Ever heard of "Ravi Shankar," by Dub Syndicate? If so, (or if not, google it, I'll wait. Then) this is a techno inspired dub of that track, per se. You may hear a passing similarity....

This track is one of my favorite tracks ever. My Angel Returns is the fourth track from my second Electro-Chemical set, from 2001, and it finally got this studio dub in 2013, since my first four sets were/are live dub events. This particular dub hits the loops hard, as it journeys the frequencies in a way that can only be found in techno. So close your eyes and sweep your arms in majestic motions (can you see the tracers?) and don't forget to step around the people sitting in front of you as you groove to an epic soundscape created by this vicious but beautiful hard trance track. Feel the sweat drip, as the electro-chemical pushes the moment!!!! And, as always, "Enjoy!" ^_^

My Angel Returns (The Destin dub Atomic Studio Mix)

My Angel Returns (The Destin dub Atomic Studio mix)

The title says it all. Listen, sail off, and enjoy! 🙌😄

The Next Decade

Surf Glider (One For The Naimliss Mix)

Back in 2010, I found a group of fellow Shadowrun enthusiasts online, people that knew more about the actual tabletop RPG than I did, since my knowledge of Shadowrun stems exclusively from the SNES version of the game. I did eventually get to play the Genesis game, too, but I never got very far in it. Regardless, both versions have awesome music, and it's one of the things that made the atmosphere of the SNES version such a classic.

Staying on point, back in 2010 when I found my fellow chummers online working to build a fan made Shadowrun MMO, an idea of incredible order for a group of dudes building it on their free time. Sad to say it never got finished despite roughly five years worth of development. During that time many people came and left the volunteer project. While I contributed in several capacities, like everybody else, this is my version of a title screen theme song, of which many were submitted.

So, for what it's worth, this is the first time this track has been released publicly despite being made back in 2012, I think it was.

Shadowrun: Awakened

Shadowrun: Awakened -- Theme Song

Another previously unrelease neo-classic from out the dub Station One archives, Open Your Eyes was the first track I created with females vocals, supplied courteously from my friend Sheena years ago. The instrumental is one of the oldest things I made on my first (Roland) Groovebox, the mighty 505, back in 1999. It was a definite experiment, since I had no clue about anything concerning music way back then. The vocals were recorded in 2002, I think, when I got my first sampler, the SP-303, with a massive 8MB memory card for the time. All that being said, kick back, hit play, and enjoy the abstract and ethereal jam. And don't forget to open your eyes.

Open Your Eyes

Open Your Eyes (Original 505 dub)

Another neo-classic from my 2005 era of producing one bouncy banger after another. This time I got more deep down with the sub-bass in places, because of course I did. The sample at the beginning is of Archbishop Ashe, RIP, and, along with my vocal samples, represent my then Christian beliefs. Nowadays, I consider myself a "True Believer," as I've always been a spiritual warrior, a demon slayer, and one doesn't need organized religion to be just that, or a good human being in general. Regardless, this is still a fun song with a decent message, so bounce along with me to Give Praise! 🔊🔉🔊🎵🎶💃🕺🎶🎵

Give Praise (Afterburn)

Another underground neo-classic trance banger, but this time it's my boi, Supa Dave, throwing down the mean sounds here! Well, he created the main pattern, which I later sequenced and added all the cool little crackly breakdown sounds to, dubbing how I do, because the dubbest, Kurt-thee-Inducer! Bounce to it, y'all! 🔊🔉🔊🎵🎶💃🕺🎶🎵🙌🎶✊🎵

Burnout (Original Blazed Mix)

Destination: Stranger is another neo-classic from my 2004-ish era, and the only track from my 1st Electrochemical Set to get an actual studio dub (so far), even after all these year. One day, whenever I get a new MC-505 and a new whopping 4MB memory card (or two), I'll finally create the other, long over due studio dubs for all the others songs in that set, as well as 2nd onward.

