My soundcloud 2020 says ive listens to this the most this year 

I was still tearing through the surface
Closing on me, closing on me
I was soaking back into darkness
Closing on me, closing on me

A taste of our official releases, archived. For comprehensive list of releases you can check us out on Spotify • https://spoti.fi/2EcAFjI or Apple Music • http://bit.ly/2CIp7mE

→ in full on Spotify

LUCKYME • Releases

you see me on my own
myself on my own
you see me on my own
myself on my own
do it
on my own
myself on my own
you see me on my own
myself on my own

you see me on my own
you know that i'm on my own
i’m not looking at my phone
myself on my own
do it on my own
you know that i’m on my own
i’m not looking at my phone
i can do it on my own

do it

Artwork by DOSS©
Photography by Alex Lee
Mixed & Mastered by Gabriel Schuman

www.doss.world

It’s the music ♫

Look

maybe this song won’t leave you
maybe this song believes you
and maybe i have fun too
and maybe i could sing too

sing too,
sing too,
sing too,
sing
sing too,
sing too,
sing too,
sing
sing too,
sing too,
sing too,
sing, sing, sing, sing

Artwork by DOSS©
Photography by Alex Lee
Mixed & Mastered by Gabriel Schuman

www.doss.world

It’s the music ♫

Strawberry

Buy → https://l-ky.me/eli

New York based percussionist and composer Eli Keszler is set to release his new album Icons on June 25 via LuckyMe. Icons is an immersive work in perpetual motion, evoking a glorious and dystopian western world. Known as a frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley, and Rashad Becker, Keszler’s latest solo venture offers up a latticework of melodic percussion, drum set, and electro-acoustic instrumentation, built upon fragments of American abstraction, ancient scales, industrial percussion, and jazz-age film noir to achieve its feeling of imperial decay. Keszler’s instrumental performances are framed by panoramic recordings of New York City and the Odyssey Cave, along with other on-location audio from his global travels, defining an expansive music that takes on hyperreal forms difficult to describe outside of the loss and wonderment that defines our age.

“Icons is the music I made during a time where travel and trade were effectively suspended,” states Keszler. “I spent nights wandering around Manhattan collecting recordings of the empty and silent city where a car alarm was audible from blocks away, where the hum of the electrical grid and the clash of bicycle gears suddenly occupied a massive amount of space. I spent the entirety of that year in Manhattan, probably the longest I’ve stayed in one place in over a decade. The island was essentially shut down and running at an erratic pace. The speed of the city seemed to oscillate from intense speed - ambulances, protests, helicopters —  to near stasis — a sort of beautiful, strange, serene stillness. I saw something strange and beautiful happening: power cracking and people changing. With Icons, I was working with these mythological tropes that are deteriorating and decaying before our eyes to create a music that finds beauty in our fragile and unstable reality. 

Keszler has released music on Shelter Press, Empty Editions, ESP Disk and PAN. His 2018 album Stadium was awarded Boomkat’s Album Of The Year.  Most recently, Keszler wrote the original score to Dasha Nekrasova’s feature The Scary of Sixty First (which made its recent premiere at Berlin Film Festival) and contributed to Daniel Lopatin's original score for Josh and Benny Safdie's Uncut Gems. Keszler’s music, installation, and visual work have appeared at the Whitney Museum, Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Harvard's Carpenter Center for the Visual Arts, Luma-Foundation, Barbican, Walker Art Center, and MoMA PS1.

Icons

The Accident

Pre Order The Album

Eli Keszler - The Accident

Buy → https://l-ky.me/eli

LUCKYME present the new album from New York based percussionist and composer Eli Keszler. Keszler has released music on Empty Editions, ESP Disk and PAN. His album ‘Stadium’ released on Shelter Press was awarded Boomkat’s 2018 Album Of The Year. Frequent collaborator to Oneohtrix Point Never, Laurel Halo, and Rashad Becker – Keszler’s has shown and performed at The Lincoln Center, Victoria & Albert Museum, MoMA PS1, and The Barbican. He has worked across music, film and art, and has had exhibitions at the South London Gallery, MIT List Center and collaborated with Turner Prize winning artist Laure Prouvost and Kevin Beasley. Keszler has written the original score to Dasha Nekrasova’s feature The Scary of Sixty First that premiered this year at the Berlin Film Festival, and his other film work includes contributions to Daniel Lopatin's score for the Safdie Brother’s acclaimed, Uncut Gems. Keszler's new album, ‘Icons’ builds upon fragments of American abstraction, dreamlike ancient melodicism, industrial percussion, jazz age film noir and imperial decay. The music takes on forms difficult to describe outside an articulation of the loss and wonderment that defines our age.

Eli Keszler - Late Archaic

Buy → l-ky.me/eli

New York based percussionist and composer Eli Keszler is set to release his new album Icons on June 25 via LuckyMe. Icons is an immersive work in perpetual motion, evoking a glorious and dystopian western world. Known as a frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley, and Rashad Becker, Keszler’s latest solo venture offers up a latticework of melodic percussion, drum set, and electro-acoustic instrumentation, built upon fragments of American abstraction, ancient scales, industrial percussion, and jazz-age film noir to achieve its feeling of imperial decay. Keszler’s instrumental performances are framed by panoramic recordings of New York City and the Odyssey Cave, along with other on-location audio from his global travels, defining an expansive music that takes on hyperreal forms difficult to describe outside of the loss and wonderment that defines our age.

