Drumcode

This week on my Drumcode Live show I have an hour from my set at Metropolis, Naples.  Expect to hear tracks from Rodhad, Ben Sims and Juan Sanchez.

01. Lewis Fautzi - Tremors - Soma
02. Robert S - Nery - Planet Rhythm
03. Romanolito - Borborygmus - True Type Tracks
04. Voiski - Falling Behind - Field Records
05. Rödhåd - Red Rising - Dystopian
06. Fixon - They Killed Us [Ricardo Garduno Remix] - Amazone Records
07. Juan Sanchez - Morcilla - Drumcode
08. Nicolas Martos - Assembler - favor
09. Redhead - Edifice - Reda Recordings
10. Gary Beck - Wren
11. Exium - Subshell - NHEOMA
12. Emmanuel - One Million Enemies - Monnom Black
13. L.A.W - Repulse [Chris Colburn remix] - Illegal Alien Records
14. Möd3rn - Mö 10 - Mod3rn
15. Fixeer - Fahrenheit [Kyle Geiger Beat Tool Remix] - Vector Function Records
16. Ben Sims - Samurai - Theory
17. Savas Pascalidis - Nightshades - NON Series
18. Arnaud Le Texier - Continuum - Affin
19. 2000 and One Fused - Fused - Intacto

DCR240 - Drumcode Radio Live - Adam Beyer live from Metropolis, Naples

We didn't need asking twice if we'd like a new track from @CidRim. The Viennese don of live electronic jamming is practically family now, having done Boiler Room three times: once live and solo, once on the decks with Clonius, and once as part of the Dorian Concept Trio for our stunning In Stereo session (soon to be archived - keep em peeled). This new track on Affine is out on the 23rd, and it reminds us of prime Timbaland, "Hyph Mngo" and full-tilt jazz-fusion all at once, which can't be a bad thing, can it?

Cid Rim "Charge" - Boiler Room Debuts

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

01 - DC107 - Mikael Jonasson - Benefit Of The Doubt -Drumcode

02 - DC107 - Adam Beyer - Never Really Left Home - Drumcode

03 - DC107 - Ida Engberg - Lucky Ones - Drumcode

07 - DC107 - Manic Brothers - Different Directions - Drumcode

05 - DC107 - Patrick Siech - Kill Room - Drumcode

04 - DC107 - Joel Mull - Rimson - Drumcode

06 - DC107 - Petter B - Second Coming - Drumcode

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern. 

08 - DC107 - Cari Lekebusch - Xylopeggiator - Drumcode

Renato Cohen has remade his Pontape original eleven years on, bringing new life to one of techno’s classic records. Beginning with the immediately recognisable droning bass line that has become so synonymous with the release, Cohen introduces a build during the middle section that gives the track a new depth second time around. Alan Fitzpatrick has been selected for remix duties, adding a contemporary twist to this classic track by retaining the original hook-line using the drone in the breaks but adding his own synth-stab to bring a new and interesting dimension to the track.

Drumcode

Kumiko Quindici