Destination: Stranger

For me, this is the track that setoff 8th street, aka, Benny Blunt's "Ghetto Wizards Studio," as I called it. This track was recorded before it turned into a trap house. If fact, the musical talent had barely moved up out of the basement there, as Ben and co. was already creating some marvelous sounds of their own, which eventually developed into Steel City's Chosen, a loose knit but refined crew of Pueblo east side's finest emcees, and me.

At some point, Boogs (or Booger Boo), feeling the hip hop vibe that he was and is still one with, had "moved into the studio," possibly sometime after this song was recorded. My timeline for back then is getting a little haze, as time wears on, but that's how I remember it. As a bit of evidence that this is the track that set it off, at 6:17-18, right after Boogs says "Bon ... Jovi!" you can hear us all cheering like jackasses for a second or two before the mic shuts off. Man, to think of all that happened after that moment.... #Greatness

Love's Lonely

Another neo-classic 8th Street, Ghetto Wizards Studio banger for you to put on your dancing shoes to! This time John Wang's leading the groove with the hard lyrical styles of Bennie Bluntz and Lil C, the Pit King, coming through, and with a guest appearance from Shylo, enhancing the chorus with her unique singing vibe.

For me, Kurt-thee-Inducer, this track is a lesson in Mastering, as are most from the Ghetto Wizards Studio. Like most song from there, I didn't have anything to do with the recording process of this song, and the original track -- the only archive version I have of it on cd -- is or as a brick wall of a waveform. Even so, at least this track had some headroom, despite being squish af. (We Got Those was peaking left and right, which you can find below in my playlist.) The key for me, as a Mastering Engineer, is to hone in on the skill on display and carve that out of this almost lost file I have. Turn it up and sing along!

How Do You

A previously unrelease track, Amped Lightning is another John Wang banger featuring yours truly spit'n some hot fire over it! At least I feel this is one of my best vocal tracks after hearing it again after two decades. Sure, I'm probably not very impressive to real a hip-hop head, but I've never been down with the sound like the career lyricists I've worked with. Quite simply, I'm just happy with how well I got down, verbally, without any cringe.

Well, maybe except for the opening line, which is a reference Wang hitting me up to work on a track after we both clocked out that day. I worked at Little Caesar's, and I worked at Sonic Drive-In. It was a day when everybody in town was hungry and both Wang and I were reeking with sweat and oil from our respective jobs when we finally sat down "in the studio" to smoke some weed and check out this beat he wanted me to rap over. I believe I only got the first verse written while smoking, before we called it night. Maybe, maybe not. We might've just smoked and listened to that track and I recorded my lyrics a different day. It's hard to say at this point in time.

I do remember "Amped" is the name of the notebook I had written my lyrics in, but I'm not sure about where the "Lightning" part of the title came from. I surmise there was a lightning storm happening when I either finished or started writing my lyrics and was was influenced by that. Either way, this is a fun banger that displays my vocal talent for shifting from my regular voice to my distorted vocal, which is an original style based upon that I've never heard anybody ever do such a thing before or since. You know, because I'm a bad ass like that. B)

Amped Lightning

An incredible Supa Dave banger, Illiad (Word Rock), was recorded at the height of the Ghetto Wizard Studio on 8th Street, right there in the living room, with a party in the dining room not ten feet away. This is Supa at his best. The original beat his is his, his lyrics are (always) on point, and then there's Boogs and I backing him up, too, just to make sure this song is ripping shit apart as you bob your head, shake your hips, and stomp along.

Admitted, my vocal could probably be turned down a bit, but this particular version was mastered from an MP3, which was also the only version I have that has the delays at the end of each verse. I also added in that extra sound before Supa Dave's first verse. While the absolute silence there from before was excellent timing, I feel that sound helped to round out the song a bit more. Turn it up, and enjoy!

"I heard ever word And began rock Not absurd with the rhythm But the aftershock" ---Booger Boo

Illiad (Word Rock)

Space Flight FTL is a little somethun I made at the same time and as a companion track to Ludicrous Speed GO!, in which it was originally supposed to be a bridge, but I felt it switched up the vibe too much amid that song. So, here it is, on its own, the low key ear worm that it is.