“Icons is the music I made during a time where travel and trade were effectively suspended,” states Keszler. “I spent nights wandering around Manhattan collecting recordings of the empty and silent city where a car alarm was audible from blocks away, where the hum of the electrical grid and the clash of bicycle gears suddenly occupied a massive amount of space. I spent the entirety of that year in Manhattan, probably the longest I’ve stayed in one place in over a decade. The island was essentially shut down and running at an erratic pace. The speed of the city seemed to oscillate from intense speed - ambulances, protests, helicopters — to near stasis — a sort of beautiful, strange, serene stillness. I saw something strange and beautiful happening: power cracking and people changing. With Icons, I was working with these mythological tropes that are deteriorating and decaying before our eyes to create a music that finds beauty in our fragile and unstable reality.

Keszler has released music on Shelter Press, Empty Editions, ESP Disk and PAN. His 2018 album Stadium was awarded Boomkat’s Album Of The Year. Most recently, Keszler wrote the original score to Dasha Nekrasova’s feature The Scary of Sixty First (which made its recent premiere at Berlin Film Festival) and contributed to Daniel Lopatin's original score for Josh and Benny Safdie's Uncut Gems. Keszler’s music, installation, and visual work have appeared at the Whitney Museum, Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Harvard's Carpenter Center for the Visual Arts, Luma-Foundation, Barbican, Walker Art Center, and MoMA PS1.

Static Doesn't Exist

Jasper's Song

Taken from the album 'Guiding Hand', released  11 August 2023 on Foreign Family Collective: https://ford.lnk.to/guidingSo

Follow ford. -
Spotify: https://found.ee/ford-sp
Apple Music: https://found.ee/ford-am
YouTube: https://found.ee/ford-yt
Bandcamp: https://found.ee/ford-bc
Soundcloud: https://found.ee/ford-sc
Instagram: https://found.ee/ford-ig
TikTok: https://found.ee/ford-tt
Facebook: https://found.ee/ford-fb
Twitter: https://found.ee/ford-tw

#ford #ForeignFamilyCollective

In Motion

In Motion (feat. A Beacon School)

Stream / Buy: http://smarturl.it/AmericanEyes

Facebook: www.facebook.com/promisesltd
Twitter: www.twitter.com/promisesltd

Promises Ltd. is the union of Jeremy Malvin otherwise known as electronic musician Chrome Sparks and Charlie Brand of the band Miniature Tigers. The duo's eponymous debut EP is out now.

Mgmt: 
Ben@yebomusic.com

American Eyes

stream/download: hwtrs.co/mmunicating
tour dates: hwtrs.co/tour 

I only wanted 
A haven in your harbor 
I only wanted 
Part of you 
But you had to walk in
Take all of my possessions 
Any day, any day 
Drifting farther and farther away 

I’m only a particle 
A drop in you, forever dissolving
Look at us revolving In a glass
intact and trapped 
And you can keep it all at bay 
Always an arm's length away 
But one of us is changing 
Read between the lines 
Don’t ask me to repeat it 
What’s that?  
You’re breaking up 
I only wanted 
Some kind of consolation 
Now I’m going somewhere 
Out of view 
Cause it’s just too much 
Too much light in the sky 
An expired constellation 
Way up there.. are you there.. 
Drifting farther and farther away 

Scared of letting go 
Stay the same route 
Someone tell me where to go 
If i get locked out 

I’m only a particle a drop in you, forever dissolving 
Look at us revolving 
In a glass
intact and trapped 
And you can keep it all at bay
Always an arm’s length away 
But what are we exchanging? 
Read between the lines 
Don’t ask me to repeat it 
What’s that? 
You’re breaking up 

I only wanted 
Someone to rely on
I only wanted 
A point of view 
Now it’s just too much 
Too much light in the sky 
An expired constellation 
Way up there, are you there 
Drifting farther and farther away I can’t hear you now 
[ how should I know? ] 
Scared of letting go 
Stay the same route 
Someone tell me where to go 
If I get locked out 
Don’t ask me to repeat it 
What’s that? 
Are we breaking up?

Free Download

Particle

Second 2 None / Blu

Second 2 None (feat. Christine and the Queens)

‘Too Real (Remixes)’ Out Now -
Counter / Stream / Download: https://giraffage.lnk.to/rmxs

Taken from ‘Too Real (Remixes)’ released 5th December 2017 via Counter Records.

Follow Giraffage  -
Spotify: http://found.ee/giraffage-sp
Apple Music: http://found.ee/giraffage-am
Facebook: http://found.ee/giraffage-fb
Twitter: http://found.ee/giraffage-tw
Soundcloud: http://found.ee/giraffage-sc

Too Real (Remixes)

Maybes (feat. Japanese Breakfast) (RAC Mix)

Buy / stream ~ https://kucka.co

I went back to my hometown Liverpool earlier this year to shoot the video. Check it out  ~ https://youtu.be/WTKDPhRiKGo

Drowning

Watch Video

buy/listen - pluko.lnk.to/COLOR_BLIND

follow pluko:
instagram.com/pluko
twitter.com/pluko
facebook.com/plukomusic
@plukomusic

follow Splendid Society:
instagram.com/splendid_society
twitter.com/splendidsociet
facebook.com/splendidsocietyy

COLOR BLIND

isittoogoodtobetrue?

buy/listen

Note To Self ft. Empress Of

pleased to announce the upcoming release of my NEW album ‘The Color of Nothing’ 🌏

the album is officially out October 16th with the title track & official music video off the record out today :-) digital and vinyl pre-order is available in my new online store + some fun limited run ford. merchandise that I’ve been working on for the past few months (more to come on that as well 👀) 

I started writing this one shortly after the release of “(The) Evening” and have carried it with me throughout the past 2 years. Both this song and the album are a reflection and culmination of my experiences throughout those years and I can’t wait to share the whole project with you.

big thank you to @foreignfamily for helping make this release possible, love y’all.

preorder / presave / stream / buy / watch: foreignf.am/tcon

Drowning

KUČKA

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