JS. BACH, Concerto BWV 1059a, Aria / André Isoir

This is my response to this week's @naviar-records haiku challenge. Here's the information about that:

"young grasses -
not yet bent
in any direction"

Kaga no Chiyo-jo (1703–1775) was a haiku poet discovered by Kagami Shiko at a very young age. She became a Buddhist nun at 52 and wrote around 1,900 haiku in her lifetime. A highlight of her poetry career was presenting haiku to a Korean delegation in 1763, one of the first cultural exchanges of this kind.

Haiku by Kaga no Chiyo

Extract of picture by Kateryna Viderska

 
Submission deadline: 3rd September 2025
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

direction (naviarhaiku608)

I use sound as a way to express my healing process, accept reality, and find beauty in life's unpredictability. In its raw and unfiltered form, sound serves as a powerful medium for conveying the complex emotions I experience while navigating life's chaos and uncertainty. By embracing disharmony and unexpected shifts in my music, I am not only accepting reality as it is, but also transforming it into something meaningful and intimate for me. This creates a space where vulnerability and acceptance coexist, allowing me to find love and beauty in the imperfect and even the disturbing.

Hide but seak

The Masters of the Roll – Claude Achille Debussy

Sails - Preludes BK 1 No. 2

Bach: Sonates en trio, BWV 525-530 (Alpha Collection)

Sonata No. 3 in D Minor, BWV 527: I. Andante

ÜberBach by Arash Safaian. Performed by Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester

ÜberBach

II. Toccata (After Organ Toccata in D Minor "Dorian", BWV 538)

Live recording of Vivaldi Bassoon Concerto G dur Rv 493 with St Chrisopher Chamber Orchestra 2017 04 13 in St Cathrine church, Vilnius.

Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande (Arr. for Marimba)

Kuniko

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