Space Flight FTL

Here's a little something from my 2005 jungle set, called Crack-e Cricket. It's a tiny (sonic) tale of a cricket that did crack, LSD, 'shrooms, ecstasy, (or "E" as its known,) and probably some other substances, too, candy flippin', to get all cracked out. I'll let you decided what happened during its intense drug trip though....

Jungle! Jungle!

Crack-e Cricket

A slam'n neo-classic from the mighty La Reux Da Cat, Lareux #3 is far from his third track he'd made at this point in time, probably late 2003-ish when the original pattern was made, but that fact is lost to time. Who knows, made he'd mixed it not long after it was first made it and I finally it with a studio dubbing when I'd finally learned how to create and record such madness. This was back when I was in my element behind the boards and ripping sounds apart like mad professor, a true sound scientist, if I do say so myself. And, nowadays, with my new found knowledge of how to actually Master these old school closet bangers finally out dub Station One archive, well, they're starting to sound as fresh as tomorrow once again. So put on your party pants, if you wear such things, and hit that dance floor, or zone out to the massive sci-fi sounds blasting out our speakers,. Please listen at a reasonable volume. ;D

Lareux #3 (Dat Bad Ass Sound!)

The ninth track off my actual fifth album, Jungle! Jungle!, compiled back in 2005, Demon Slayer is who I was back then and still am to this day, if in a bit different way. More Solomon than damnation for those I take in hand. Making you pay in jewels, while you also build my temple. A true sound design, embedded in the subconscious, staring at you through the mask. Mine or yours? I scoff at that question. Can you perceive all that is vibrating the air around you? Here, birdie-birdie....

Demon Slayer

This is a random track I didn't know I had a copy of, but I'm glad I do, since it's a slam'n low key banger! While I'm not sure of the details, I think Wang made this track sometime back in 2003 or maybe even in '04, as it's from of one of my random 8th Street archives. Wang was making so many tracks left and right back then and, for me, this one got lost in the shuffle of them all, so I'm glad to bring it to light the dance floor with that peculiar and infectious John Wang style.

Wang's Breakbeat Lounge

Another simply massive banger by La Reux Da Cat, Free Fall has this feeling that reminds of Michael Jackson's Thriller for some reason, specifically the famous zombie dance move. You know the one. When that, uh, "bright distorted" sound hits (for the first time at 3:02), that's the zombie dance move sound in my mind. Just a random factoid for anybody reading this. Other than that, as with a lot of songs back then, my friends would make a track then, when I found one that really peaked my interest, I've give it a phat studio dubbing, like with Free Fall here. Man, I really miss those studio days....

Free Fall

A simple intro I made back in 2005 or '06 that has that vibe, which I feel fits the transition between genres I have posted here on my page. Turn it up!

Psychedelic Sitar Intro

This was a fun one to Master, as I first had mix/mesh two versions of this track together to get this composited version. One version has the DJ scratches but sounds hollow overall. The other version is a beefier sounding version without the scratches, which led to an interesting dilemma. Recorded and released back in, I believe, 2003, World Full Of Lies is an underground anthem from the turn of the millennium that's still just as banger today as it was twenty-ish years ago.

The DJ scratches were added, at a guess, a month or so later, and recorded over an inferior sounding cd version, me thinks, instead of alongside the master tracks. Why that is ... I'm not sue anymore. But, I surmise it was simply easier at the time to record the scratches over a stereo track. I doubt it was quicker to do so that way, or for the sake of saving memory however. The original project could have been out of tracks, or maybe it started glitching and wouldn't allow anything new to be recorded in that particular (original) project file. (Which, sadly, did happen from time to time back then, and it would even lead to the loss of, or lack of recording anything in any given file, and so compromises and workarounds were made and found.) I never kept any kind of studio log back in the day.... Or, no, I did, just not a very well organized or detailed one. That's one reason I post these neo-classic bangers, (and with my newfound mastering skill,) simply to preserve a funky young adulthood of a small group of Pueblo East Siders conscious to the world around us all. Sing along!

