MIX 5.
03-06-18: Replaced file with MIX 9
12/19/18: Replaced file with lossless AIF
05/02/19: eMastered mp3
08/12/20: Final Version v2.3

Shut Up & Play

Who's Rising

iTunes

"The Only One" is a sonic journey starting from despair and isolation, and finishing with hope and connection.  Please support his music on social media, and visit his website at www.micahthunder.com

The Only One

Buddha

Trolls in the Cloud

Hoodwinkers (Stuttering Tells)

Hecludium Hecludis

SINGULARITY V.3

​Duo for Flute and Marimba - Music by Robert Paterson
Duration 15'
Performers: Sato Moughalian, flute; Robert Paterson, marimba

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1209

For more information: https://robertpaterson.com/duo-for-flute-and-marimba-six-mallet-version

NOTE: this work is also available as a version for four-mallet marimba:
https://robertpaterson.com/duo-for-flute-and-marimba-four-mallet-version

PROGRAM NOTES
There were two particular goals I had while writing Duo for Flute and Marimba. I wanted to write a piece that was substantially longer than a usual five-minute, one-movement chamber piece, and I also wanted to write a work with a marimba part that uses six mallets for someone other than me. Ingrid, being one of my most courageous friends, offered to learn this difficult technique if I would write a piece for Kesatuan.

This duo is constructed in three contrasting movements. Although the two outer movements have more in common with each other than with the jazzy second movement, shared motives, melodic fragments, textures and rhythmic ideas permeate all three. The flutist has an opportunity to use an alto flute in the last movement, and the marimbist uses six mallets in the first movement and five mallets in the third. My general goal with this duo is to squeeze as much color, contrapuntal interplay and excitement out of this combination of instruments as possible.

The first movement, Allegro Misterioso, is meant to have a somewhat soothing quality, defined by lightly ornamented flute lines and ostinati in the marimba part. The structure of this movement is essentially a simple A, B, A’ form.

The jazz-influenced second movement, Playfully Seductive, is written for a friend I met during the summer of 1998 named Elyse, with whom my wife Victoria and I became good friends. Elyse not only has a beautiful singing voice but also happens to be a flutist. During one discussion, she told me that her father played the role of Tony in the first Broadway production of Leonard Bernstein's West Side Story. A few times, we had fun playing and singing through her West Side Story songbook. During this movement, I refer to West Side Story and also to Elyse, her bass-playing ex-boyfriend (now her husband), Victoria and even myself through thematic leitmotifs. The form of this movement is similar to the first, in that the introductory material is re-introduced near the end of the movement.

The third movement, Vivace, is similar to the first movement in that it also contains ornamented flute lines and marimba ostinati. Themes are borrowed and developed from the first two movements, and both the first and third movements contain flute cadenzas. The end of this movement provides an exciting conclusion to the entire three-movement work.

Six Mallet Marimba

Duo for Flute and Marimba - III. Vivace

Perpetua

Grave Danger

threshold of faith - Nothing Makes Sense
	
◆ Bandcamp: 	thresholdfaith.bandcamp.com/album/
◆ Spotify	
◆ iTunes	

Musical project from St. Petersburg, Russia that creates experimental rock music, intricatel mixing the genres of guitar music and electronic music in the most unexpected combinations	
	
☛ Follow threshold of faith	
facebook.com//threshold0ffaith	
youtube.com/channel/UC62QnpgCYtb-S-wzSD4wBug	
twitter.com/threshold0faith	
instagram.com/threshold_of_faith

Wrong Way

Nothing Makes Sense

A music representation of the approach.
--
Photo by Oskar Kadaksoo on Unsplash

Approach

Approach – Ambient & Cinematic Music

i've hit the MAX 2000 I AM ALLOWED TO FOLLOW BACK. SORRY

It's a hobby now and I'm not active in the music thing, I have been writing electronic music for over 2 decades, my music has been on CD-ROMs, video games, independent productions, commercial speaker packages (COZO speakers of Japan), etc. etc. 

	I have been writing under a pseudonym, Kryptonic, since 1999.  I started writing my own original music starting in 1989.  With the increasing ubiquity of the Internet, I went from amateur to professional (used to get paid for it) in a very short amount of time. I specialize in electronica music, but I am not restricted to just that genre.  I also write orchestral, film, and world music as well as dance, EDM, trance, and everything in between.

I’ve developed these skills over a long period of time and long hours , my secret formula to producing and writing music is so secret even I don’t know how I do it to be honest.  It’s just an affinity, the grace of God and a lot of hard work and time. 

* sometimes it involves making a lot of mistakes and foibles but choosing the right mistakes somehow makes things work, it takes 10,000 hours to master anything and even then you're still accumulating knowledge and technique. That's approx 30 years of fiddling around. 

Sorry I don't get around to my Soundcloud page very often to read or answer comments and sorry for the inconsistent quality I can't mixdown to save my life. But every few weeks I get around to it.... Larry

SINGULARITY V.3

KRYPTONIC

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