My track from @torrexvi 's Attack/Decay/Sustain Vol 1 (out now), probably my favourite breakbeat rave tune I have done! A winding, shifting take on '93 darkside. The rest of the compilation is incredible so do please check it out!

https://torrexvi.bandcamp.com/album/attack-decay-sustain-volume-01

"Then it split and both halves lost something as a result. The more the tentacles extended and branched out, the more each limb solidified. Once vital and hungry, formula ate away at risk and intuition.
But that never happened.
Cynicism was never allowed to form. The tendrils kept growing, each extension Weaving in and out of itself. Individual in shape yet sharing the same function.
It was as if the seeds that were first planted were allowed to take hold and in turn, we were given voice."

Stratified

For our latest premiere, we have a new track from @pluralist entitled ‘Body’, which comes as part of a forthcoming 4-track EP to be released on @lechatroom. Having been played in various sets and radio mixes over the years, the tracks finally get a well deserved 12 inch release from the bass-heavy, London-based label.

Console EP

[IOM PREMIERE] Pluralist-Body (LCR005)

Djum is a tense skeletal take on drum and bass, replacing the standard heavy basslines with tight polyrhythmic drumwork. The metallic percussion takes the forefront, giving way to incredibly cathartic sub hits and sparse, distant breakbeats.

Buy the full EP: https://worshipbristol.bandcamp.com/album/worshipleft001

Bloodhound - Djum

**** Jah-Tek Premiere ****
Parts Project - Tomb (BAIT2)

Bait are back with their 2nd project of the series! Jah-Tek presents 'Tomb', by Canadian producer - Parts Project. This one dives deep into the soundsytem realm, 2 stepping and rolling throughout as anticipation builds through unsettling atmospherics and jarring, off kilter synth jabs.

Follow Parts Project:

Soundcloud: https://soundcloud.com/partsproject
Instagram: https://www.instagram.com/partsproject_/
Facebook: https://www.facebook.com/partsmusicproject

Follow Bait: 

Soundcloud: https://soundcloud.com/baitlabel
Instagram: https://www.instagram.com/beatricem._bait/

Follow Jah-Tek:

Youtube: youtube.com/jahtek
Instagram: www.instagram.com/jahtek/
Facebook: www.facebook.com/j4h.tek

Parts Project - Tomb (BAIT2) [Jah-Tek Premiere]

Qant - No Niceness

Tous les fonds récoltés serons reversés à l'association @lesmididumieofficiel

all raised funds will be donated to @lesmidisdumieofficiel

Collectif solidaire avec les Mineurs Isolés Étrangers à Paris depuis 2016, les Midis du MIE apportent repas, orientations et soutient aux ados en exils.

L’Association créée en 2016 et dont les valeurs principales sont la solidarité, l’accès aux droits, aux loisirs et à la culture, la dignité des personnes et la protection des enfants, a pour but de soutenir et de participer à des actions en faveur des jeunes migrant·e·s.

Les principaux domaines d’activité de l'association sont les distributions alimentaires et non-alimentaires, les maraudes, l'accompagnement administratif, l'hébergement d’urgence, l'hébergement de jour et lieu de vie collectif, l'apprentissage et culture, entre autres. Toutes ces initiatives demandent des ressources financières constantes

De plus, le lieu qui abrite l'association est sous le coup d'une expulsion. Elle a donc plus que jamais besoin de soutien pour pérenniser ses activités et pour trouver le prochain lieu pour continuer d’offrir un accueil de jour aux jeunes à la rue.
C'est pourquoi nous souhaitons lui reverser la totalité des revenus générés par ce 2eme volume de T.I.G.
credits
released April 1, 2024

mastered by @devoid666
visuals by @rond_cashton

hosted & curated by @sighhhhss & @ohjeelo
license

TIG Compilation Vol.2

Hyas & Argo - Double Standard

Darama X Kush Arora - Rattle

Product Toss joins the NHS for 'Plug Gulp,' a 4-track walk through the springy, sonically-gouged production style that the Newcastle-based artist has offered to the electronica world over the past few years. Disparate in BPM, structure, and inspiration, drawing idiosyncratically from Dubstep, UK Bass, and UK Funky, the vibe is profoundly dynamic and versatile in its engineering. Occupied with mid-frequency hums and inflections, bouncing against tight, syncopated percussion made seemingly from hollowed-out origins.

The journey across the collection follows the progression of mood and atmosphere akin to leftfield club music nightlife, with the artist drawing inspiration from their own experiences across many moments found only after dark. A desire to capture the evolution of such tracks' natural habitat is what informed Product Toss throughout their conception, and the 4 tracks nestle comfortably into this space - functional, DJ-ready tracks destined to influence movement.

'Bile' enters with a swung force characterized by pushing sub pulses, sparse drum patterings, and dripping, fluttery notes, both organic and inorganic in nature. Sensuous and dubby, the piece maintains a healthy homeostasis, shifting subtly with a droning layer of low-end that feels wholly reminiscent of Master Chief's shield recharging. Perhaps appropriate given the track is a weapon.

@ptoss
@nostro-hood-system

Buy:
https://nostrohoodsystem.bandcamp.com/album/plug-gulp

Plug Gulp

PREMIERE: Product Toss - Bile [Nostro Hood System]

Batomu

Iggy Dope’s EtherwerkZ label continues its higher assembly of bass futurists with the third Ascension compilation. Volume 3 scours the globe to find Mulholland, Mercy System, Flaty, Oyubi ,Warzou, NirBorna, Young Muscle and noRecall in finest form, cross-examining variations on the theme of broken club rhythms and meticulous sound design.

One of the tracks on the VA, 'Phantom Currency' is Lyon’s Warzou tight LFO’d jaunt of ghoulish dynamics.

Warzou
@warzouk
www.instagram.com/warzou_bigscience/

EtherwerkZ
@etherwerkz
www.instagram.com/etherwerkz/

Ascension Vol. 3

Phantom Currency

Premiere: Warzou - Phantom Currency | EtherwerkZ

"It feels like at the moment, we're lost in the long dark tunnel. Plenty of dance music seems to operate in a revivalist form, within a regression cycle, it's hard to pinpoint the exact sound of "now" without it referencing other points in history.

"We're trapped in 20th century culture on higher definition screens", poses Mark Fisher in a seminal lecture, and thus, exposes Berardi's concept of the Slow Cancellation of the Future. "Nothing ever really dies, but that's not good". In 1992 it was impossible to imagine the shape of music 6 months into the future, so why are we now constantly going back to these genres?

My aim with this release was to try and participate in the legacy of the Hardcore Continuum within the sonic context of the current world. A hyper-online, overstimulated landscape where our attention is constantly invaded by notification after notification, stimulus after stimulus. I try to materialise this by reshaping sharp noise into pulse, genre staples like the breakbeat get torn apart and forced into a brand new skeleton, and riot-invoking grime chants are repurposed into music set for a bleak now. Jungle, Dub, Grime, Garage, they are all present here, but the heavy gravitational pull of their legacies presents to me as a black hole I've tried to encapsulate in this EP.

Why is the future vanishing?"
—Pépe

Grane Drum [YUKU]

San Francisco Based Producer of future culture sounds

Darama X Kush Arora - Rattle

KushArora

Related tracks