World Full Of Lies (J - Scratch Version)

Man, mastering this one was tricky, with how low its overall sound was, and the bass drum being the loudest part of the entire song, this is probably the biggest bass cut I've had to perform on any song so far to help level it all out. The vocals are more than a bit wishy-washy in places, too, so getting them to sit comfortable on top of this old mix just wasn't happening how I'd like. But, that bit of mud also helps to give it that dirty, old school, underground hip hop appeal, which this track 100% has.

Just Once

Uplift is another neo-classic from roughly 20-years, and it is one of the three song set -- "Ology" being part of it, on my page below; as well the classic, "Dope Pretenders," I believe it was -- which I recorded with the mighty John Wang, mixing it up like the mastermind he is, at Supa Dave's place, a little square apartment in northern P-town at the time. I remember after he began the first chorus, I went to push a button or turn a knob (for some reason now lost to time) and I accidentally hit the EFX switch right around as said "For the faces that are fake," and the feedback rang out crazy in that little apartment. Dave, being the pro he his, was unperturbed by the accidental dub. And, for what it's worth, I kind of wish that effect was replicated on each additional chorus. Regardless of studio accidents and experimental wishes, I feel this is one of those track I got to record where Dave is at his finest as a lyricist, representing the hip hop message at home, in the car, at work, in the party, and/or wherever. Always remember to Uplift.

Uplift

A track I made for a friend who got stabbed in her left side. She made it home all right without any medial attention. But, either way, healing is always in order.... Nothing extreme here, just something to get lost in and bounce around to for a bit.

(Third times the charms, unless I add vocals later, for this particular mix. Because, you know, the scratch bounce just needs to be itched sometimes.)

Left Side Healing (Scratch Bounce Mix 2)

Left Side Healing (Scratch Bounce mix2)

(Updated!) As it turns out, the actual pattern that this track was created is from -- to the best of my memory -- sometime 2001 or possibly 2002, although I'm not sure. Regardless, this bad little ma'amma jamma of a track was created by the mighty John Wang (https://soundcloud.com/#john-wang-2) roughly two decades ago, when we our crew, Eff-Kay, was filtering through the rave scene. Plus, as a collective, we were finally starting to understand how to use sounds effects on my Roland MC-505, and distortion quickly became a favorite to experiment. While possibly being within the first ten patterns John Wang had made on my 505, this is also one for the first tracks he used distortion on. The distorted riff of "Break!" reminds me of something ATB or AK1200 would play.

As for this particular (Hard Prairie Trance) mix, it is completely, and utterly brand new! While browsing my back catalog of potential tracks, I came upon this catchy little tune called "Break!" by John Wang. Me being me, I send Wang a message telling him about this really great old pattern of his. He said he'd like to hear it. So, I made a quick mix to show him. He dug it, and it gave me an idea of how to turn Break's pattern into an actual track.

I love this mix, because it shows how I'm finally learning how to mix a dance track, and make it memorable. There are a couple of parts I would like to exploit more in this mix, but, when I did, it lost the integrity of what you now hear and feel. I'm at the point of my music making career where, if the music stops making me want to move, then it needs to be cut and remixed to retain that progressing feeling; to usher the unconscious foot tapping upon hitting the play button.

"Break!"

You didn't know that I did dub-style remixes, did you? Well, I sure as all hell sure does! Anywho, this track started out as me asking my friend Gabe (then the Traveling Knife, but now https://soundcloud.com/valdar) if he's ever try his hand at making a trance track, since his style is a rough and tumble Industrial kind of EDM. He ended up producing two tracks, he said, because he was "having so much fun with it!" So, out came (un)Born and (re)Born. (Both of which can be found on his page in the link below.) Me being me, I heard a little extra somethings happening within (un)Born that was missing from his original cut. So, after some processing time in the studio with his original mix, I did my dub-thing and created this extended version, which I hope moves you to tears by the end of it. Big sounds, epic vocalizations, ruthless dragging stutters, and killer frequencies all abound in (un)Born (Kurt-thee-Inducer's dubstention).... Enjoy!

https://soundcloud.com/valdar

(un)Born/(re)Born

(un)Born (Kurt-thee-Inducer's dubstention)

Another throwback from roughly a decade ago. Make You Feel was recorded sometime at the end of 2003 or the beginning of 2004, I think, but I really have no clue. I was really busy music-wise back then. So much so that I actual put out several other rap tracks with my friends, despite on being a rapper. I'm featured exclusively on this abstract instrumental made by Bennie Bluntz, and it was mixed (live) by Supa Dave, both of Steel City's Chosen, as it was known as back then. The sweet DJ scratches were added by (the late great) J-Bird after hearing this track and liking it, much to my surprise.

As alluded to above, this was mainly a peer pressure track for me, as I never cared much for rapping. (Still don't for the most part, but, like anybody, I can appreciate some swank wordplay. Including my own, when the mood strikes me.) Even so, this track only took four takes -- two mixing and two of me rapping -- for Make You Feel to be completed.(?) It took maybe a half-hour or so overall to mix & record, and it helped to push the growing hip hop party culture spilling out of Ben's 8th Street Ghetto Wizards Studio, as I like to call it.

A fun fact: I helped to spawn that rock'n musical spot by complete accident. One lazy day at the so called Eff-Kay Mansion -- located on Joplin and Beech in the East Side of Pueblo, CO -- I was showing my peeps a DRK diss track I had made on my BOSS 303 Dr. Sample, one of my first foray's into recording vocals, and Ben happened to be home from a failed football career in college and heard that diss track. It had to be one of the hardest hip hop track I ever recorded, with hard distorted vocals over an equally hard "kill 'em" boom-bap rhythm that was overall equally tricked out with effects from the sampler, which it was all recorded on. I'm pretty sure it was that day put Ben on a musical career he never expected to be on. But a musical path was always in his calling as his pops was one hell of a Tejano musician himself.

Anywho, enough ranting for now. But always remember that: I can make you feel bad/ I can make you feel good/ I can make you feel/ And that's about it.

Make You Feel

A dedication to my cousin, Roy Garcia, aka Kupa G, who past away in August of 2013. Ghetto Warfare is his term, and this song was originally recorded sometime in 2004, I believe. Maybe 2005. So, either way, this is its 10th anniversary recording with a proper world wide release here on soundcloud. As the great Kupa G says, "So just grab a beer and hear me out, as this is the muthafuckin Ghetto Warfare Anthem,"  so enjoy!

The Kupa G Ep

Ghetto Warfare

Brand new! Good for you! Put on your dancing shoe! Something for you to strut to down the street to: Up and Down (Melted Strutter) an evolution of my sound, and this sound is the virus! Partly because I recorded my backup vocal while sick, but mostly because it is a mesh of genres to create what I call “Hip Pop Tech Trance”. Up & Down is a remix of the Left Hand Healing sound. (A song found below.)

I made the instrumental or Up & Down back October of 2014, but was unsure about whether I liked it or not. So I sat on it for roughly half a year before I decided to listen to it again. At that point, I liked what I heard and improved upon the master mix down with an extra couple of fill-ins and whatnot, then threw down the vocals, to produce this abstract track with a naughty vibe to it. Abstract sexy, if you will.... #ForMyLostLovelace

Remember to Like, Comment, & Share. Enjoy!

Up & Down (Melted Strutter)

Another banger from out of the 2005-06 era of dub Station One Records comes "Amazing Effect," and it is one of the most massive dance tracks I have ever created as Kurt-thee-Inducer! Loud and powerful, with an epic and engaging breakdown, you are sure to feel the affect you have on others as you groove along to its phat and funky 4/4 rhythm. So prepare for blast off, hit that play button, and enjoy!

Samples: "You have a kind of inner glow. ... People love you!... You have the most amazing effect on people."‬

Amazing Effect

What do you know about old school, 1990s, underground techno intensity? Let Kurt-thee-Inducer show you the way, and who runs this circus, with his "ImPossible Love Story (K.t.I.’s Story Of My Life Remix)" -- originally done by Jane Pick, one of today’s most massive underground EDM talents! Jane Pick’s original version is for the girls and this version is for the boys. So, whoever you are, hit play, and sing along, sing along to that bang out ending you are not expecting! You know what song this is. ;D #dubStationOne #JanePick #KtI #KurtTheeInducer #ElectroChemical #ImPossible #Love #StoryOfMyLife #Remix #TheBeatles #HeyJude #EDM #Techno #ProgressiveTrance #HardHouse #HardcoreHillstreetBlues #PraireTrance

For Jane Pick, because she deserves a _real_ remix and not just a different version of her Impossible Love Story. Do not get me wrong, having multiple versions is always a good thing, but having a genuine, super fan made, built up from complete silence to a massive floor filling banger remix is even better! So, after nearly eighteen years of self-taught techno grooving, and nine months of incubation on this bad ass track, I, Curtis Lee Cancino, Kurt-thee-Inducer here by dedicate this remix (of an already great track) to everybody that has an impossible love story of their own to tell. #BroFist

ImPossible Love Story (K.t.I.'s Story Of My Life Remix)

ImPossible Love Story (Story Of My Life Mix)

An original hard hitting D n' B track by my friend https://soundcloud.com/john_wang, remixed and dubbed out by me, Kurt-thee-Inducer! For some reason, the main riff always makes me think of Chef Boyardee, hence the 'Chef dub' added to the original K3 title. There are plenty of niffty effects and samples throughout this track, which is easily one of my top 5 favorite tracks I have been blessed to produce. I hope you enjoy listening it as much as I did remixing it. Enjoy!

K3 (Chef dub Cha Cha Cha)

An up lifting, sensational, and immersive Trance track. Listening to this masterpiece will carry you into the clear freshness of the sky on a beautiful Sunday morning.

Or, in my own words, this song is all about moving through the bowels of hell to rescue those who want out to be back in the fresh air of love and life. Check it out! ✊ #KurtTheeInducer #dubStationOneRecords #OneFitMusic #TheAirUpHere ✊

The Air Up Here

The Air Up Here (Original Mix)

One of the most massive tracks I've ever dub! The dynamics of this track are intense through and through, which help to showcase my new knowledge of how to Master such intense frequencies. Shatter your own looking glass of life with The 45th Degree!

The 45th Degree

The 45th Degree (Shattered Looking Glass dub)

My absolute favorite live mixed track ever! Another original banger by Supa Dave, The Heavenlies (Beyond Stratosphere) is from my 2004-ish era of production. I mixed this pattern off of my Roland D2 in a way that I normally don't, that is to say Live, as opposed to sequencing it out, and it only took me two tries to get this mixed the way I wanted it. It's easily another one of my Top 5 favorite tracks I've ever produced, too, which is a tie of a great many tracks. Anyway, check out The Heavenlies (Beyond Stratosphere), and enjoy the enfloating! :D

The Heavenlies (Beyond Stratosphere) from the 5th Session

The Heavenlies (Beyond Stratophere)

The Heavenlies (Beyond Stratosphere)

Inna Space is the first really hard studio dub I created, way back in 2003 or '04-ish. The problem before was I could never get a good enough recording of it to capture its incredible dynamic range while keeping its sound level up to par, too. Well, after years of figuring things out, this track now retains it's hard dance feeling, while also being acceptably loud in this 2023 Master. Enjoy, and don't forget to Like, Share, and Subscribe if you haven't already, And thank you for your support! ✊ I couldn't do it without you. 🙏

5th Session

Inna Space

I finally got this banger Remastered and restored to its original greatness, sans samples, and it's all the better for it. Give it a listen. ✊

The 16th

Aesthetic Mastering Services now available. I'll get you sounding even on all platforms. One Song $87, EP $396, LP $796. (Price varies per project. DM me for details.) Use Code: dubStationOne for 10% off!

Forget your stress and worries and dance with me! Bounce around to my techno & bop your head to my trip hop, or put it on in the background to keep your brain firing on all cylinders while you study or work out. Like & Share with your loved ones. 🔊🙌😄✊😃🎶💃🕺🎵

Two dub exclusives! My 3rd & 4th Electro-Chemical sets found at https://www.mixcloud.com/curtiscancino/

I make 1995-2005-ish techno and hip hop with hardware from that era, so put on your dancing shoes, and grab you loved ones, it's party time!

Kurt-thee-Inducer

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